Domingo Alvarez Gomez (1942) - Contemplando las olas

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Caroline Bokobza
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由Caroline Bokobza精选

法国拍卖师毕业,曾在苏富比巴黎估价部门工作。

估价  € 400 - € 500
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Contemplando las olas,来自西班牙的原作粉彩,创作于1980–1990年,原版,现带框出售。

AI辅助摘要

卖家的描述

Pictura Subastas presents this magnificent artwork belonging to Domingo Álvarez, depicting a young woman seated barefoot on the sand, beside her straw hat, while gazing serenely at the waves. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Frame dimensions: 53x76x2 cm.
· Unframed dimensions: 40x63 cm.
· Hand-signed pastel by the artist in the lower right, Domingo.
· The piece is in good conservation condition.
· The work is sold with a beautiful frame and glass (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the included photographs are an integral part of the lot description.

The painting will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both professional packing and transport cost.
Shipping will be via Correos, GLS or NACEX with tracking. International shipping available.

------------------------------------------------------------------

This painting presents a serene coastal scene starring a young woman sitting on the sand while watching the movement of the sea. The figure appears shifted to the right, leaving a wide expanse of water before her gaze, reinforcing a sense of silence, intimacy, and reflection. Dressed in white garments with her hair tied back, the woman rests beside a straw hat placed in the foreground, while the waves advance in successive bands until reaching the shore.

The composition is organized through an attractive opposition between the horizontal vastness of the seascape and the gathered posture of the protagonist. The sea occupies much of the surface and extends beyond the image bounds, while the young woman forms a defined and delicate human nucleus. This scale relationship allows perceiving the immensity of the environment and accentuates the contemplative mood.

The young woman sits directly on the sand, torso slightly leaning back. She rests one hand on the ground for support, adopting a spontaneous and relaxed pose. She does not seem to be posing deliberately, but rather enjoying a private moment before the water, unaware of any external presence.

Her head gently tilts toward the sea. The face appears in profile and partially hidden by strands of hair, so that her features are only suggested. This indefiniteness makes the expression universal and allows interpreting her attitude as serenity, nostalgia, introspection, or simple admiration of the landscape.

Her dark hair is tied into a ponytail that descends over the nape and upper back. Some strands loosen around the face, as if moved by the sea breeze. The brown, gold, and black highlights add volume to the hairstyle and contrast with the blouse’s luminosity.

The clothing is dominated by whites, bluish grays, and delicate pinkish hues. The blouse, light and loose in appearance, covers the torso and arms with wide folds. Its clarity makes the figure the main luminous focal point on the right side and creates a strong contrast with the darkness of the water.

The long sleeves descend to the wrists and seem to adapt softly to the posture. On the arm resting on the sand, the fabric forms elongated folds that guide the gaze toward the hand. These light changes give naturalness to the garment and suggest a comfortable fabric suitable for a day at the sea.

The right hand rests openly on the sand. The fingers are spaced apart and relaxed, conveying a sense of balance and repose. This small gesture physically connects the figure to the landscape and reinforces the impression that the young woman is fully integrated into the place.

The lower part of her attire also presents light tones. The fabric gathers around the waist and extends over the thighs in soft, irregular shapes. Some pinkish and bluish reflections mix with the white, preventing the garment from appearing flat and linking its chromatically with the sky, water, and foam.

The legs form a main diagonal of the composition. One leg remains bent and raised, while the other extends to the left, nearing the lower edge of the image. This arrangement adds depth and guides the gaze from the figure to the central foreground.

The elevated knee receives intense light that highlights its volume. Warm skin tones—creams, soft ochres, pinks, and browns—contrast with the cool colors of the sea. The brightness seems to come from above and reflects on the leg, suggesting moisture or the sheen of skin under coastal light.

The extended leg ends in a bare foot resting on damp sand. Its position reinforces the moment’s naturalness and conveys direct contact with the beach. The absence of footwear suggests the girl has walked along the shore or paused after approaching the water.

The other leg remains partially hidden beneath the first and by the clothing folds. This superposition creates depth and avoids an overly rigid posture. The dark shadows between the legs define their shapes and provide stability to the body.

In front of the woman lies a straw hat placed on the sand. Its rounded crown and wide brim are distinguished by yellow, beige, greenish, and brown tones. This object occupies a central position in the foreground and functions as a narrative element that completes the scene.

The hat seems to have been left there moments before, perhaps to allow the wind to refresh the young woman’s face. Its presence suggests a sunny day or a long stay on the beach. It also introduces a sign of everyday life that makes the scene feel nearby and emotionally recognizable.

