弹筝演奏 — Kōka Era 的女子 — 三十六位精选美人 — 日本木版画 - Mizuno Toshikata (1866-1908) - 日本 - Meiji period (1868-1912)





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日本明治时期原作木版画,作者水野年方(1866–1908),题为《琴棋歌》——“甲子时代女子”,出自三十六美女系列; Ōban 规格约36 × 24 cm,纸上用墨与彩,品相极佳,色彩鲜艳。
卖家的描述
** 一位优雅的美人弹奏箏,雪覆的花园、盛开的山茶花与石灯笼构成画框——年方 Toshikata 的晚期明治 mokuhanga,最具氛围。 **
Artist: Mizuno Toshikata (水野年方, 1866–1908)
Title: Koto shirabe (琴誌らべ) — "Playing the Koto"; subtitle Kōka koro Nagoya fujin (弘化頃名古屋婦人) — 一位名古屋的妇人,弘化时代(1844–48)
Series: Thirty-six Selected Beauties (Sanjūroku Kasen)
Date: 1891–1894
Technique: Woodblock print (nishiki-e); ink and color on paper
Format: Ōban, approx. 36 × 24 cm
Condition: Very good impression with fresh, vibrant colours. Light toning to paper, some soiling. Minor repair on the verso. Please refer to the images for full condition details.
About the print:
A quiet winter afternoon in a Nagoya residence of the Kōka era. A young woman kneels at a long koto laid across the pale-green tatami, her right hand poised over the strings beside the movable bridges while her left reaches to the far end of the instrument. She wears a wisteria-purple robe scattered with chrysanthemums and autumn flowers over a vivid red under-collar, her hair dressed high and pinned with ornamental kanzashi; the near end of the koto is wrapped in a richly patterned brocade cover finished with coloured tassels.
Interesting notes about this series:
Published between 1891 and 1894, the series pairs elegant depictions of women from various historical periods with scenes of daily life — tea ceremony, music, travel, and leisure — offering a nostalgic panorama of feminine grace across the ages. This series was directly inspired by Yoshitoshi's iconic One Hundred Aspects of the Moon and showcases refined mokuhanga techniques throughout, including burnishing (tsuyazuri) on black areas such as the lacquered hat, delicate embossing (karazuri), and subtle bokashi gradation. Many designs in the series also feature metallic pigments. The prints were produced on high-quality hosho paper using plant-based pigments, resulting in colours that have retained their freshness remarkably well over more than a century. Affordably priced on today's market relative to their exceptional craftsmanship, the Sanjūroku Kasen series represents a perfect entry point into the world of ukiyo-e collecting — offering museum-quality printing at an accessible price.
卖家故事
** 一位优雅的美人弹奏箏,雪覆的花园、盛开的山茶花与石灯笼构成画框——年方 Toshikata 的晚期明治 mokuhanga,最具氛围。 **
Artist: Mizuno Toshikata (水野年方, 1866–1908)
Title: Koto shirabe (琴誌らべ) — "Playing the Koto"; subtitle Kōka koro Nagoya fujin (弘化頃名古屋婦人) — 一位名古屋的妇人,弘化时代(1844–48)
Series: Thirty-six Selected Beauties (Sanjūroku Kasen)
Date: 1891–1894
Technique: Woodblock print (nishiki-e); ink and color on paper
Format: Ōban, approx. 36 × 24 cm
Condition: Very good impression with fresh, vibrant colours. Light toning to paper, some soiling. Minor repair on the verso. Please refer to the images for full condition details.
About the print:
A quiet winter afternoon in a Nagoya residence of the Kōka era. A young woman kneels at a long koto laid across the pale-green tatami, her right hand poised over the strings beside the movable bridges while her left reaches to the far end of the instrument. She wears a wisteria-purple robe scattered with chrysanthemums and autumn flowers over a vivid red under-collar, her hair dressed high and pinned with ornamental kanzashi; the near end of the koto is wrapped in a richly patterned brocade cover finished with coloured tassels.
Interesting notes about this series:
Published between 1891 and 1894, the series pairs elegant depictions of women from various historical periods with scenes of daily life — tea ceremony, music, travel, and leisure — offering a nostalgic panorama of feminine grace across the ages. This series was directly inspired by Yoshitoshi's iconic One Hundred Aspects of the Moon and showcases refined mokuhanga techniques throughout, including burnishing (tsuyazuri) on black areas such as the lacquered hat, delicate embossing (karazuri), and subtle bokashi gradation. Many designs in the series also feature metallic pigments. The prints were produced on high-quality hosho paper using plant-based pigments, resulting in colours that have retained their freshness remarkably well over more than a century. Affordably priced on today's market relative to their exceptional craftsmanship, the Sanjūroku Kasen series represents a perfect entry point into the world of ukiyo-e collecting — offering museum-quality printing at an accessible price.

