带有伊斯兰文字的花瓶 - 黄铜, 铜, 银 - 中东 - 19世纪末





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卖家的描述
一件惊艳且正宗的卡扎尔时期(19世纪晚期)铜质花瓶,采用著名的 ghala mzani 手工雕刻工艺精心打造。这件优雅的器皿呈经典的钟型,口沿扩张、颈部修窄、躯体圆 bulging,底部略微抬升。
表面以复杂的阿拉伯花饰镶嵌组成的花体圆框为主,里面流动的阿拉伯书法——很可能是诗句或祈祷文——与精致的花卉和几何纹样交织在一起。细腻的银嵌(原装且完好)强调了雕刻线条,在温暖的陈 brass 光泽上形成鲜明对比。
Condition:
Excellent antique condition with natural age-related patina. No dents, repairs, or restoration. Silver inlays fully preserved. Non-magnetic – confirming solid brass composition (copper-zinc alloy), as expected for high-quality metalwork of this period.
Provenance:
Private European collection; acquired in Lebanon, Beirut, 1970s.
Authenticity & Significance:
This piece exemplifies the pinnacle of Qajar metalcraft, where calligraphy, symmetry, and luxury converged in domestic art. Comparable examples are held in the Victoria & Albert Museum and the Museum of Islamic Art, Doha.
Worldwide insured shipping
一件惊艳且正宗的卡扎尔时期(19世纪晚期)铜质花瓶,采用著名的 ghala mzani 手工雕刻工艺精心打造。这件优雅的器皿呈经典的钟型,口沿扩张、颈部修窄、躯体圆 bulging,底部略微抬升。
表面以复杂的阿拉伯花饰镶嵌组成的花体圆框为主,里面流动的阿拉伯书法——很可能是诗句或祈祷文——与精致的花卉和几何纹样交织在一起。细腻的银嵌(原装且完好)强调了雕刻线条,在温暖的陈 brass 光泽上形成鲜明对比。
Condition:
Excellent antique condition with natural age-related patina. No dents, repairs, or restoration. Silver inlays fully preserved. Non-magnetic – confirming solid brass composition (copper-zinc alloy), as expected for high-quality metalwork of this period.
Provenance:
Private European collection; acquired in Lebanon, Beirut, 1970s.
Authenticity & Significance:
This piece exemplifies the pinnacle of Qajar metalcraft, where calligraphy, symmetry, and luxury converged in domestic art. Comparable examples are held in the Victoria & Albert Museum and the Museum of Islamic Art, Doha.
Worldwide insured shipping