The circular shape of the brim contrasts with the horizontal lines of the sea and the diagonals of the body. Moreover, its warm color serves as a transition between skin tones and the browns of the sand. The shadow under the hat adds volume and confirms its proximity to the viewer.

The foreground sand appears dark and damp, especially near the shore. Its greens, browns, grays, and bluish tones reflect the sea’s atmosphere. It is not a uniform surface but marked by small color changes suggesting unevenness, moisture, and traces of water movement.

The young woman casts a long bluish shadow toward the right. This elongated shape stretches across the beach and contrasts with the earth tones of the ground. The shadow helps locate the light direction and provides a geometric element that balances the figure and the hat.

The shore lies immediately behind the protagonist. A fine line of foam marks where the waves break on the sand, creating a changing boundary between land and water. The sea seems relatively close, reinforcing the sense that the woman can feel the humidity and clearly hear the sea’s murmur.

The water features a rich range of blues, dark greens, turquoises, grays, and violets. Tones vary from deep, shadowy areas to lighter bands near the foam. This chromatic diversity conveys the sea surface’s continuous movement and how light fragments on it.

Waves progress in successive horizontal bands. In the foreground, the water gently extends over the sand; further back, several white crests rise and break; and in the distance a darker band suggests larger swells. This repetition creates depth and establishes a steady rhythm.

White foam sweeps across the composition in irregular lines. Some bands are fine and delicate, while others cluster into denser patches. These clear reflections animate the sea surface and prevent the vast water from appearing static.

In the upper area, the sea takes on a darker, deeper tone. Bluish-greens and grays create a slightly somber atmosphere, contrasting with the light focused on the young woman. The absence of a clearly visible horizon makes the water seem to extend indefinitely upward.

This framing allows the sea to emotionally dominate the scene. No boats, buildings, cliffs, or other figures interrupt the contemplation. The dialogue is established exclusively between the woman and the waters, turning the landscape into a projection of her inner state.

The light is soft and restrained. It does not resemble the bright glare of a clear noon, but a more subdued illumination that produces silver reflections on the waves and delicate highlights on the skin. This luminous quality gives the scene an intimate and slightly melancholic character.

The color palette combines the freshness of blues and greens with the warmth of skin, sand, and hat. The white of the clothing acts as a unifying element, gathering both cool shadows and small warm reflections. The harmony of these colors decisively contributes to the overall serenity.

The composition leaves a wide empty space in front of the viewer’s gaze. This device allows imagining what she watches and emphasizes the act of contemplating. The woman does not need to perform any specific action: her stillness and gaze are enough to build the narrative.

The viewer is positioned at some distance, as a silent witness to a private moment. The protagonist does not establish eye contact nor seems aware of being observed. This absence of interaction preserves the scene’s intimacy and favors respectful contemplation.

The young woman’s pose can be interpreted as a moment of rest after walking along the beach. She might also be reflecting, recalling an experience, or simply letting herself be carried by the sea’s repetitive sound. The work offers no definitive explanation, which broadens its evocative power.

The sea functions as a symbol of vastness, change, and the passage of time. The waves reach the shore, disappear, and reform in an endless repetition. Before them, the human figure appears small and temporary, though its luminous presence grants intense emotional significance.

The abandoned hat on the sand may symbolize a pause. The young woman seems to have momentarily shed what protected her to fully feel the wind and light. This simple object suggests a before and after the represented moment, adding a narrative dimension.

The work celebrates the beauty of silent, everyday moments. It does not depict an extraordinary event but the universal experience of stopping before the sea and letting the gaze wander in its movement. That simplicity makes the scene intimate, moving, and profoundly human.

Overall, this precious painting offers a serene and evocative portrayal of a young woman seated on the sand, quietly watching the sea’s waves. Her relaxed posture, the clarity of her clothes, the hair moved by the breeze, and the straw hat placed beside her compose an intimate, natural scene. The harmony between the deep blues of the water, the white foam, the sea-soaked tones of the beach, and the warm luminosity of the figure conveys calm, nostalgia, and the deep pleasure of surrendering for a few moments to contemplating the horizon."

