Felipe Abreu

日本摄影集：Provoke一代

Daido Moriyama，Bye Bye Photography，1972。 
本书状况极好，装订完好，干净。封套整体磨损。 
这是日本战后最具代表性的摄影师之一 Daido Moriyama（1938-）的摄影集。这是 Moriyama 的第二本摄影书，继《Nippon Theater Photo Album (1968)》之后，一直被誉为动荡的六十年代与七十年代日本摄影领域中最好的著作。在六十年代，他继续探索自身的摄影风格，同时受到多位先锋派的影响，并通过与中平卓马等人相遇后创立的挑衅性团体 Provoke 的推动而持续发力。 Moriyama 继续在创作中求变。这是一部独特的前卫作品集，直接否定诸如尼埃普（Niépce）和报纸照片等“摄影现实”，由电视等照片的无端复制品，以及未裁剪的原片未开封而成。『对摄影到底是什么毫无疑问的照片』。对如此照片的厌恶与欲望，在书中的“插图”和“题名”中被强烈表达。书末与中平卓馬的对话也非常有趣。）

Daido Moriyama, Bye Bye Photography, 1972. 
The book is in very good condition, sound binding, clean. The dustjacket shows overall wear.
A photo collection by Daido Moriyama (1938-), one of Japan's leading photographers after the war. This is Daido Moriyama's second photo book, following ``Nippon Theater Photo Album (1968)'', and is consistently praised as the best book of Japanese photography during the turbulent 1960s and 1970s. In the 1960s, he continued to explore his own style as a photographer while being influenced by the styles of various pioneers, and through the provocative group ``Provoke'' that was founded after meeting Takuma Nakahira and others. , Moriyama continued to struggle. This is a unique avant-garde collection of works that directly rejects the "reality of photography" such as Niépce and newspaper photographs, and is composed of unprincipled copies of television and other photographs, as well as uncut negatives left unopened. Created. ``Photographs in which there is not the slightest doubt as to what a photograph is.'' The dislike and desire to leave such photographs are strongly expressed in the ``illustrations'' and ``title.'' The conversation with Takuma Nakahira at the end of the book is also very interesting.

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Daido Moriyama - Bye Bye Photography - 1972

摄影 - 数量: 1 - 带有防尘套 - 书籍

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森山大道，《Bye Bye Photography》，1972年首版，日语原文，300页，23 cm × 19 cm，平装，作者署名为Shashin Hyoron-sha出版，带护封，状态 Sehr gut。

Daido Moriyama - Bye Bye Photography - 1972

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森山大道，《Bye Bye Photography》，1972年首版，日语原文，300页，23 cm × 19 cm，平装，作者署名为Shashin Hyoron-sha出版，带护封，状态 Sehr gut。

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