格吕里亚尔特一次又一次回到让他着迷的地方，每次都努力捕捉能够唤起他初次旅行时同样情感与好奇心的画面。在1970年代，他多次乘坐一辆大众牌露营车穿越摩洛哥，沿途值得注意的停靠点从阿特拉斯山脉高地和沙漠，到大西洋海岸和地中海海岸。"The way I work might seem rather like scouting for locations, in the filmmaking sense," writes Gruyaert, "but most of all it reflects an obsession: the quest to relive a memorable moment in a place I have visited before a longing to experience again with greater intensity."
格吕里亚尔特一次又一次回到让他着迷的地方，每次都努力捕捉能够唤起他初次旅行时同样情感与好奇心的画面。在1970年代，他多次乘坐一辆大众牌露营车穿越摩洛哥，沿途值得注意的停靠点从阿特拉斯山脉高地和沙漠，到大西洋海岸和地中海海岸。"The way I work might seem rather like scouting for locations, in the filmmaking sense," writes Gruyaert, "but most of all it reflects an obsession: the quest to relive a memorable moment in a place I have visited before a longing to experience again with greater intensity."
