歌川国貞— 东海道五十三次 — 日本木版画 - 日本 - Edo Period (1600-1868)
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日本江户时期原装木版画，作者 Utagawa Kunisada I，作品题为 KUNISADA— 53 Stations of the Tōkaidō， Ōban Tate-e 版式，约 37 × 25 cm，描绘 Yoshiwara 的 Konami，约 1852 年，状况良好。
AI辅助摘要
卖家的描述
艺术家: Utagawa Kunisada I / Toyokuni III (歌川国貞, 1786–1865)
系列: Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内 — "Fifty-three Stations of the Tōkaidō," universally known as the Yakusha Tōkaidō (Kabuki Actors' Tōkaidō)
Station: Yoshiwara (吉原), the fourteenth post town
Subject: Konami (小浪), the young bride of Act VIII of Kanadehon Chūshingura — shown on the road in a white travel veil, one hand lifting the cloth from her face. Identified in the literature as the onnagata Iwai Kumesaburō III (later Iwai Hanshirō VIII)
Date: Edo period, Kaei 5 (1852)
Format: Ōban tate-e, approx. 37 × 25 cm
Technique: Nishiki-e (full-colour woodblock)
Carver: 彫竹 Hori Take — block-cutter's seal present
----------------------------------------
Paper & condition
Very good colours and impression. Centre fold and minor toning; overall very good. The paper is sound and supple with only minor soiling.
--------------------------------------------
About the print
The Yakusha Tōkaidō of 1852 is, by most reckonings, one of the most commercially successful print series ever published in Japan. Its premise is a merger of the two things Edo buyers wanted most — kabuki stars and the Tōkaidō road — and Kunisada worked the idea so hard that the set, nominally fifty-three designs, expanded past a hundred and fifty, with stations repeated and imaginary way-stops invented to keep it going. Kunisada never walked the route. He worked from Hiroshige's landscapes, lifting the topography and setting his half-length actor portraits in front of it.
The pairings of actor, role and place are the game. Here the station is Yoshiwara, at the foot of Mount Fuji, and the role is Konami from the michiyuki of Kanadehon Chūshingura — Act VIII, in which Konami and her mother Tonase make the long journey on foot from Kamakura to Yamashina so that Konami can be married to Rikiya. It is the great travel scene of the Japanese theatre, and putting it at a Tōkaidō station is exactly the kind of pun the series runs on. A companion design showing Tonase at the same station is recorded; the two were conceived as a pair, mother and daughter on the same road.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译艺术家: Utagawa Kunisada I / Toyokuni III (歌川国貞, 1786–1865)
系列: Tōkaidō gojūsan tsugi no uchi 東海道五十三次之内 — "Fifty-three Stations of the Tōkaidō," universally known as the Yakusha Tōkaidō (Kabuki Actors' Tōkaidō)
Station: Yoshiwara (吉原), the fourteenth post town
Subject: Konami (小浪), the young bride of Act VIII of Kanadehon Chūshingura — shown on the road in a white travel veil, one hand lifting the cloth from her face. Identified in the literature as the onnagata Iwai Kumesaburō III (later Iwai Hanshirō VIII)
Date: Edo period, Kaei 5 (1852)
Format: Ōban tate-e, approx. 37 × 25 cm
Technique: Nishiki-e (full-colour woodblock)
Carver: 彫竹 Hori Take — block-cutter's seal present
----------------------------------------
Paper & condition
Very good colours and impression. Centre fold and minor toning; overall very good. The paper is sound and supple with only minor soiling.
--------------------------------------------
About the print
The Yakusha Tōkaidō of 1852 is, by most reckonings, one of the most commercially successful print series ever published in Japan. Its premise is a merger of the two things Edo buyers wanted most — kabuki stars and the Tōkaidō road — and Kunisada worked the idea so hard that the set, nominally fifty-three designs, expanded past a hundred and fifty, with stations repeated and imaginary way-stops invented to keep it going. Kunisada never walked the route. He worked from Hiroshige's landscapes, lifting the topography and setting his half-length actor portraits in front of it.
The pairings of actor, role and place are the game. Here the station is Yoshiwara, at the foot of Mount Fuji, and the role is Konami from the michiyuki of Kanadehon Chūshingura — Act VIII, in which Konami and her mother Tonase make the long journey on foot from Kamakura to Yamashina so that Konami can be married to Rikiya. It is the great travel scene of the Japanese theatre, and putting it at a Tōkaidō station is exactly the kind of pun the series runs on. A companion design showing Tonase at the same station is recorded; the two were conceived as a pair, mother and daughter on the same road.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译详细资料
王朝风格/时期
Edo Period (1600-1868)
原产国
日本
Attribution
Original
艺术品标题
KUNISADA— 53 Stations of the Tōkaidō — Japanese Woodblock Print
Condition
良好状态
起源
私人收藏
真伪
原始的/正式的
