Eduardo Chillida (1924-2002) - Composition





€1 |
|---|
Catawiki买家保障
在您收到物品之前,您的付款将在我们这里受到安全保管。查看详细信息
Trustpilot 4.4分 | 138416条评论
在Trustpilot上被评为优秀。
Eduardo Chillida 的 lithographie Composition(1996),限量500份,板签名并编号,尺寸 40 x 30 cm(不含框),西班牙,品相良好。
卖家的描述
Eduardo Chillida
Dimensions: 40×30 cm,带画框垫。
Frame not included
Printed signature, limited edition 500 exemplars, numbered.
Taller Hatz, San Sebastián, Poligrafa.
Very good condition
Careful packaging and international registered shipping
While Eduardo Chillida is universally celebrated for his monumental steel and stone sculptures, his graphic work—particularly his etchings and lithographs—reveals an equally masterful exploration of space, where heavy ink and stark paper engage in a dramatic dance of form and void. This graphic brilliance directly mirrors the printmaking legacies of titans like Pablo Picasso and Salvador Dalí, who similarly utilized the graphic medium to strip their artistic visions down to their most urgent, raw essences. Much like Picasso's masterful linocuts or Dalí's surrealist etchings, Chillida’s graphic art proves that paper can hold just as much architectural power and emotional weight as three-dimensional sculpture.
Eduardo Chillida
Dimensions: 40×30 cm,带画框垫。
Frame not included
Printed signature, limited edition 500 exemplars, numbered.
Taller Hatz, San Sebastián, Poligrafa.
Very good condition
Careful packaging and international registered shipping
While Eduardo Chillida is universally celebrated for his monumental steel and stone sculptures, his graphic work—particularly his etchings and lithographs—reveals an equally masterful exploration of space, where heavy ink and stark paper engage in a dramatic dance of form and void. This graphic brilliance directly mirrors the printmaking legacies of titans like Pablo Picasso and Salvador Dalí, who similarly utilized the graphic medium to strip their artistic visions down to their most urgent, raw essences. Much like Picasso's masterful linocuts or Dalí's surrealist etchings, Chillida’s graphic art proves that paper can hold just as much architectural power and emotional weight as three-dimensional sculpture.

