Inna Etuvgi - Scrolling Time - Catawiki Special Edition

SCROLLING TIME
Inna Etuvgi 的 Fine Art 印刷作品

"Scrolling Time" 作为对我们二十一世纪数字仪式的镜像，捕捉一种现代的恍惚：一种我们在无尽信息流中咀嚼、让信息像脆弱的泡泡一样膨胀后再化为虚无的状态。

这幅肖像既幽默又尖锐地反映了我们的新习惯，通过荷兰黄金时代的视觉语言，展示人类到底没有多大改变。它揭示无限下滑将我们的分钟时刻融化成柔软的遗忘，模糊了真实在场与数字虚空之间的界线。

你难道不感受到时间的脆弱吗？每一次滑动都让它消失？

**Once Upon Now collection.**

ABOUT THE PRINT:

Type: Original Fine Art Print (Macro Photography)
Image Size: 40 x 32 cm
Paper Size: 43 x 36 cm
Paper: Archival Museum-quality paper, 100% cotton, 300gsm
Edition: 4/25
Authenticity: Signed and numbered by the artist; includes a Certificate of Authenticity.
Condition: New, shipped directly from the artist's studio in Sweden.

OPTIONAL — MAT & READY-TO-FRAME PREPARATION

The print ships on its own, unmatted. If you’d like, I can mount it in a custom passepartout with a backing board, tailored to fit your frame perfectly.

I use pH-neutral archival materials and a reversible mount, so the print can always be removed without damage. This is an optional paid service — just message me for the price and details.


EDITION:

This work is presented in a Special Catawiki Edition (40x32 cm image on 43x36 cm paper). The artist's larger-scale Studio and Master Editions are sold through premier online galleries; this size is not available through any gallery or platform. It can only be acquired directly from the artist's studio or through selected auction releases. Produced to the same archival standards as all editions.


ABOUT THE ARTIST

Inna Etuvgi is a Swedish-Chukchi art photographer and digital artist, internationally recognised as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant. Born in a remote Arctic village in Chukotka and trained in technical cybernetics, she began her artistic practice in 2020 and has since exhibited across Europe — in Venice, London, Barcelona, Palermo, and San Marino.

Etuvgi lives with aphantasia — she cannot see images in her mind. Her camera and AI serve as extensions of her visual imagination, allowing her to create what she cannot picture internally. Through macro photography she enters the hidden worlds of mosses, lichens, and dewdrops; through digital art she gives form to psychological states and inner archetypes. Both are rooted in a deep sensitivity shaped by her Chukchi upbringing — an instinct to feel into every living thing.

As art critic Tabish Khan notes: "Her work transports us to other worlds — both real and imaginary, but always in harmony with nature."