榉木,黄铜(Item 1);树脂/漆面复合材料,黄铜(Item 2) - 日本 - Shōwa period (1926-1989)





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一对日本墨壺工具,包括以榉木雕刻的 Kinshodo No.3 与木制线轴,以及树脂/漆面合成材料镀 brass 的线轴样品,均为昭和时期,整体尺寸高10 cm、宽26 cm、深11 cm,保持原始状态良好。
卖家的描述
Japanese Carpenter's Ink-Line Tools (Sumitsubo) — Kinshodo (金正堂) No.3 Carved Zelkova Example + Brass-Reel Example, Set of 2
A lot of two Japanese sumitsubo (墨壺) — traditional carpenter's ink-line marking tools used to snap long, straight lines onto timber, a fundamental piece of equipment in traditional Japanese woodworking (daiku dōgu).
The first is marked Kinshodo (金正堂), No.3, carved from solid zelkova (keyaki) wood in the traditional boat-shaped form, with a bird — often described as a crane, an auspicious motif in Japanese craft — carved at the prow, and a wooden spoked thread reel. The ink reservoir, thread, and needle are present; note that the small retaining pin for the reel is missing (see photos).
The second is a related later example, with a dark lacquered resin body and a toothed brass thread reel, also carved with a bird motif at the prow, and retaining its wound thread and needle assembly intact.
Both pieces show honest surface wear and age-related grime consistent with genuine workshop use; overall condition is good, as shown in the photographs.
Japanese Carpenter's Ink-Line Tools (Sumitsubo) — Kinshodo (金正堂) No.3 Carved Zelkova Example + Brass-Reel Example, Set of 2
A lot of two Japanese sumitsubo (墨壺) — traditional carpenter's ink-line marking tools used to snap long, straight lines onto timber, a fundamental piece of equipment in traditional Japanese woodworking (daiku dōgu).
The first is marked Kinshodo (金正堂), No.3, carved from solid zelkova (keyaki) wood in the traditional boat-shaped form, with a bird — often described as a crane, an auspicious motif in Japanese craft — carved at the prow, and a wooden spoked thread reel. The ink reservoir, thread, and needle are present; note that the small retaining pin for the reel is missing (see photos).
The second is a related later example, with a dark lacquered resin body and a toothed brass thread reel, also carved with a bird motif at the prow, and retaining its wound thread and needle assembly intact.
Both pieces show honest surface wear and age-related grime consistent with genuine workshop use; overall condition is good, as shown in the photographs.

