Antonio Sciacca (1957) - Untitled

意大利艺术家安东尼奥·斯卡卡（卡塔尼亚，1957）- 整体以马克笔在艺术纸上绘制的原作

意大利艺术家安东尼奥·斯卡卡（卡塔尼亚，1957）的原作，完全以马克笔在艺术纸上完成。

该作品由艺术家亲笔在左下角签名，并在背面附有手写献词，作为拍品的一部分。照片显示了作品的正反面，以及背面的献词，以提供完整的文档。

这是一幅具象征性与表现主义特征并存的写实绘画，采用极具统摄性的线性语言进行构建。女体形象并非追求自然主义再现，而是在形式上进行综合，体积感通过线条的网络本身来实现，而非通过传统的明暗造型。

构图围绕正面肖像展开，因左下方一组果实的存在而略偏离中心，果实在视觉上形成对比，为整幅作品提供稳定感。

这幅素描几乎完全通过以下手法构成：
• 连续线；
• 断续的线条；
• 重叠的笔触；
• 线密度的变化。

第二种颜色（棕褐橙色）将平面分离、强化某些体积并创造出视觉深度。

用材极简且显著：仅用两种颜色和一条极为稳定的线条，即可勾勒出脸部、手部、发型、衣着与所绘果实，而无需运用绘画式的明暗处理。

在形式上，作品属于当代具象绘画领域，其中表现主义元素与某种象征性成分共存，故意背离学院派肖像的传统。

纸张状况良好，整体保存完好，未发现会影响稳定性或正确欣赏的显著损坏。

纸张尺寸：49.5 × 34 cm。

注：作品以一个简单的框架呈现，仅用作在保养与运输中保持纸张完全平整的保护性工具。该框架不具备艺术或商业价值，不含玻璃，应仅视为保护性支撑，确保作品以最佳状态送达新主人手中。

**照片为描述的组成部分。**

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Antonio Sciacca (1957) – Original Marker Drawing on Paper

Original artwork by the Italian artist Antonio Sciacca (Catania, 1957), executed entirely in marker on artist's paper.

The artwork is hand-signed by the artist in the lower left corner and is also accompanied by an autographed dedication on the reverse, included as part of the lot. The photographs show the front and reverse of the artwork, as well as the dedication, providing complete documentation of the piece.

This is a figurative drawing of an expressionist character, constructed through a highly dominant linear language. The female figure does not seek a naturalistic representation, but rather a formal synthesis in which volume is achieved through the very network of lines rather than by means of traditional modelling with light and shadow.

The composition is organised around a frontal portrait, slightly offset by the presence of a group of fruits in the lower left corner, which act as a visual counterbalance and provide stability to the overall composition.

The drawing is constructed almost exclusively through:
• continuous lines;
• broken lines;
• superimposed strokes;
• variations in line density.

The second colour (sepia-orange) separates planes, reinforces selected volumes and creates visual depth.

The economy of means is remarkable: using only two colours and a highly confident line, the artist succeeds in defining the face, hands, hair, clothing and the depicted fruits without resorting to painterly effects.

Formally, the artwork belongs to a contemporary figurative language in which expressionist elements coexist with a certain symbolic component, deliberately moving away from the academic portrait tradition.

The paper is in very good overall condition. The composition remains fully intact and no significant damage is visible that would compromise its stability or proper appreciation.

Paper dimensions: 49.5 × 34 cm.

NOTE: The artwork is presented in a simple frame used exclusively as a protective support to keep the paper perfectly flat during storage and transportation. The frame has no artistic or commercial value, contains no glass, and should be regarded solely as a protective support intended to ensure that the artwork reaches its new owner in the best possible condition.

**The photographs form an integral part of the description.**