Felipe Abreu

日本摄影集（Sabukaru26）

《甜蜜生活》

Ed van der Elsken
Tokyo College of Photography /1968/japanese/310*310*35/Missing box

《甜蜜生活》是荷兰著名摄影师埃德·范德尔艾斯肯（Ed van der Elsken，1925-1990）的一组作品集。继《左岸之爱》（1956）、《Bagara》（1958）与《Jazz》（1959）之后，《甜蜜生活（可接受）》是埃斯肯作品中的杰作，曾以英文和日文版出版。它记录了埃斯肯与妻子格达共同度过的14个月旅程，作品由在非洲、美洲和亚洲拍摄的图像组成。作品充满埃斯肯一贯的“人性”与“爱”，那些特写与对比的有力影像因此而鲜明地展现出来。这一影像的呈现，离不开日本的印刷技术。当这本书出版时，埃斯肯写信给朋友细江欣孝，请他介绍一位日本印刷商，因为他想使用哑光的石版印刷，类似玫瑰印刷，细江便四处奔走，查看镀板制作过程。从风景到肖像再到街头快照，14个月的埃斯肯“甜蜜生活”。日本版。）

Sweet Life

Ed van der Elsken
Tokyo College of Photography /1968/japanese/310*310*35/Missing box

Sweet Life” is a collection of works by Ed van der Elsken (1925-1990), a leading Dutch photographer. Following Love on the Left Bank (1956), Bagara (1958), and Jazz (1959), Sweet Life (Acceptable) is a masterpiece of Elsken's work that has been published in both English and Japanese editions. It is a record of Elsken's 14-month journey with his wife Gerda, and is composed of illustrations taken in Africa, America, and Asia. Full of the “humanity” and “love” that is typical of Elsken, the powerful illustrations with their close-ups and contrasts shine through. This image was made possible by Japanese printing technology. When this book was published, Elsken wrote to his friend Eikoh Hosoe, asking him to introduce him to a Japanese printer because he wanted to use matte photogravure printing, similar to rose printing, and Hosoe ran around to check the plate-making process. From landscapes to portraits to snaps, 14 months of Elsken's “Sweet Life. Japanese edition.

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Ed van der Elsken - Sweet Life - 1968

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