Val Saint Lambert - René Delvenne - 花瓶 - VATEL - 水晶 - 已签署

Val Saint Lambert “VATEL” Vase by René Delvenne, 1950s

A sculptural example of post-war Belgian art glass, this VATEL model vase was designed by René Delvenne for Val Saint Lambert in the 1950s. Hand-blown in two-tone crystal, it combines clear crystal with rich magenta accents flowing organically through the form.

The design is characterized by smooth, twisting contours and a softly undulating rim, emphasizing movement and fluidity rather than cut decoration. The layered crystal creates subtle optical effects, with light and color shifting beautifully depending on the angle of view.

Entirely hand-crafted, the vase bears the engraved Val Saint Lambert signature on the base, confirming its authenticity and originality. An elegant and expressive mid-century design, representative of Delvenne’s refined artistic approach and Val Saint Lambert’s mastery of artistic crystal production.

This piece shares its silhouette and stylistic features with a documented group of vases illustrated in the authoritative publication Val Saint Lambert: Art & Design 1880–1990 by Michèle Thiry. Those closely related models, designed by René Delvenne, belong to the same creative family and were presented at Expo 58 in Brussels. While this exact version is not directly illustrated, its identical sculptural language and distinctive flowing form allow it to be confidently attributed to Delvenne and his celebrated post-war designs.

A striking collector’s piece embodying the innovation, elegance, and craftsmanship of Val Saint Lambert’s mid-century design language — equally suited to contemporary, modernist, or vintage interiors.

Val Saint Lambert, nestled in Seraing near Liège, Belgium, is a beacon of crystal craftsmanship with a legacy spanning nearly two centuries. Established in 1826 by chemist François Kemlin and engineer Auguste Lelièvre, the company transformed the remnants of the Val-Saint-Lambert Abbey into a thriving glassworks.

The 19th century marked a period of significant growth for Val Saint Lambert. By the early 1900s, the company employed over 5,000 workers, producing 120,000 pieces of glass daily. Their creations, renowned for exceptional quality and intricate designs, found admirers worldwide, including in Tsarist Russia and North America. A testament to their artistry is the “Vase of the Nine Provinces,” a monumental piece over 2 meters tall and weighing 200 kilograms, crafted for the 1894 World Exhibition in Antwerp.

The 20th century brought challenges, including the impacts of two World Wars and economic downturns. Despite these obstacles, Val Saint Lambert’s resilience ensured the preservation of its artisanal heritage. Today, the company seamlessly blends traditional craftsmanship with contemporary design, producing exquisite crystal pieces that cater to modern aesthetics.

Val Saint Lambert stands as a symbol of Belgian craftsmanship, where each piece reflects a harmonious blend of history, artistry, and innovation.

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