Hollohaza - 雕像 - 一个瓷质裸体女人雕像





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Hollohaza瓷制裸女跪姿雕塑,高29 cm,宽10 cm,深6 cm,现代风格,匈牙利产,1970年前后,状况极好。
卖家的描述
* 婚Vintage Hungarian porcelain figurine, depicting an elegant kneeling female figure in a refined, stylized pose
* Original period piece with a distinctive pale-yellow drapery, glossy white porcelain body and hand-painted brown hair
* Marked “HUNGARY” on the underside, accompanied by an additional impressed/printed mark
* Excellent decorative presence, particularly suited to collectors of European ceramics, Art Deco–influenced sculpture and vintage interior objects
* Multiple original views reveal the sculptural quality, graceful modelling and carefully articulated posture
* Highly decorative statement piece for a sophisticated living room, library, bedroom, gallery wall or collector’s cabinet
* The underside is especially interesting for collectors, preserving the original factory marking and construction details
* A charming example of 20th-century Hungarian ceramic craftsmanship, combining figurative sculpture with restrained period colour
This elegant vintage Hungarian porcelain figurine presents a particularly graceful interpretation of the female form. The sculpture depicts a kneeling woman with a composed, introspective posture, her body carefully modelled in smooth white porcelain while a softly coloured yellow drapery sweeps around the lower section and continues onto the rectangular architectural base. The combination of luminous ceramic, restrained decoration and sculptural simplicity gives the piece an unusually sophisticated character.
The figure is especially attractive from a collecting perspective because the design is not dependent on excessive ornamentation. Instead, its visual impact comes from the silhouette, elongated proportions, carefully shaped limbs, turned head, stylised coiffure and subtle facial painting. The glossy glaze catches the light across the shoulders, arms, torso and knees, creating delicate highlights that emphasise the modelling. The brown painted hairstyle provides a restrained contrast against the ivory-white ceramic, while the pale yellow element introduces a characteristic accent that immediately draws attention to the composition.
Its aesthetic language belongs comfortably within the broader tradition of European decorative sculpture, where porcelain manufacturers transformed the human figure into an interior object intended not merely for display but also for integration into an elegant domestic environment. The restrained palette and flowing contours make this example particularly compatible with Art Deco, modernist, mid-century and transitional interiors, while its figurative character also gives it appeal as a standalone collector’s object.
One of the most interesting details is found on the underside. The original base carries a visible HUNGARY marking together with an additional factory or model mark. This is important because it preserves evidence of the object’s original production and Hungarian provenance rather than presenting an anonymous contemporary reproduction. The underside also shows the characteristic construction of the porcelain base, including the raised structural cross-bracing and small opening associated with the manufacturing process. The aged edges and underside naturally reflect the object’s history and should be considered part of its vintage character.
The sculptor has achieved a surprisingly dynamic composition from a relatively restrained pose. Seen from the front, the figure appears modest and contemplative; from the side, the elegant curve of the back and the carefully balanced knees become much more apparent; from the rear, the modelling of the shoulders, waist and hairstyle gives the sculpture an entirely different presence. This changing appearance is one of its strongest qualities and makes it particularly rewarding when displayed where it can be viewed from several directions.
The glossy surface is characteristic of glazed porcelain and produces a refined contrast with the matte textures commonly found in contemporary interiors. Placed on a console, pedestal, sideboard, bookshelf or architectural shelf, the sculpture can function as a focal object without overwhelming its surroundings. Its compact footprint also makes it suitable for a curated cabinet of curiosities, European ceramics collection, vintage sculpture display or sophisticated residential setting.
For collectors of Hungarian porcelain, the piece offers an appealing combination of figurative design, period craftsmanship and identifiable national origin. It can also attract enthusiasts of European ceramics, vintage figurines, female sculptures, decorative arts, Art Deco aesthetics, mid-century interiors and historical porcelain production. The timeless subject ensures that it does not depend exclusively on one particular decorating trend.
The condition should be assessed from the photographs, particularly around the underside and edges of the base where normal handling and age-related traces are visible. These details are presented as part of the object’s authentic vintage condition rather than concealed. The principal sculptural surfaces retain their attractive glossy appearance, while the painted decoration and yellow drapery remain visually distinctive.
This is therefore much more than a conventional porcelain ornament. It is a period European decorative sculpture with a strong silhouette, attractive colour composition, original marking and genuine vintage character. Its combination of white glazed ceramic, warm brown hair, pale yellow drapery and architectural base gives it an understated but highly recognisable appearance.
For a collector, the appeal lies precisely in this balance: figurative sculpture without excessive decoration, Hungarian provenance without visual heaviness, and a refined period aesthetic that works equally well within a traditional collection or a contemporary designer interior. It would make an especially compelling addition to a collection focused on vintage European porcelain, Hungarian ceramics, sculptural objects or 20th-century decorative arts.
The photographs should be considered an integral part of the description, particularly the underside view showing the original HUNGARY marking and construction. The sculpture is offered as a vintage collectible object whose character derives from its age, craftsmanship, modelling, glazing and period presence. Its elegant proportions and quietly expressive pose make it an unusually versatile decorative piece, capable of standing alone as a sculptural accent while also complementing a carefully curated collection of European antiques and design objects.
