Andrzej Gudanski (1979) - Nostalgia





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Nostalgia 是 Andrzej Gudanski(1979)的一幅 lithograph,2020 年作,以 2/50 的限量版在 Hahnemühle William Turner 310 g/m² 纸上创作,尺寸 594 x 420 mm,手工签名,状态良好,产自波兰,由艺术家直接出售并附有真迹证书。
卖家的描述
"Nostalgia" by Andrzej Gudanski
Limited edition on 310 GSM matte paper.
Paper name: Hahnemuehle "William Turner"
Paper size: A2 (594 x 420 mm)
Hand signed and numbered by the artist.
Print number may differ from that pictured.
Release date: 2020
Sent flat in a very rigid box, direct from the artist.
The Lithograph comes with certificate of authenticity by,, Andrzej Gudanski "
Andrzej Gudanski, thanks to indubitable talent and creative sensitivity, and by enormous diligence, presents himself today as a mature, already fully formed artist. He has developed his own and unique style. An artist - a child of an era in which voices of the end of history were heard, and in the art the post-modern currents have won - presents different vision of surrounding him reality. What is real cooperates with that what is imagined. The artist seems to have fun at the unusual, wonderful and absurd. It is impossible to distinguish between the serious and the frivolous. In his poetic and allegorical paintings the artist has deeply sketched drama of modern man and his complicated existence.
卖家故事
"Nostalgia" by Andrzej Gudanski
Limited edition on 310 GSM matte paper.
Paper name: Hahnemuehle "William Turner"
Paper size: A2 (594 x 420 mm)
Hand signed and numbered by the artist.
Print number may differ from that pictured.
Release date: 2020
Sent flat in a very rigid box, direct from the artist.
The Lithograph comes with certificate of authenticity by,, Andrzej Gudanski "
Andrzej Gudanski, thanks to indubitable talent and creative sensitivity, and by enormous diligence, presents himself today as a mature, already fully formed artist. He has developed his own and unique style. An artist - a child of an era in which voices of the end of history were heard, and in the art the post-modern currents have won - presents different vision of surrounding him reality. What is real cooperates with that what is imagined. The artist seems to have fun at the unusual, wonderful and absurd. It is impossible to distinguish between the serious and the frivolous. In his poetic and allegorical paintings the artist has deeply sketched drama of modern man and his complicated existence.

