TRE D - Adriano Piazzesi - Okay - 扶手椅子 (2) - 好的 - 钢, 人造皮革





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两把 Okay 休闲椅,由 Adriano Piazzesi 为 TRE D Firenze 于 1972 年设计,采用镀铬金属框架和棕色 Skai 皮革面料,产自意大利,尺寸为 80 × 104 × 98 cm,成色良好。
卖家的描述
80.0 x 104.0 x 98.0 cm
A striking pair of “Okay” lounge chairs designed for TRE D Firenze in 1972, exemplary of the radical Italian design movement of the early 1970s. Defined by their sculptural chromed metal structure and boldly suspended skai upholstery, the chairs embody the experimental language that transformed Italian interiors during the post-modern avant-garde period.
The fluid tubular chrome frame creates a dynamic visual tension with the generously proportioned seat and backrest, resulting in a silhouette that is both futuristic and elegantly restrained. Their low, relaxed stance reflects the era’s fascination with informal living and innovative industrial materials, while maintaining the refined balance characteristic of Italian design culture.
Documented in Domus, no. 514, September 1972, page 108, confirming the model’s period authenticity and its relevance within the contemporary Italian design discourse of the time.
An exceptionally decorative and collectible pair, ideal for sophisticated mid-century and radical design interiors.
Italy, 1972.
Materials: chromed metal, skai upholstery.
Condition: original vintage condition with minor age-related wear consistent with time and use.
卖家故事
80.0 x 104.0 x 98.0 cm
A striking pair of “Okay” lounge chairs designed for TRE D Firenze in 1972, exemplary of the radical Italian design movement of the early 1970s. Defined by their sculptural chromed metal structure and boldly suspended skai upholstery, the chairs embody the experimental language that transformed Italian interiors during the post-modern avant-garde period.
The fluid tubular chrome frame creates a dynamic visual tension with the generously proportioned seat and backrest, resulting in a silhouette that is both futuristic and elegantly restrained. Their low, relaxed stance reflects the era’s fascination with informal living and innovative industrial materials, while maintaining the refined balance characteristic of Italian design culture.
Documented in Domus, no. 514, September 1972, page 108, confirming the model’s period authenticity and its relevance within the contemporary Italian design discourse of the time.
An exceptionally decorative and collectible pair, ideal for sophisticated mid-century and radical design interiors.
Italy, 1972.
Materials: chromed metal, skai upholstery.
Condition: original vintage condition with minor age-related wear consistent with time and use.