卖家故事

我们是 Pictura Auctions,我们的使命是提供一个在线空间,让艺术爱好者、收藏家和爱好者可以沉浸在各种杰作中,从最具革命性的前卫艺术到经受时间考验的经典珠宝。我们的专家策展团队精心挑选了来自不同时代和文化的最重要、最感人的作品,精心组建了多样化且令人兴奋的藏品。
使用Google翻译翻译

Pictura Subastas presents this magnificent artwork belonging to Domingo Álvarez, depicting a young woman seated barefoot on the sand, beside her straw hat, while gazing serenely at the waves. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Frame dimensions: 53x76x2 cm.
· Unframed dimensions: 40x63 cm.
· Hand-signed pastel by the artist in the lower right, Domingo.
· The piece is in good conservation condition.
· The work is sold with a beautiful frame and glass (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the included photographs are an integral part of the lot description.

The painting will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both professional packing and transport cost.
Shipping will be via Correos, GLS or NACEX with tracking. International shipping available.

------------------------------------------------------------------

This painting presents a serene coastal scene starring a young woman sitting on the sand while watching the movement of the sea. The figure appears shifted to the right, leaving a wide expanse of water before her gaze, reinforcing a sense of silence, intimacy, and reflection. Dressed in white garments with her hair tied back, the woman rests beside a straw hat placed in the foreground, while the waves advance in successive bands until reaching the shore.

The composition is organized through an attractive opposition between the horizontal vastness of the seascape and the gathered posture of the protagonist. The sea occupies much of the surface and extends beyond the image bounds, while the young woman forms a defined and delicate human nucleus. This scale relationship allows perceiving the immensity of the environment and accentuates the contemplative mood.

The young woman sits directly on the sand, torso slightly leaning back. She rests one hand on the ground for support, adopting a spontaneous and relaxed pose. She does not seem to be posing deliberately, but rather enjoying a private moment before the water, unaware of any external presence.

Her head gently tilts toward the sea. The face appears in profile and partially hidden by strands of hair, so that her features are only suggested. This indefiniteness makes the expression universal and allows interpreting her attitude as serenity, nostalgia, introspection, or simple admiration of the landscape.

Her dark hair is tied into a ponytail that descends over the nape and upper back. Some strands loosen around the face, as if moved by the sea breeze. The brown, gold, and black highlights add volume to the hairstyle and contrast with the blouse’s luminosity.

The clothing is dominated by whites, bluish grays, and delicate pinkish hues. The blouse, light and loose in appearance, covers the torso and arms with wide folds. Its clarity makes the figure the main luminous focal point on the right side and creates a strong contrast with the darkness of the water.

The long sleeves descend to the wrists and seem to adapt softly to the posture. On the arm resting on the sand, the fabric forms elongated folds that guide the gaze toward the hand. These light changes give naturalness to the garment and suggest a comfortable fabric suitable for a day at the sea.

The right hand rests openly on the sand. The fingers are spaced apart and relaxed, conveying a sense of balance and repose. This small gesture physically connects the figure to the landscape and reinforces the impression that the young woman is fully integrated into the place.

The lower part of her attire also presents light tones. The fabric gathers around the waist and extends over the thighs in soft, irregular shapes. Some pinkish and bluish reflections mix with the white, preventing the garment from appearing flat and linking its chromatically with the sky, water, and foam.

The legs form a main diagonal of the composition. One leg remains bent and raised, while the other extends to the left, nearing the lower edge of the image. This arrangement adds depth and guides the gaze from the figure to the central foreground.

The elevated knee receives intense light that highlights its volume. Warm skin tones—creams, soft ochres, pinks, and browns—contrast with the cool colors of the sea. The brightness seems to come from above and reflects on the leg, suggesting moisture or the sheen of skin under coastal light.

The extended leg ends in a bare foot resting on damp sand. Its position reinforces the moment’s naturalness and conveys direct contact with the beach. The absence of footwear suggests the girl has walked along the shore or paused after approaching the water.

The other leg remains partially hidden beneath the first and by the clothing folds. This superposition creates depth and avoids an overly rigid posture. The dark shadows between the legs define their shapes and provide stability to the body.

In front of the woman lies a straw hat placed on the sand. Its rounded crown and wide brim are distinguished by yellow, beige, greenish, and brown tones. This object occupies a central position in the foreground and functions as a narrative element that completes the scene.

The hat seems to have been left there moments before, perhaps to allow the wind to refresh the young woman’s face. Its presence suggests a sunny day or a long stay on the beach. It also introduces a sign of everyday life that makes the scene feel nearby and emotionally recognizable.

The circular shape of the brim contrasts with the horizontal lines of the sea and the diagonals of the body. Moreover, its warm color serves as a transition between skin tones and the browns of the sand. The shadow under the hat adds volume and confirms its proximity to the viewer.

The foreground sand appears dark and damp, especially near the shore. Its greens, browns, grays, and bluish tones reflect the sea’s atmosphere. It is not a uniform surface but marked by small color changes suggesting unevenness, moisture, and traces of water movement.

