Francisca Salvat Homs (1946) - El ramo

Pictura Subastas presents this magnificent artwork belonging to Salvat Homs, depicting an exuberant bouquet of multicolored flowers arranged in an elegant blue jug, as a vibrant celebration of beauty, abundance and vitality of nature. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions of the work: 53x46x2 cm.
· Oil on canvas hand-signed by the artist at the bottom right.
· The piece is in good conservation condition, showing a number of paint losses on the flowers.

The work comes from an exclusive private collection in Girona.

Important note: the included photographs form an integral part of the lot description. Digital representation in an indicative mockup; there may be differences with the actual item in color, scale and details.

The painting will be professionally packed by an IVEX expert, using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packing and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.

------------------------------------------------------------------

This painting presents an exuberant bouquet of multicolored flowers arranged in an elegant blue jug, creating an image of extraordinary vitality, abundance and visual richness. The composition is dominated by a large floral mass that expands to all edges and almost fills the space, as if the flowers had grown freely to overflow the container. The scene conveys an immediate sense of joy and energy, yet also preserves the intimacy of a domestic arrangement viewed up close. Each flower seems to possess its own character and color, although all partake in a common harmony that turns the bouquet into a passionate celebration of nature.

The jug is located in the lower center and serves as the firm support point of the whole composition. Its rounded, voluminous body presents a deep blue color, enriched by white, violet, turquoise and electric blue reflections. Its wide handle curves gracefully to the right, reinforcing the sense of volume. The darkness of the container contrasts with the luminosity of many flowers, allowing the bouquet to rise visually with even greater intensity.

The surface of the jug appears to collect small sparks from the surroundings. Some areas show clear reflections that describe its curved shape, while others remain submerged in deep blues and violets. This alternation of light and shadow gives the vessel a solid and ornamental presence. Although it occupies a considerable part of the foreground, the jug does not compete with the flowers, but acts as a chromatic base capable of uniting and balancing the extraordinary variety of the bouquet.

In the center of the arrangement stands a large cluster of light-colored flowers, formed by whites, pale greens, bluish grays, mauves and delicate pink tones. This luminous mass seems to expand like a soft cloud amid the more intense colors. Its shapes overlap and blend slightly, creating a transitional zone between the vermilion flowers at the top and the deep tones of the container. The clarity of this central core provides air and rest for the eye within a composition marked by abundance.

To the left of center appears a large flower in burgundy and reddish tones, whose broad open petals constitute one of the main focal points. Its deep color combines with carmine, burgundy, pink and white nuances, creating a powerful and almost majestic presence. Nearby you can observe other red flowers of different sizes, some fully open and others partially hidden. This superposition generates a sense of depth and makes the bouquet look much denser than it may seem at first glance.

In the lower right area gathers another important group of red, burgundy and pink flowers. Its petals intertwine with small white, orange and violet notes, forming a warm mass that balances the large flower on the opposite side. Among them emerge dark centers and small greenish shadows that accent their volume. The intensity of these colors conveys passion and strength, making this sector one of the most expressive and vibrant areas of the work.

Yellow and orange flowers provide luminosity and dynamism at numerous points of the composition. Some appear at the upper extremes, while others arise among the reddish flowers or lean to the sides. At the top, a large yellow flower mixed with orange, reddish and white tones stands out, seemingly crowning the bouquet. Its warm color immediately draws the eye and connects with the yellow flowers located in the lower left area and on the far right.

Around these large flowers are distributed small white and yellow flowers that recall wild daisies. Their simple appearance introduces a note of delicacy within the exuberance overall. Some tilt toward the viewer, clearly showing their golden centers, while others appear in profile or partially hidden among leaves and petals. These small flowers relieve the density of the large volumes and convey a sense of spontaneity, as if the bouquet had been gathered directly from a garden.

The flower located in the upper right, with light petals and a warm center, opens widely over the ensemble. Its star-like shape and luminosity make it another standout point within the bouquet. The white, cream, pink and yellowish tones of its petals contrast with the dark background and with the orange flowers surrounding it. Its presence introduces elegance and balance in a zone dominated by warm colors and densely superimposed shapes.

The vegetation appears among the flowers through green stems, dark leaves and small bluish or turquoise forms. Although in many places it is hidden by the abundance of petals, its presence is essential to unite the different zones of the bouquet. Some stems rise vertically, others lean toward the edges and several disappear into the floral mass. This variety of directions breaks any rigidity and conveys the impression of a natural, free and slightly disorderly arrangement.

