Sekino Jun'ichirō • 雪覆村的农家少女 • 创作版画杰作 • 日语 - 日本 - 20世纪
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卖家的描述
Sekino Jun'ichirō 関野凖一郎 (1914–1988)
Title: Peasant Girl on Street (as acquired); probably catalogued as Girl in Northern Japan
Date: 1946
Technique: Woodblock print (mokuhanga), self-printed by the artist
Format: Approx. 20 × 26 cm
Condition: Excellent!
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Why Sōsaku Hanga Deserves Your Attention
Sōsaku Hanga — the Japanese creative-print movement — remains one of the most undervalued areas of twentieth-century art. These are not commercial reproductions produced across a divided workshop of publisher, carver, and printer: the movement's founding principle, championed above all by the artist himself, was that the same hand should design, carve, and print the work.
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About the Print
A young woman in an indigo kasuri kimono and a checked hanten, a towel knotted at her throat and a red comb set in her hair, turns her head sharply out of the picture. Behind her, thatched and tiled roofs sit under deep snow, a bare tree, a dark treeline, and the sign of a noodle shop. Her face is done without any of the conventional prettiness of the bijin tradition: broad, wind-reddened cheeks, a set mouth, eyes fixed on something off to the right.
Sekino was born in Aomori and grew up in the same city as Munakata Shikō. He moved to Tokyo in 1939, studied woodblock with Onchi Kōshirō and Maekawa Senpan, and became a founding member of Onchi's Ichimokukai (First Thursday Society), contributing to every one of the group's Ichimokushū portfolios. Printmaking in Japan had effectively stopped between 1940 and 1945 for want of paper and ink; the immediate postwar years saw Sekino and the Onchi circle return to small-format work, much of it looking back at the vanishing customs and northern landscapes of their own country. This sheet belongs squarely to that moment — a Tōhoku winter, recorded in 1946 by an artist who had grown up in one.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译Sekino Jun'ichirō 関野凖一郎 (1914–1988)
Title: Peasant Girl on Street (as acquired); probably catalogued as Girl in Northern Japan
Date: 1946
Technique: Woodblock print (mokuhanga), self-printed by the artist
Format: Approx. 20 × 26 cm
Condition: Excellent!
----------------------------------------------------------------------
Why Sōsaku Hanga Deserves Your Attention
Sōsaku Hanga — the Japanese creative-print movement — remains one of the most undervalued areas of twentieth-century art. These are not commercial reproductions produced across a divided workshop of publisher, carver, and printer: the movement's founding principle, championed above all by the artist himself, was that the same hand should design, carve, and print the work.
---------------------------------------------------------
About the Print
A young woman in an indigo kasuri kimono and a checked hanten, a towel knotted at her throat and a red comb set in her hair, turns her head sharply out of the picture. Behind her, thatched and tiled roofs sit under deep snow, a bare tree, a dark treeline, and the sign of a noodle shop. Her face is done without any of the conventional prettiness of the bijin tradition: broad, wind-reddened cheeks, a set mouth, eyes fixed on something off to the right.
Sekino was born in Aomori and grew up in the same city as Munakata Shikō. He moved to Tokyo in 1939, studied woodblock with Onchi Kōshirō and Maekawa Senpan, and became a founding member of Onchi's Ichimokukai (First Thursday Society), contributing to every one of the group's Ichimokushū portfolios. Printmaking in Japan had effectively stopped between 1940 and 1945 for want of paper and ink; the immediate postwar years saw Sekino and the Onchi circle return to small-format work, much of it looking back at the vanishing customs and northern landscapes of their own country. This sheet belongs squarely to that moment — a Tōhoku winter, recorded in 1946 by an artist who had grown up in one.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译详细资料
王朝风格/时期
20世纪
原产国
日本
Attribution
Original
Height
26 cm
Width
20 cm
艺术品标题
Sekino Jun'ichirō • Peasant Girl in a Snow-Covered Village • Sōsaku Hanga Masterpiece • Japanese
Condition
极佳状态
起源
私人收藏
真伪
原始的/正式的
