Egon Schiele (1890-1918) (after) - Kastanienbaum am Bodensee





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埃贡·席勒(依原作) Kastanienbaum am Bodensee,1951 年限量版石版画,状况极好,34 × 24 cm,奥地利,表现主义,由 Galerie 出售,时期 1910–1920。
卖家的描述
Egon Schiele
„Kastanienbaum am Bodensee, 1912“
"Chestnut Tree at the Lake of Constance, 1912"
From Otto Benesch Mappe: Egon Schiele als Zeichner, 1951
Collotype, Size 340x 240 mm
After Egon Schiele. Provenance: small edition printed in Vienna by the State Print Office of Austria (Staatsdruckerei Österreich) on high quality paper at the end of the 1940s / beginning of the 1950s.
This rare print, which demonstrates Schiele's distinctive style, is very well preserved.
Please see pictures for details about its exact condition.
Very rare collotype!
International shipping, tracking number, insurance. Will be very carefuly and securely packed.
About the phototype technique:
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.
This technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.
Egon Schiele
„Kastanienbaum am Bodensee, 1912“
"Chestnut Tree at the Lake of Constance, 1912"
From Otto Benesch Mappe: Egon Schiele als Zeichner, 1951
Collotype, Size 340x 240 mm
After Egon Schiele. Provenance: small edition printed in Vienna by the State Print Office of Austria (Staatsdruckerei Österreich) on high quality paper at the end of the 1940s / beginning of the 1950s.
This rare print, which demonstrates Schiele's distinctive style, is very well preserved.
Please see pictures for details about its exact condition.
Very rare collotype!
International shipping, tracking number, insurance. Will be very carefuly and securely packed.
About the phototype technique:
Phototype is the highest quality printing process ever, with only three phototype printshops left in the world today. The colour image is broken down into up to 25 colours and then printed on top of each other in as many print cycles. The finished image achieved a colour quality that was almost comparable to that of an oil image.
This technique was mainly used for illustrating books or prints in small editions. It makes possible to achieve prints of incredibly high original fidelity.

