Sören Schuhmacher

Risqué艺术及摄影书籍（日本色情）

《The Location》

Ichiro Tsuda
Banseisha/1980/Japanese/190*120*13

“场所：这些是由勉强的静物摄影师在粉红片场景拍摄十多年所珍爱的街头景物！”——日本摄影师津田一郎（生于1942年）的一组作品。自上世纪60年代起，津田活跃于商业摄影和电影拍摄现场。他以以独特的距离感捕捉城市与自然景观的艺术家著称，后来凭借《Nameless Zone》获得 Domon Ken Award。本书是他早期的杰作之一，记录了他在全国各地奔走担任粉红影片静物摄影师时，花大约十年时间在拍摄地点周围所捕捉的风景。与其聚焦于电影拍摄的幕后，不如说本书着重呈现街道的氛围与在拍摄停顿时出现的人群的身影，静静地积累着城市中匿名而多样的碎片。本书作为万声社“药膳（Yagenbura） Selected Works”系列的一部，放在系列的语境中阅读时，能够更立体地感受那个时代的氛围，系列探讨城市边缘的场景与人物，例如夜总会和出租车司机等。它是一部捕捉城市街景现实的卷册，在这里，文献记录与个人凝视交汇。

The Location

Ichiro Tsuda
Banseisha/1980/Japanese/190*120*13

“The Location: These Are the Beloved Street Scenes Captured Over Ten Years by a Reluctant Still Photographer for Pink Films!”—a collection of works by Japanese photographer Ichiro Tsuda (b. 1942). Tsuda has been active since the 1960s, working in commercial photography and on film sets. He is known as an artist who captures cities and landscapes with a unique sense of distance, having later won the Domon Ken Award for *Nameless Zone*. This book is one of his early masterpieces, featuring landscapes around filming locations captured over approximately ten years as he traveled across the country working as a still photographer for pink films. Rather than focusing on the behind-the-scenes of filmmaking, the book highlights the atmosphere of the streets and the presence of people that emerge during breaks in shooting, quietly accumulating anonymous and diverse fragments of the city. Published as part of Banseisha’s “Yagenbura Selected Works” series, this book offers a more multidimensional sense of the era’s atmosphere when read within the context of the series, which explores people and settings on the urban periphery, such as cabarets and taxi drivers. It is a volume that captures the reality of the city streets, where documentation and a personal gaze intersect.

Ichiro Tsuda - The Location - 1980

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