一个陶土头雕像 - Bura - 尼日利亚 (没有保留价)

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Julien Gauthier
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在历史武器、盔甲和非洲艺术方面拥有十年的经验。

估价  € 150 - € 200
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来自尼日利亚的布拉文化陶土头雕,高19 cm,重840 g,状况一般。

AI辅助摘要

卖家的描述

The present head sculpture from the Tillabéri region in western Niger is situated within the cultural and archaeological context of the Bura culture, whose material remains are among the key testimonies of pre-modern societies in the middle Niger Bend. The Bura tradition, primarily known for its ceramic and stone sculptures, is often associated with funerary practices, ancestor worship, and the visual marking of social continuity. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.

The sculpture depicts an oval head, tilted slightly backward, resting on a neck that transitions into a fragmentarily preserved bust form. This deliberate reduction of the body to the head suggests a concentration of symbolic meaning in the realm of identity and memory. The face is structured by a systematic groove pattern: two parallel lines run vertically from the top of the head to the forehead, while further grooves divide the two halves of the face, creating a rhythmic, almost textural order.

The facial features are highly abstracted, yet clearly legible: slit-like, half-closed eyes, a straight, reduced nose, and a slightly open mouth form a reserved, contemplative physiognomy. The simply crafted ears blend into the overall austere formal language. A crack in the upper lip is particularly noteworthy, as it, along with other chips and signs of age, suggests a long history of use and possibly ritual significance.

In its formal simplicity and structural clarity, the sculpture embodies an early Sahelian pictorial tradition in which the human head is understood as a bearer of memory, presence, and transgenerational meaning.

Literature (selection)

Gronenborn, Detlef: Archaeology of the Bura Culture. Frankfurt, 1999.
Haour, Anne: Bura in the Niger Valley: Archaeology and History. Oxford, 2013.
LaGamma, Alisa (ed.): Sahel: Art and Empires on the Shores of the Sahara. New York, 2020.
Insoll, Timothy: The Archeology of Islam in Sub-Saharan Africa. Cambridge, 2003.

CAB47183

卖家故事

使用Google翻译翻译

The present head sculpture from the Tillabéri region in western Niger is situated within the cultural and archaeological context of the Bura culture, whose material remains are among the key testimonies of pre-modern societies in the middle Niger Bend. The Bura tradition, primarily known for its ceramic and stone sculptures, is often associated with funerary practices, ancestor worship, and the visual marking of social continuity. In absence of laboratory tests, the age and attribution of this piece stay subject to authentication.

The sculpture depicts an oval head, tilted slightly backward, resting on a neck that transitions into a fragmentarily preserved bust form. This deliberate reduction of the body to the head suggests a concentration of symbolic meaning in the realm of identity and memory. The face is structured by a systematic groove pattern: two parallel lines run vertically from the top of the head to the forehead, while further grooves divide the two halves of the face, creating a rhythmic, almost textural order.

The facial features are highly abstracted, yet clearly legible: slit-like, half-closed eyes, a straight, reduced nose, and a slightly open mouth form a reserved, contemplative physiognomy. The simply crafted ears blend into the overall austere formal language. A crack in the upper lip is particularly noteworthy, as it, along with other chips and signs of age, suggests a long history of use and possibly ritual significance.

In its formal simplicity and structural clarity, the sculpture embodies an early Sahelian pictorial tradition in which the human head is understood as a bearer of memory, presence, and transgenerational meaning.

Literature (selection)

Gronenborn, Detlef: Archaeology of the Bura Culture. Frankfurt, 1999.
Haour, Anne: Bura in the Niger Valley: Archaeology and History. Oxford, 2013.
LaGamma, Alisa (ed.): Sahel: Art and Empires on the Shores of the Sahara. New York, 2020.
Insoll, Timothy: The Archeology of Islam in Sub-Saharan Africa. Cambridge, 2003.

CAB47183

卖家故事

使用Google翻译翻译

详细资料

Ethnic group/ culture
Bura
原产国
尼日利亚
材质
Terracotta
Sold with stand
不是
状态
情况尚佳
艺术品标题
A terracotta head
高度
19 cm
重量
840 g
德国经验证
6201
已售出的几件物品
99,69%
protop

Rechtliche Informationen des Verkäufers

Unternehmen:
Jaenicke Njoya GmbH
Repräsentant:
Wolfgang Jaenicke
Adresse:
Jaenicke Njoya GmbH
Klausenerplatz 7
14059 Berlin
GERMANY
Telefonnummer:
+493033951033
Email:
w.jaenicke@jaenicke-njoya.com
USt-IdNr.:
DE241193499

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