古埃及 石灰石 男性雕像。长15厘米。第三中间期 - 后期，公元前1070年-公元前332年
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 | €111 | |
|---|---|---|
 | €3 | |
| €2 |
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阿古埃及石灰岩男性雕塑，高度15厘米，属于第三中期至晚期（公元前1070–前332年），原状良好并带有古色，来自法国的私人收藏。
AI辅助摘要
卖家的描述
Male funenraru sculpture
Ancient Egypt, Third Int. Period - Late Period, 1070 - 332 BC
Limestone, nice patina.
15 cm height
Provenance: Private collection, Roger de Montégudet (1880 - 1925), France. Thence by descent.
Condition: Very good, original state, see photos.
Ancient Egyptian stone sculptures of human figures played a central role in both tombs and temples, reflecting religious beliefs, social hierarchy, and the desire for eternal life. These sculptures were typically carved from durable materials such as limestone, granite, or basalt, chosen for their ability to endure across time. Their primary purpose was not purely decorative, but deeply spiritual: they were believed to serve as vessels for the ka, or life force, of the deceased.
In tombs, statues of the deceased were often placed in hidden chambers or niches. These figures provided a permanent physical form in case the mummy was damaged or destroyed, ensuring that the spirit would still have a place to reside. The sculptures were usually idealized, depicting individuals in a youthful and serene manner, symbolizing eternal vitality. Common poses included seated figures, standing with one foot forward, or scribes sitting cross-legged, each conveying status and role in society.
In temples, stone sculptures depicted gods, pharaohs, and important officials. These works reinforced divine authority and the connection between rulers and the gods. Pharaohs were often shown in a rigid, frontal stance, emphasizing order, stability, and power. Scale was also significant: larger statues indicated higher status, with colossal statues of rulers placed at temple entrances to project strength and divine protection.
Stylistically, Egyptian sculptures followed strict conventions that remained consistent for centuries. Proportion, symmetry, and clarity were valued over realism. Artists adhered to established guidelines to ensure that figures were immediately recognizable and symbolically correct.
Overall, these stone sculptures were not merely artistic expressions but functional and symbolic objects, essential to ancient Egyptian beliefs about life, death, and the divine order.
Unfinished ancient Egyptian stone sculptures provide valuable insight into artistic techniques and workshop practices. Many of these pieces, found in quarries, tombs, and temple sites, reveal intermediate stages of carving, from rough block shaping to detailed refinement. Tool marks, grid lines, and partially carved features show how artisans planned proportions and executed their work step by step. Some statues were abandoned due to flaws in the stone, political changes, or shifts in patronage. These incomplete works highlight the labor-intensive process behind Egyptian sculpture and offer a rare glimpse into the methods, organization, and challenges faced by ancient craftsmen.
卖家故事
重要提示：
-我们是专业卖家。
- 所有出售的商品均附有专业发票。
- 所有出售的商品都将附有自己的真品证书（保修文件），包括商品的描述、图像和出处。
- 所有物品将通过带有保险的私人快递（DHL 快递、西班牙 CORREOS 或其他类似的带有追踪号码的快递）运送。
- 所有物品在发货时（如果需要）将被声明为具有 100 年以上历史的古董，并对其价格进行估价。
- 对于欧盟以外的运输：交货时间以清关为准。目的地国家/地区适用的责任和海关法规或进口要求由买方全权负责。我们对海关手续造成的延误不承担任何责任。进口税和增值税不包含在运费中。应付的进口税或增值税取决于目的地国家。任何税款的支付或与海关当局的任何争议均由买方自行承担。
- 对于所提供的某些商品，如果要运送到欧盟以外的地区，则需要获得出口许可证，该许可证将详细说明买方根据西班牙立法支付的出口费用。如果有必要，它将在文章的描述中提及，因为并非在所有情况下都是这样。这些费用将添加到发票中，费用由买方承担。这些出口费用根据最终拍卖价格确定，税率并不直接适用于出口商品的总价值，而是按部分应用不同的百分比： 6,000 欧元以下：5%。 6,001 欧元至 60,000 欧元：10%。
此出口许可证申请过程最多可能需要 1-2 个月。
- 我们保证他根据与文化财产所有权相关的所有国家和国际法律获得了这件作品。
使用Google翻译翻译Male funenraru sculpture
Ancient Egypt, Third Int. Period - Late Period, 1070 - 332 BC
Limestone, nice patina.
15 cm height
Provenance: Private collection, Roger de Montégudet (1880 - 1925), France. Thence by descent.
Condition: Very good, original state, see photos.
Ancient Egyptian stone sculptures of human figures played a central role in both tombs and temples, reflecting religious beliefs, social hierarchy, and the desire for eternal life. These sculptures were typically carved from durable materials such as limestone, granite, or basalt, chosen for their ability to endure across time. Their primary purpose was not purely decorative, but deeply spiritual: they were believed to serve as vessels for the ka, or life force, of the deceased.