The young woman casts a long bluish shadow toward the right. This elongated shape stretches across the beach and contrasts with the earth tones of the ground. The shadow helps locate the light direction and provides a geometric element that balances the figure and the hat.

The shore lies immediately behind the protagonist. A fine line of foam marks where the waves break on the sand, creating a changing boundary between land and water. The sea seems relatively close, reinforcing the sense that the woman can feel the humidity and clearly hear the sea’s murmur.

The water features a rich range of blues, dark greens, turquoises, grays, and violets. Tones vary from deep, shadowy areas to lighter bands near the foam. This chromatic diversity conveys the sea surface’s continuous movement and how light fragments on it.

Waves progress in successive horizontal bands. In the foreground, the water gently extends over the sand; further back, several white crests rise and break; and in the distance a darker band suggests larger swells. This repetition creates depth and establishes a steady rhythm.

White foam sweeps across the composition in irregular lines. Some bands are fine and delicate, while others cluster into denser patches. These clear reflections animate the sea surface and prevent the vast water from appearing static.

In the upper area, the sea takes on a darker, deeper tone. Bluish-greens and grays create a slightly somber atmosphere, contrasting with the light focused on the young woman. The absence of a clearly visible horizon makes the water seem to extend indefinitely upward.

This framing allows the sea to emotionally dominate the scene. No boats, buildings, cliffs, or other figures interrupt the contemplation. The dialogue is established exclusively between the woman and the waters, turning the landscape into a projection of her inner state.

The light is soft and restrained. It does not resemble the bright glare of a clear noon, but a more subdued illumination that produces silver reflections on the waves and delicate highlights on the skin. This luminous quality gives the scene an intimate and slightly melancholic character.

The color palette combines the freshness of blues and greens with the warmth of skin, sand, and hat. The white of the clothing acts as a unifying element, gathering both cool shadows and small warm reflections. The harmony of these colors decisively contributes to the overall serenity.

The composition leaves a wide empty space in front of the viewer’s gaze. This device allows imagining what she watches and emphasizes the act of contemplating. The woman does not need to perform any specific action: her stillness and gaze are enough to build the narrative.

The viewer is positioned at some distance, as a silent witness to a private moment. The protagonist does not establish eye contact nor seems aware of being observed. This absence of interaction preserves the scene’s intimacy and favors respectful contemplation.

The young woman’s pose can be interpreted as a moment of rest after walking along the beach. She might also be reflecting, recalling an experience, or simply letting herself be carried by the sea’s repetitive sound. The work offers no definitive explanation, which broadens its evocative power.

The sea functions as a symbol of vastness, change, and the passage of time. The waves reach the shore, disappear, and reform in an endless repetition. Before them, the human figure appears small and temporary, though its luminous presence grants intense emotional significance.

The abandoned hat on the sand may symbolize a pause. The young woman seems to have momentarily shed what protected her to fully feel the wind and light. This simple object suggests a before and after the represented moment, adding a narrative dimension.

The work celebrates the beauty of silent, everyday moments. It does not depict an extraordinary event but the universal experience of stopping before the sea and letting the gaze wander in its movement. That simplicity makes the scene intimate, moving, and profoundly human.

Overall, this precious painting offers a serene and evocative portrayal of a young woman seated on the sand, quietly watching the sea’s waves. Her relaxed posture, the clarity of her clothes, the hair moved by the breeze, and the straw hat placed beside her compose an intimate, natural scene. The harmony between the deep blues of the water, the white foam, the sea-soaked tones of the beach, and the warm luminosity of the figure conveys calm, nostalgia, and the deep pleasure of surrendering for a few moments to contemplating the horizon."

卖家故事

我们是 Pictura Auctions,我们的使命是提供一个在线空间,让艺术爱好者、收藏家和爱好者可以沉浸在各种杰作中,从最具革命性的前卫艺术到经受时间考验的经典珠宝。我们的专家策展团队精心挑选了来自不同时代和文化的最重要、最感人的作品,精心组建了多样化且令人兴奋的藏品。
使用Google翻译翻译

详细资料

艺术家
Domingo Alvarez Gomez (1942)
带框出售
是的
出售者
画廊
版本
原创作品
作品名称
Contemplando las olas
技术
彩色粉笔画
签名
Hand signed
国家
西班牙
状态
良好状态
高度
53 cm
宽度
76 cm
风格
现实主义
时间段
1980-1990
西班牙经验证
2575
已售出的几件物品
100%
protop

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