Sadahide • 鸟瞰队形图 • 日本木版画 - 日本 - Edo Period (1600-1868)
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原装江户时期三幅一括大判木版画，作者为纪实派艺者歌川广秀（ Gyokuransai Sadahide ga ），题为鱼鳞阵取略图，was hi上的錦绘三联屏，约作于1847–1852年，出版商山中屋当兵，品相尚可，边缘有磨损、小修补及小孔洞，展示以鸟瞰视角的鱼鳞阵列军队并标注单位。
AI辅助摘要
卖家的描述
** 这件设计在西方资源中并未有记录 **
Artist: Utagawa (Hashimoto) Sadahide 歌川貞秀, signing Gyokuransai Sadahide ga 玉蘭斎貞秀画 (1807 – c. 1879)
Title: Gyorin jindori ryaku no zu 魚鱗陣取略図（“鱼鳞阵取略图”）
Technique: Nishiki-e (full-colour woodblock print) on washi
Format: Ōban tate-e triptych, three separate sheets, each approx. 36 × 24 cm
Publisher: Yamaguchiya Tōbei (Jinsendō) — seal on each sheet
Date: c. 1847–1852, with paired nanushi censor seals
Genre: Musha-e / military-strategy print
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Paper & condition
Colours well preserved and the impression presents well — the composition clearly visible across all three sheets. The paper shows some issues, including wear, small repairs to the margins and some small holes across the sheets; the paper remains supple. Please check the images!
----------------------------------------------------------------------
About the print
Rather than depicting a named battle, this triptych belongs to a much less common genre: the military-strategy diagram. Across three sheets, Sadahide lays out an entire army deployed in the gyorin — "fish-scale" — formation, seen from his signature bird's-eye viewpoint. Each unit is identified by a printed label, and the divisions can be followed in sequence across the set: the vanguard (senjin) and second and third divisions on the left sheet, the fourth and fifth divisions with the middle-camp reserve on the centre sheet, and on the right the commander at the main camp (honjin taishō) surrounded by his standards, together with the banner commissioner (hata bugyō), the baggage-train commissioner (konida bugyō) and the rear guard. The dominant impression is of massed ranks in red and blue armour winding across a plain green ground, punctuated by banners and standards — a functional, almost cartographic clarity entirely characteristic of Sadahide, the one Utagawa artist who made the panoramic overhead view his speciality.
The gyorin was one of the celebrated "eight formations" (hachijin) of Japanese military lore, associated above all with Takeda Shingen: a wedge-shaped attacking deployment, famously said to have been used against Tokugawa Ieyasu's "crane-wing" formation at the Battle of Mikatagahara (1573). Prints of this didactic type catered to the enduring Edo-period fascination with the strategy and pageantry of the Warring States era, and they appeal today to collectors of samurai and military history as much as to print collectors.
-------------------------------
About the artist
Sadahide, a pupil of Kunisada, ranked among the most celebrated print designers of the late Edo period — first in the Tokyo artist rankings of 1868, and one of the artists whose work represented Japan at the 1867 Paris Exposition. He is best known for his Yokohama-e and for his ambitious panoramic bird's-eye compositions, of which this formation diagram is a distinctive military application. Formation and strategy prints of this kind appear on the market far less frequently than standard warrior triptychs.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译** 这件设计在西方资源中并未有记录 **
Artist: Utagawa (Hashimoto) Sadahide 歌川貞秀, signing Gyokuransai Sadahide ga 玉蘭斎貞秀画 (1807 – c. 1879)
Title: Gyorin jindori ryaku no zu 魚鱗陣取略図（“鱼鳞阵取略图”）
Technique: Nishiki-e (full-colour woodblock print) on washi
Format: Ōban tate-e triptych, three separate sheets, each approx. 36 × 24 cm
Publisher: Yamaguchiya Tōbei (Jinsendō) — seal on each sheet
Date: c. 1847–1852, with paired nanushi censor seals
Genre: Musha-e / military-strategy print
----------------------------------------------------------------------
Paper & condition
Colours well preserved and the impression presents well — the composition clearly visible across all three sheets. The paper shows some issues, including wear, small repairs to the margins and some small holes across the sheets; the paper remains supple. Please check the images!
----------------------------------------------------------------------
About the print
Rather than depicting a named battle, this triptych belongs to a much less common genre: the military-strategy diagram. Across three sheets, Sadahide lays out an entire army deployed in the gyorin — "fish-scale" — formation, seen from his signature bird's-eye viewpoint. Each unit is identified by a printed label, and the divisions can be followed in sequence across the set: the vanguard (senjin) and second and third divisions on the left sheet, the fourth and fifth divisions with the middle-camp reserve on the centre sheet, and on the right the commander at the main camp (honjin taishō) surrounded by his standards, together with the banner commissioner (hata bugyō), the baggage-train commissioner (konida bugyō) and the rear guard. The dominant impression is of massed ranks in red and blue armour winding across a plain green ground, punctuated by banners and standards — a functional, almost cartographic clarity entirely characteristic of Sadahide, the one Utagawa artist who made the panoramic overhead view his speciality.
The gyorin was one of the celebrated "eight formations" (hachijin) of Japanese military lore, associated above all with Takeda Shingen: a wedge-shaped attacking deployment, famously said to have been used against Tokugawa Ieyasu's "crane-wing" formation at the Battle of Mikatagahara (1573). Prints of this didactic type catered to the enduring Edo-period fascination with the strategy and pageantry of the Warring States era, and they appeal today to collectors of samurai and military history as much as to print collectors.
-------------------------------
About the artist
Sadahide, a pupil of Kunisada, ranked among the most celebrated print designers of the late Edo period — first in the Tokyo artist rankings of 1868, and one of the artists whose work represented Japan at the 1867 Paris Exposition. He is best known for his Yokohama-e and for his ambitious panoramic bird's-eye compositions, of which this formation diagram is a distinctive military application. Formation and strategy prints of this kind appear on the market far less frequently than standard warrior triptychs.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译详细资料
王朝风格/时期
Edo Period (1600-1868)
原产国
日本
Attribution
Original
艺术品标题
Sadahide • BIRD'S-EYE FORMATION DIAGRAM • Japanese Woodblock Print
Condition
情况尚佳
起源
私人收藏
真伪
原始的/正式的