In tombs, statues of the deceased were often placed in hidden chambers or niches. These figures provided a permanent physical form in case the mummy was damaged or destroyed, ensuring that the spirit would still have a place to reside. The sculptures were usually idealized, depicting individuals in a youthful and serene manner, symbolizing eternal vitality. Common poses included seated figures, standing with one foot forward, or scribes sitting cross-legged, each conveying status and role in society.
In temples, stone sculptures depicted gods, pharaohs, and important officials. These works reinforced divine authority and the connection between rulers and the gods. Pharaohs were often shown in a rigid, frontal stance, emphasizing order, stability, and power. Scale was also significant: larger statues indicated higher status, with colossal statues of rulers placed at temple entrances to project strength and divine protection.
Stylistically, Egyptian sculptures followed strict conventions that remained consistent for centuries. Proportion, symmetry, and clarity were valued over realism. Artists adhered to established guidelines to ensure that figures were immediately recognizable and symbolically correct.
Overall, these stone sculptures were not merely artistic expressions but functional and symbolic objects, essential to ancient Egyptian beliefs about life, death, and the divine order.
Unfinished ancient Egyptian stone sculptures provide valuable insight into artistic techniques and workshop practices. Many of these pieces, found in quarries, tombs, and temple sites, reveal intermediate stages of carving, from rough block shaping to detailed refinement. Tool marks, grid lines, and partially carved features show how artisans planned proportions and executed their work step by step. Some statues were abandoned due to flaws in the stone, political changes, or shifts in patronage. These incomplete works highlight the labor-intensive process behind Egyptian sculpture and offer a rare glimpse into the methods, organization, and challenges faced by ancient craftsmen.
卖家故事
重要提示：
-我们是专业卖家。
- 所有出售的商品均附有专业发票。
- 所有出售的商品都将附有自己的真品证书（保修文件），包括商品的描述、图像和出处。
- 所有物品将通过带有保险的私人快递（DHL 快递、西班牙 CORREOS 或其他类似的带有追踪号码的快递）运送。
- 所有物品在发货时（如果需要）将被声明为具有 100 年以上历史的古董，并对其价格进行估价。
- 对于欧盟以外的运输：交货时间以清关为准。目的地国家/地区适用的责任和海关法规或进口要求由买方全权负责。我们对海关手续造成的延误不承担任何责任。进口税和增值税不包含在运费中。应付的进口税或增值税取决于目的地国家。任何税款的支付或与海关当局的任何争议均由买方自行承担。
- 对于所提供的某些商品，如果要运送到欧盟以外的地区，则需要获得出口许可证，该许可证将详细说明买方根据西班牙立法支付的出口费用。如果有必要，它将在文章的描述中提及，因为并非在所有情况下都是这样。这些费用将添加到发票中，费用由买方承担。这些出口费用根据最终拍卖价格确定，税率并不直接适用于出口商品的总价值，而是按部分应用不同的百分比： 6,000 欧元以下：5%。 6,001 欧元至 60,000 欧元：10%。
此出口许可证申请过程最多可能需要 1-2 个月。
- 我们保证他根据与文化财产所有权相关的所有国家和国际法律获得了这件作品。
使用Google翻译翻译详细资料
文化
古埃及
世纪/时段
Third Int. Period - Late Period, 1070 - 332 BC
Name of object
Male sculpture. 15 cm L. Third Int. Period - Late Period, 1070 - 332 BC
获得来源
私人收藏
获得年份
2025
材质
Limestone
获得国家
法国
状态
好
前任拥有者获得来源
私人收藏
前任拥有者获得年份
1980
前任拥有者获得国家
法国
我确认我合法获得此物品，并且我有权将它出售
是的
真伪
原始的/正式的
免责声明
卖家已就文件要求收到了Catawiki的通知并保证以下内容： - 该物品是合法获得的， - 卖家有权出售和/或出口该物品（如适用）， - 卖家将提供必要的出处或来源地信息，并根据当地法律安排所需的文件和许可证/执照， - 如果在获取许可证/执照方面出现任何延误，卖家将通知买家。 出价竞投，表明您知晓根据您居住的国家和地区可能会被需要提供进口文件，以及获得许可证/执照可能会导致物品交付的延迟。
卖家已就文件要求收到了Catawiki的通知并保证以下内容： - 该物品是合法获得的， - 卖家有权出售和/或出口该物品（如适用）， - 卖家将提供必要的出处或来源地信息，并根据当地法律安排所需的文件和许可证/执照， - 如果在获取许可证/执照方面出现任何延误，卖家将通知买家。 出价竞投，表明您知晓根据您居住的国家和地区可能会被需要提供进口文件，以及获得许可证/执照可能会导致物品交付的延迟。