The dark background is built from deep greens, blues, grays, violets and blacks, forming an enveloping atmosphere that enhances the foreground colors. It is not presented as a completely uniform surface, but as a space full of variations, shadows and small areas of light. In certain points it seems to suggest leaves, corners of a room or barely distinguishable vegetation, though its indefinition keeps all attention on the bouquet. This darkness provides depth and makes the flowers seem to advance toward the viewer.

In the upper left, green and bluish tones create a triangular structure that could recall a fold, a shadow or a partially hidden architectural form. This element introduces a slight sense of mystery and expands the space beyond the bouquet. However, its contours remain deliberately integrated into the background, avoiding distraction. The composition thus preserves an intimate character, as if the flowers had been placed in a quiet corner and contemplated under changing light.

The table on which the jug rests appears in the lower part through a succession of browns, ochres, muted greens, yellows and violets. Its surface is partially covered by shadows and reflections of the container. The diagonal lines emanating from the bottom edges seem to direct the gaze toward the jug, reinforcing its central position. This earthy space provides stability to the scene and contrasts with the intensity of the blues and with the expansive nature of the bouquet.

The composition is organized around an interesting contrast between concentration and overflow. The jug gathers the stems at a relatively narrow point, but the flowers immediately spread to the sides and upward, forming a large irregular crown. Some are cut by the edges, suggesting the bouquet continues beyond what is visible. This arrangement increases the sense of abundance and makes nature seem unable to be contained within the image boundaries.

The color range is one of the most captivating aspects of the work. The luminous yellows face the deep purples and blues, while reds, burgundies and oranges find balance in whites, pale greens and grays. The colors do not appear isolated, but are visually blended through small correspondences that run throughout the composition. A blue reflection can be found among the reddish petals, just as a yellow note can emerge within a white or orange flower.

Light is distributed in a fragmented way over the bouquet. Some petals seem to receive direct clarity and stand out strongly, while others remain partially hidden under nearby flowers. This alternation creates numerous planes and prevents the whole from being perceived as a flat mass. The eye can move from the nearest flowers to the small forms hidden in the background, continually discovering new nuances, centers, petals and leaves.

The extraordinary proximity of the bouquet intensifies the visual experience. There is no great distance between the viewer and the flowers; on the contrary, they seem to approach, invade the space and offer all their richness of color. This closeness allows imagining the aroma, freshness and variety of the ensemble. The work does not merely show flowers placed in a jug, but conveys the physical and emotional sensation of encountering an explosion of nature.

Despite the diversity of shapes and colors, the image retains notable unity. The light flowers at the center act as a bridge between the upper yellows, the side reds and the deep blue of the container. The small white flowers repeat in different areas and create a luminous rhythm, while the greenish tones connect the background with the interior of the bouquet. Thanks to these relationships, the exuberance never becomes disorder, but an abundance carefully balanced.

The scene also has a symbolic dimension related to ephemeral beauty. The flowers appear in a moment of fullness, open and full of color, but their nature inevitably recalls the passage of time. The bouquet can be interpreted as a celebration of life, renewal and those moments of beauty that must be contemplated before disappearing. The jug, firm and dark, seems to preserve for a moment this luminous explosion, offering a delicate balance between permanence and fugacity.

Likewise, the painting conveys a deeply emotional atmosphere. The reds and burgundies evoke intensity and passion; the yellows bring joy and optimism; the whites suggest serenity; and the deep blues of the jug introduce calm and elegance. This combination makes the scene feel simultaneously festive and intimate. The bouquet seems to have been gathered not only to decorate a room, but also to celebrate a memory, express affection or illuminate a special moment.

Overall, the work represents a magnificent bouquet of multicolored flowers that overflows an elegant blue jug and fills the scene with life, color and emotion. The large red, burgundy, yellow, orange and white flowers intermingle with delicate daisies, green leaves and blue reflections, forming an exuberant composition in which every corner offers a new detail. The dark background enhances the luminosity of the petals, while the sturdy presence of the container provides balance and depth. The image thus becomes an intense celebration of nature, ephemeral beauty and the capacity of flowers to transform an everyday space into a universe filled with joy, energy and sensitivity.