Mitch Richmond (1983) - Carpe Brutum Nero





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由Mitch Richmond(1983出生)手签的混合混凝土石材雕塑,题为Carpe Brutum Nero,限量300件,尺寸高14 cm×宽12 cm×深19 cm,重量1.6 kg,背面签名的不锈钢COA标签。
卖家的描述
Object Name: “CARPE BRUTUM"
“Raw truth does not decay.”
THE SCULPTURE
Urban Apocolyptica - Contemporary Wunderkammer
Hand-casted and hand finished concrete stone blend
H14 x W12 x L19 CM
Limited Edition // Edition of 300 Pieces
The COA is a stainless steel US military tag, signed on the back
IG: MRICHMOND.STUDIO
This Product may have Scars and Scratches that are inherent characteristics of this material and the technique. It results in a bold and expressive style, giving uniqueness to each piece.
Comes with a signed certificate of authenticity on stainless steel.
CONCEPT
I create sculptures that reflect the resilient and transformative forces of the fast-paced modern world and aim to slow down time. I use popular designs and objects as visual language to convey my narrative. Raw materials and a bold, industrial style invite viewers to reflect on this concept. I also encourage the audience to form their own interpretations and connections to the pieces. The physical objects are intended to transport viewers to a place where they can develop their own concepts and perspective, whether by seeing connections with their past, present, and future or simply appreciating the aesthetics. The sculptures are also a way to honor the spirit of my generation.
Object Name: “CARPE BRUTUM"
“Raw truth does not decay.”
THE SCULPTURE
Urban Apocolyptica - Contemporary Wunderkammer
Hand-casted and hand finished concrete stone blend
H14 x W12 x L19 CM
Limited Edition // Edition of 300 Pieces
The COA is a stainless steel US military tag, signed on the back
IG: MRICHMOND.STUDIO
This Product may have Scars and Scratches that are inherent characteristics of this material and the technique. It results in a bold and expressive style, giving uniqueness to each piece.
Comes with a signed certificate of authenticity on stainless steel.
CONCEPT
I create sculptures that reflect the resilient and transformative forces of the fast-paced modern world and aim to slow down time. I use popular designs and objects as visual language to convey my narrative. Raw materials and a bold, industrial style invite viewers to reflect on this concept. I also encourage the audience to form their own interpretations and connections to the pieces. The physical objects are intended to transport viewers to a place where they can develop their own concepts and perspective, whether by seeing connections with their past, present, and future or simply appreciating the aesthetics. The sculptures are also a way to honor the spirit of my generation.

