Kunisada • 演员对图 • 双框 • 1860 • 日本木版画 - 日本 - Edo Period (1600-1868)

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Giovanni Bottero
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由Giovanni Bottero精选

拥有日本艺术史硕士学位及十年以上专业经验。

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卖家的描述

Artist: Utagawa Kunisada 歌川国貞,署名为 Toyokuni III 三代豊国(1786–1865)
Series: The 1860 "Actor Pairs"
Sheet: No. 11 (十一, lower centre)
Technique: Nishiki-e on washi
Format: Ōban yoko-e
Date: 1860 (Man'en 1 / Year of the Monkey)
Genre: Yakusha-e (actor portraits)
Roles depicted: Right — a stern male townsman role, read as Aragorō Mohei; Left — an onnagata as Osono (a wife role)
----------------------------------------------------------------------

Paper & condition

Two half-length portraits sit within a richly patterned "brocade" surround printed to imitate a padded fabric frame — one of the most decorative conceits of Kunisada's late career. On the right, a grim-faced male role with shaven blue pate and a bold striped robe over a red under-kimono; on the left, an elegant onnagata raising a slender pipe, hair dressed with lacquered combs and a yellow bar-kanzashi, the black outer kimono scattered with maple leaves and wave-patterned silk beneath. Each figure is accompanied by a cursive haiku and a red title cartouche. The printing is deliberately lavish: burnished shōmenzuri gives sheen to the dark passages, soft bokashi models a shadow inside the frame, and the whole sheet shows the high finish that marks the best work of this date. Colour and impression present fresh and strong, with the deluxe burnishing intact. Album backing.
----------------------------------------------------------------------

About the series

This is a sheet from a comparatively rare and little-documented set of paired actor portraits Kunisada designed in 1860. Its format takes its cue from his celebrated 1835 illustrated book Thirty-Six Flowers of the Acting Profession (a copy of which is in the British Museum), where actor likenesses are set beside haiku in cursive script. Here that idea is developed into a padded double-frame, each portrait a self-contained jewel; some of the actors in the series are shown posthumously, in roles Kunisada himself never saw them play, giving the set the character of an affectionate history of the Edo stage.

卖家故事

我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好,如今发展成更大的事业,如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。 随着全球对日本木版画兴趣的增加,画廊的价格也在稳步上升。我的目标很简单:以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。 我总部在德国,这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家,原始艺术品在海关编码9702项同样免税。无论你身在何处,我都会用多层保护小心打包,确保你的版画安全到达。 如果你对某件作品有疑问,随时联系我。你在我的拍品中竞标获胜后,就可以获得联系我的入口。
使用Google翻译翻译

Artist: Utagawa Kunisada 歌川国貞,署名为 Toyokuni III 三代豊国(1786–1865)
Series: The 1860 "Actor Pairs"
Sheet: No. 11 (十一, lower centre)
Technique: Nishiki-e on washi
Format: Ōban yoko-e
Date: 1860 (Man'en 1 / Year of the Monkey)
Genre: Yakusha-e (actor portraits)
Roles depicted: Right — a stern male townsman role, read as Aragorō Mohei; Left — an onnagata as Osono (a wife role)
----------------------------------------------------------------------

Paper & condition

Two half-length portraits sit within a richly patterned "brocade" surround printed to imitate a padded fabric frame — one of the most decorative conceits of Kunisada's late career. On the right, a grim-faced male role with shaven blue pate and a bold striped robe over a red under-kimono; on the left, an elegant onnagata raising a slender pipe, hair dressed with lacquered combs and a yellow bar-kanzashi, the black outer kimono scattered with maple leaves and wave-patterned silk beneath. Each figure is accompanied by a cursive haiku and a red title cartouche. The printing is deliberately lavish: burnished shōmenzuri gives sheen to the dark passages, soft bokashi models a shadow inside the frame, and the whole sheet shows the high finish that marks the best work of this date. Colour and impression present fresh and strong, with the deluxe burnishing intact. Album backing.
----------------------------------------------------------------------

About the series

This is a sheet from a comparatively rare and little-documented set of paired actor portraits Kunisada designed in 1860. Its format takes its cue from his celebrated 1835 illustrated book Thirty-Six Flowers of the Acting Profession (a copy of which is in the British Museum), where actor likenesses are set beside haiku in cursive script. Here that idea is developed into a padded double-frame, each portrait a self-contained jewel; some of the actors in the series are shown posthumously, in roles Kunisada himself never saw them play, giving the set the character of an affectionate history of the Edo stage.

卖家故事

我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好,如今发展成更大的事业,如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。 随着全球对日本木版画兴趣的增加,画廊的价格也在稳步上升。我的目标很简单:以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。 我总部在德国,这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家,原始艺术品在海关编码9702项同样免税。无论你身在何处,我都会用多层保护小心打包,确保你的版画安全到达。 如果你对某件作品有疑问,随时联系我。你在我的拍品中竞标获胜后,就可以获得联系我的入口。
使用Google翻译翻译

详细资料

王朝风格/时期
Edo Period (1600-1868)
原产国
日本
Attribution
Original
艺术品标题
Kunisada • Actor Pairs • double-frame • 1860 • Japanese Woodblock Print
Condition
极佳状态
起源
私人收藏
真伪
原始的/正式的
德国经验证
380
已售出的几件物品
100%
个人top

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