歌川国芳 — 歌舞伎 — 来自伊賀越道中双六中的一幕，大判双联画，约1840年代 - 日本 - Edo Period (1600-1868)
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原装江户时期 Nishiki-e 两张一组 Ōban 立轴，由歌川国芳创作，约1840年代，伊賀越道中双六 Kabuki 场景，包含十兵卫与 Oyone 于沼津的情景；每张约 36 × 24 cm，状态良好，来自私人收藏。
AI辅助摘要
卖家的描述
Artist: Utagawa Kuniyoshi 歌川国芳 (1797–1861)
Title: A scene from Igagoe dōchū sugoroku 伊賀越道中双六, the Numazu act — the three roles named in cartouches: 呉服屋十兵衛 Gofukuya Jūbei (right sheet), 平作 Heisaku and 娘およね, "the daughter Oyone" (left sheet). Sawamura Sōjūrō V in the role of Jūbei.
Technique: Nishiki-e (full-colour woodblock print) on washi
Format: Ōban tate-e diptych, two separate sheets, each approx. 36 × 24 cm
Date: c. 1848, with paired nanushi censor seals on each sheet
Genre: Yakusha-e / shibai-e — kabuki actor print
----------------------------------------------------------------------
Paper & condition
Minor toning across all three sheets; With some fading, soiling on the margins. Minor wormhole repairs on the bottom right margin. the composition still reads clearly. The paper is firm and supple throughout. Please check the images!
----------------------------------------------------------------------
About the print
Night at Numazu on the Tōkaidō, in the collapsing house of Heisaku the porter. The draper Jūbei — travelling west on business, and unknowingly in the service of the family's sworn enemy — has woken to find someone going through his luggage for the medicine case he carries. He is on the right, in a striped travelling kimono, the inrō held out of reach in one hand and a look over his shoulder that has already worked out what is happening; the culprit is Oyone, Heisaku's daughter, caught on the floor at left and hiding her face in her sleeve, who wanted the ointment for her wounded husband. Heisaku looms over her with a lit paper taper, the andon lamp stand between the two sheets throwing the only other light in the room. What none of them yet knows is that Jūbei is Heisaku's long-lost son, given away as an infant — the recognition that turns the most famous act of the Igagoe vendetta cycle from a chance meeting on the road into tragedy. Kuniyoshi stages it as three isolated figures in an almost bare, cracked-plaster interior, with only the bolts of cloth behind Jūbei to say what he is and the taper and lamp to say what hour it is.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译Artist: Utagawa Kuniyoshi 歌川国芳 (1797–1861)
Title: A scene from Igagoe dōchū sugoroku 伊賀越道中双六, the Numazu act — the three roles named in cartouches: 呉服屋十兵衛 Gofukuya Jūbei (right sheet), 平作 Heisaku and 娘およね, "the daughter Oyone" (left sheet). Sawamura Sōjūrō V in the role of Jūbei.
Technique: Nishiki-e (full-colour woodblock print) on washi
Format: Ōban tate-e diptych, two separate sheets, each approx. 36 × 24 cm
Date: c. 1848, with paired nanushi censor seals on each sheet
Genre: Yakusha-e / shibai-e — kabuki actor print
----------------------------------------------------------------------
Paper & condition
Minor toning across all three sheets; With some fading, soiling on the margins. Minor wormhole repairs on the bottom right margin. the composition still reads clearly. The paper is firm and supple throughout. Please check the images!
----------------------------------------------------------------------
About the print
Night at Numazu on the Tōkaidō, in the collapsing house of Heisaku the porter. The draper Jūbei — travelling west on business, and unknowingly in the service of the family's sworn enemy — has woken to find someone going through his luggage for the medicine case he carries. He is on the right, in a striped travelling kimono, the inrō held out of reach in one hand and a look over his shoulder that has already worked out what is happening; the culprit is Oyone, Heisaku's daughter, caught on the floor at left and hiding her face in her sleeve, who wanted the ointment for her wounded husband. Heisaku looms over her with a lit paper taper, the andon lamp stand between the two sheets throwing the only other light in the room. What none of them yet knows is that Jūbei is Heisaku's long-lost son, given away as an infant — the recognition that turns the most famous act of the Igagoe vendetta cycle from a chance meeting on the road into tragedy. Kuniyoshi stages it as three isolated figures in an almost bare, cracked-plaster interior, with only the bolts of cloth behind Jūbei to say what he is and the taper and lamp to say what hour it is.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译详细资料
王朝风格/时期
Edo Period (1600-1868)
原产国
日本
Attribution
Original
艺术品标题
Kuniyoshi — Kabuki - A scene from Igagoe dōchū sugoroku, ōban diptych, c. 1840s
Condition
情况尚佳
起源
私人收藏
真伪
原始的/正式的