* 婚Vintage Hungarian porcelain figurine, depicting an elegant kneeling female figure in a refined, stylized pose
* Original period piece with a distinctive pale-yellow drapery, glossy white porcelain body and hand-painted brown hair
* Marked “HUNGARY” on the underside, accompanied by an additional impressed/printed mark
* Excellent decorative presence, particularly suited to collectors of European ceramics, Art Deco–influenced sculpture and vintage interior objects
* Multiple original views reveal the sculptural quality, graceful modelling and carefully articulated posture
* Highly decorative statement piece for a sophisticated living room, library, bedroom, gallery wall or collector’s cabinet
* The underside is especially interesting for collectors, preserving the original factory marking and construction details
* A charming example of 20th-century Hungarian ceramic craftsmanship, combining figurative sculpture with restrained period colour
This elegant vintage Hungarian porcelain figurine presents a particularly graceful interpretation of the female form. The sculpture depicts a kneeling woman with a composed, introspective posture, her body carefully modelled in smooth white porcelain while a softly coloured yellow drapery sweeps around the lower section and continues onto the rectangular architectural base. The combination of luminous ceramic, restrained decoration and sculptural simplicity gives the piece an unusually sophisticated character.
The figure is especially attractive from a collecting perspective because the design is not dependent on excessive ornamentation. Instead, its visual impact comes from the silhouette, elongated proportions, carefully shaped limbs, turned head, stylised coiffure and subtle facial painting. The glossy glaze catches the light across the shoulders, arms, torso and knees, creating delicate highlights that emphasise the modelling. The brown painted hairstyle provides a restrained contrast against the ivory-white ceramic, while the pale yellow element introduces a characteristic accent that immediately draws attention to the composition.
Its aesthetic language belongs comfortably within the broader tradition of European decorative sculpture, where porcelain manufacturers transformed the human figure into an interior object intended not merely for display but also for integration into an elegant domestic environment. The restrained palette and flowing contours make this example particularly compatible with Art Deco, modernist, mid-century and transitional interiors, while its figurative character also gives it appeal as a standalone collector’s object.
One of the most interesting details is found on the underside. The original base carries a visible HUNGARY marking together with an additional factory or model mark. This is important because it preserves evidence of the object’s original production and Hungarian provenance rather than presenting an anonymous contemporary reproduction. The underside also shows the characteristic construction of the porcelain base, including the raised structural cross-bracing and small opening associated with the manufacturing process. The aged edges and underside naturally reflect the object’s history and should be considered part of its vintage character.
The sculptor has achieved a surprisingly dynamic composition from a relatively restrained pose. Seen from the front, the figure appears modest and contemplative; from the side, the elegant curve of the back and the carefully balanced knees become much more apparent; from the rear, the modelling of the shoulders, waist and hairstyle gives the sculpture an entirely different presence. This changing appearance is one of its strongest qualities and makes it particularly rewarding when displayed where it can be viewed from several directions.
The glossy surface is characteristic of glazed porcelain and produces a refined contrast with the matte textures commonly found in contemporary interiors. Placed on a console, pedestal, sideboard, bookshelf or architectural shelf, the sculpture can function as a focal object without overwhelming its surroundings. Its compact footprint also makes it suitable for a curated cabinet of curiosities, European ceramics collection, vintage sculpture display or sophisticated residential setting.
For collectors of Hungarian porcelain, the piece offers an appealing combination of figurative design, period craftsmanship and identifiable national origin. It can also attract enthusiasts of European ceramics, vintage figurines, female sculptures, decorative arts, Art Deco aesthetics, mid-century interiors and historical porcelain production. The timeless subject ensures that it does not depend exclusively on one particular decorating trend.
The condition should be assessed from the photographs, particularly around the underside and edges of the base where normal handling and age-related traces are visible. These details are presented as part of the object’s authentic vintage condition rather than concealed. The principal sculptural surfaces retain their attractive glossy appearance, while the painted decoration and yellow drapery remain visually distinctive.
This is therefore much more than a conventional porcelain ornament. It is a period European decorative sculpture with a strong silhouette, attractive colour composition, original marking and genuine vintage character. Its combination of white glazed ceramic, warm brown hair, pale yellow drapery and architectural base gives it an understated but highly recognisable appearance.
For a collector, the appeal lies precisely in this balance: figurative sculpture without excessive decoration, Hungarian provenance without visual heaviness, and a refined period aesthetic that works equally well within a traditional collection or a contemporary designer interior. It would make an especially compelling addition to a collection focused on vintage European porcelain, Hungarian ceramics, sculptural objects or 20th-century decorative arts.
The photographs should be considered an integral part of the description, particularly the underside view showing the original HUNGARY marking and construction. The sculpture is offered as a vintage collectible object whose character derives from its age, craftsmanship, modelling, glazing and period presence. Its elegant proportions and quietly expressive pose make it an unusually versatile decorative piece, capable of standing alone as a sculptural accent while also complementing a carefully curated collection of European antiques and design objects.

