放零碎杂物的盒子 - Val Saint Lambert - 尺码 3247/17 - 比利时 - 美好时代 - 1908





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Val Saint Lambert 红宝石覆晶碗,花样3247/17,由Hubert Fouarge在Léon Ledru指导下设计,艺术新风格,比利时制造,手工切割星爆和几何纹样,高3 cm,宽12 cm,深9 cm,1908 年目录有记载,状况良好。
卖家的描述
Val Saint Lambert Ruby Overlay Crystal Bowl — Pattern 3247/17, Documented in the 1908 Catalogue
An elegant antique crystal bowl by Val Saint Lambert, executed in the celebrated 3247/17 cutting pattern, one of the manufactory’s most iconic and highly collectible early designs. The pattern was developed by Hubert Fouarge under the artistic direction of Léon Ledru and perfectly reflects the refined transition from late 19th-century decorative arts toward the emerging geometric elegance of the early 20th century.
Crafted in richly coloured ruby overlay crystal, the bowl is entirely hand-cut with sharp starburst and geometric motifs that beautifully reveal the clear crystal beneath. The intense ruby overlay creates a striking contrast with the frosted and polished cutting work, giving the piece exceptional brilliance and depth. The finely cut base further enhances the optical effect and demonstrates the remarkable craftsmanship for which Val Saint Lambert became internationally renowned.
Originally conceived as part of an elegant toilette or table garniture, this form could be used for jewellery, bonbons, small desserts, or simply as a decorative display object. The model is documented in the official 1908 Val Saint Lambert catalogue, adding strong historical provenance and authenticity to the piece.
The bowl remains in very good antique condition, especially considering its age of more than 100 years. Minor signs of age and light wear are visible on the underside, consistent with careful use over time, but there are no major damages or significant chips visible.
A refined and highly decorative example of early 20th-century Belgian crystal, combining documented provenance, legendary Val Saint Lambert craftsmanship, and the timeless beauty of hand-cut ruby overlay crystal.
Val Saint Lambert, nestled in Seraing near Liège, Belgium, is a beacon of crystal craftsmanship with a legacy spanning nearly two centuries. Established in 1826 by chemist François Kemlin and engineer Auguste Lelièvre, the company transformed the remnants of the Val-Saint-Lambert Abbey into a thriving glassworks.
The 19th century marked a period of significant growth for Val Saint Lambert. By the early 1900s, the company employed over 5,000 workers, producing 120,000 pieces of glass daily. Their creations, renowned for exceptional quality and intricate designs, found admirers worldwide, including in Tsarist Russia and North America. A testament to their artistry is the “Vase of the Nine Provinces,” a monumental piece over 2 meters tall and weighing 200 kilograms, crafted for the 1894 World Exhibition in Antwerp.
The 20th century brought challenges, including the impacts of two World Wars and economic downturns. Despite these obstacles, Val Saint Lambert’s resilience ensured the preservation of its artisanal heritage. Today, the company seamlessly blends traditional craftsmanship with contemporary design, producing exquisite crystal pieces that cater to modern aesthetics.
Val Saint Lambert stands as a symbol of Belgian craftsmanship, where each piece reflects a harmonious blend of history, artistry, and innovation.
Will be carefully packaged, well protected and insured
Val Saint Lambert Ruby Overlay Crystal Bowl — Pattern 3247/17, Documented in the 1908 Catalogue
An elegant antique crystal bowl by Val Saint Lambert, executed in the celebrated 3247/17 cutting pattern, one of the manufactory’s most iconic and highly collectible early designs. The pattern was developed by Hubert Fouarge under the artistic direction of Léon Ledru and perfectly reflects the refined transition from late 19th-century decorative arts toward the emerging geometric elegance of the early 20th century.
Crafted in richly coloured ruby overlay crystal, the bowl is entirely hand-cut with sharp starburst and geometric motifs that beautifully reveal the clear crystal beneath. The intense ruby overlay creates a striking contrast with the frosted and polished cutting work, giving the piece exceptional brilliance and depth. The finely cut base further enhances the optical effect and demonstrates the remarkable craftsmanship for which Val Saint Lambert became internationally renowned.
Originally conceived as part of an elegant toilette or table garniture, this form could be used for jewellery, bonbons, small desserts, or simply as a decorative display object. The model is documented in the official 1908 Val Saint Lambert catalogue, adding strong historical provenance and authenticity to the piece.
The bowl remains in very good antique condition, especially considering its age of more than 100 years. Minor signs of age and light wear are visible on the underside, consistent with careful use over time, but there are no major damages or significant chips visible.
A refined and highly decorative example of early 20th-century Belgian crystal, combining documented provenance, legendary Val Saint Lambert craftsmanship, and the timeless beauty of hand-cut ruby overlay crystal.
Val Saint Lambert, nestled in Seraing near Liège, Belgium, is a beacon of crystal craftsmanship with a legacy spanning nearly two centuries. Established in 1826 by chemist François Kemlin and engineer Auguste Lelièvre, the company transformed the remnants of the Val-Saint-Lambert Abbey into a thriving glassworks.
The 19th century marked a period of significant growth for Val Saint Lambert. By the early 1900s, the company employed over 5,000 workers, producing 120,000 pieces of glass daily. Their creations, renowned for exceptional quality and intricate designs, found admirers worldwide, including in Tsarist Russia and North America. A testament to their artistry is the “Vase of the Nine Provinces,” a monumental piece over 2 meters tall and weighing 200 kilograms, crafted for the 1894 World Exhibition in Antwerp.
The 20th century brought challenges, including the impacts of two World Wars and economic downturns. Despite these obstacles, Val Saint Lambert’s resilience ensured the preservation of its artisanal heritage. Today, the company seamlessly blends traditional craftsmanship with contemporary design, producing exquisite crystal pieces that cater to modern aesthetics.
Val Saint Lambert stands as a symbol of Belgian craftsmanship, where each piece reflects a harmonious blend of history, artistry, and innovation.
Will be carefully packaged, well protected and insured

