Inna Etuvgi - Blooming Over

BLOOMING OVER
由 Inna Etuvgi 创作的美术印刷画

我们常生活在被强加的信念、习得的约束和传承的恐惧所塑造的结构之中——那些感觉牢固、熟悉，甚至像保护一样的囚笼。然而在这些障碍之下，仍有某些东西在成长，最终盛开。

这些花朵不一定是要打破囚笼；它们只是存在于其之外。这是一种视觉上的提醒：结构可能限制我们的行动，但不能阻止本质的展开。

*属于 Secret Garden 系列。

PRINT DETAILS:

* Medium: Museum-quality Giclée print.
* Paper: Archival Quality Fine Art paper (300 gsm), 100% cotton, acid-free.
* Edition: Limited edition of 25.
* Authenticity: Hand-signed and numbered by the artist. Includes a signed Certificate of Authenticity (COA).
* Production: Printed under the artist's direct supervision to ensure archival standards and impeccable color accuracy.
* Dimensions: Image size 30 x 30 cm; total paper size 33 x 34 cm.

OPTIONAL — MAT & READY-TO-FRAME PREPARATION

The print ships on its own, unmatted. If you’d like, I can mount it in a custom passepartout with a backing board, tailored to fit your frame perfectly.

I use pH-neutral archival materials and a reversible mount, so the print can always be removed without damage. This is an optional paid service — just message me for the price and details.

EDITION

This work is presented in a Special Catawiki Edition (30×30 cm image on 33×34 cm paper). The artist's larger-scale Studio and Master Editions are sold through premier online galleries; this size is not available through any gallery or platform. It can only be acquired directly from the artist's studio or through selected auction releases. Produced to the same archival standards as all editions.

ABOUT THE ARTIST

Inna Etuvgi is a Swedish-Chukchi art photographer and digital artist, internationally recognised as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant. Born in a remote Arctic village in Chukotka and trained in technical cybernetics, she began her artistic practice in 2020 and has since exhibited across Europe — in Venice, London, Barcelona, Palermo, and San Marino.

Etuvgi lives with aphantasia — she cannot see images in her mind. Her camera and AI serve as extensions of her visual imagination, allowing her to create what she cannot picture internally. Through macro photography she enters the hidden worlds of mosses, lichens, and dewdrops; through digital art she gives form to psychological states and inner archetypes. Both are rooted in a deep sensitivity shaped by her Chukchi upbringing — an instinct to feel into every living thing.

As art critic Tabish Khan notes: "Her work transports us to other worlds — both real and imaginary, but always in harmony with nature."