Júlio Pomar (1926-2018) - Olympic Centennial





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卖家的描述
ABOUT THE PRINT
- 纸上石版画。
- 手签并限量编号。
- 属于艺术项目『Suite Olympic Centennial』,年份为1992年,由国际奥委会赞助。
- 原始图版作品,由艺术家亲手编号并签名。
ABOUT THE ARTWORK
The Olympic Suite consists of 50 lithographs and silkscreen prints chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of the modern Olympic Games. The selected artists work in a wide variety of movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, including abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented are creators of great international renown, widely recognised by critics.
ABOUT THE ARTIST
Julio Pomar Culebras was trained at the School of Fine Arts in Lisbon and Oporto and it was in the latter city where he began his artistic career with a solo exhibition in 1947. Later he participated in solo and group exhibitions, mainly in Portugal, but also in Paris. Between 1945 and 1957 his painting was essentially figurative, being one of the main representatives of Portuguese Neorealism. Later his work evolved in other directions.
ABOUT THE PRINT
- 纸上石版画。
- 手签并限量编号。
- 属于艺术项目『Suite Olympic Centennial』,年份为1992年,由国际奥委会赞助。
- 原始图版作品,由艺术家亲手编号并签名。
ABOUT THE ARTWORK
The Olympic Suite consists of 50 lithographs and silkscreen prints chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of the modern Olympic Games. The selected artists work in a wide variety of movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, including abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented are creators of great international renown, widely recognised by critics.
ABOUT THE ARTIST
Julio Pomar Culebras was trained at the School of Fine Arts in Lisbon and Oporto and it was in the latter city where he began his artistic career with a solo exhibition in 1947. Later he participated in solo and group exhibitions, mainly in Portugal, but also in Paris. Between 1945 and 1957 his painting was essentially figurative, being one of the main representatives of Portuguese Neorealism. Later his work evolved in other directions.

