Sören Schuhmacher

艺术与摄影书籍拍卖（情色）

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在二十世纪二十年代，当美国表面上对艺术实验敞开大门之际，一位来自湾区的摄影师 Albert Arthur Allen 不自觉地承担起了裸体与政治的巨人挑战。这个在美术界边缘运作的不起眼人物，为一小撮买下 boudoir 研究、迷人年轻风情照的客户圈所知。（在欧洲，这类摄影的艺术小品被公认为学术传统的组成部分。）这位以质朴风格著称、极具自我塑造倾向的摄影师，创作出的图片集最初受自然主义运动启发。如今他的影像通常被视为高端滑稽的作品，但对他的名字却不那么熟悉。

作者：Daile Kaplan

当然，在非必需裸体与真正裸体之间存在微妙的区分。非必需裸体是一种没有信息传达的图片。而真正的裸体则呈现美的一个版本，既包括物质美，也包括精神美——这是人类的两大需求。— Albert Arthur Allen

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During the 1920s. a time when the United States was, from all appearances, open to artistic experimentation, a Bay Area photographer named Albert Arthur Allen unwittingly took on the Goliath of nudity and politics. An obscure figure who operated outside the margins of the fine art community, Allen was known to a small coterie of clients who bought boudoir studies, pictures of comely young voluptuaries. (In Europe these photographic etudes were an acknowledged integral part of the academic tradition.) A homespun aesthetician who had a marked propensity for self-invention, Allen produced photographic protfolios that were initially inspired by the naturist movement. Today his images, which are typically perceived as high camp, are more familiar than his name.

Essay by Daile Kaplan

There is, of course, a fine distinction between the non-essential nude and the true nude. The non-essential nude is a picture which has no message to speak. While the true nude gives a version of beauty, both physical and spiritual—two great needs of humanity. — Albert Arthur Allen

Albert Arthur Allen - Premiere Nudes - 2001

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