HOKUSAI — KAKEHI NO FUJI — 来自 Dōchū gafu 的原版双页木版画 - 日本 - Edo Period (1600-1868)
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日本江户时期原作木版画，葛饰北斎之作，为Dōchū gafu中的原始双页单件，来自富岳百景系列第二册，1835年刊，尺寸约22 × 32 cm，品相公平。
AI辅助摘要
卖家的描述
Artist: Katsushika Hokusai 葛飾北斎 (1760–1849)
Work: 筧の不二 Kakehi no Fuji
Series: 富嶽百景 Fugaku hyakkei — "One Hundred Views of Mount Fuji," Volume 2 (nihen 二編)
Date: Volume 2 first cut and published Tenpō 6 (1835)
Technique: Woodblock print (mokuhanga)
Format: Double-page composition (mihiraki) from a disbound album, the two half-leaves joined at the gutter. Approx. 22.6 × 26 cm overall
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Condition
Minor soiling; the paper otherwise firm and well preserved. Crisp line and clean grey gradation. Please refer to the images for full detail.
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About the print
Fugaku hyakkei is Hokusai's late masterpiece in book form — 102 views across three volumes, begun when he was seventy-five, immediately after the colour series Thirty-Six Views of Mount Fuji. Stripped of colour and reduced to black line and grey wash, the hundred views are where Hokusai does his most audacious compositional thinking: Fuji is almost never the subject, only the thing glimpsed past whatever happens to be in the way.
Here the obstruction is a kakehi — a wooden flume carrying water down a hillside on trestles. Hokusai lets it discharge a single unbroken arc of water clean across the upper left of the sheet, a long pale curve drawn with three lines and nothing else, and sets Fuji in the gap it opens. The mountain is tiny, dark, and easy to miss. The whole visual weight of the design sits with the water and with the traffic beneath it: porters shouldering bundles and a peddler's cabinet along the riverbank road, a figure resting under a wide flat hat, two women on the higher path among the rocks, and two flat-bottomed boats out on the water. Behind them the land opens into a plain rendered in soft grey bands, with more travellers reduced to specks.
It is a characteristic piece of Hokusai's late wit — the sacred peak of Japan framed, and nearly upstaged, by a length of village plumbing.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译Artist: Katsushika Hokusai 葛飾北斎 (1760–1849)
Work: 筧の不二 Kakehi no Fuji
Series: 富嶽百景 Fugaku hyakkei — "One Hundred Views of Mount Fuji," Volume 2 (nihen 二編)
Date: Volume 2 first cut and published Tenpō 6 (1835)
Technique: Woodblock print (mokuhanga)
Format: Double-page composition (mihiraki) from a disbound album, the two half-leaves joined at the gutter. Approx. 22.6 × 26 cm overall
----------------------------------------------------------------
Condition
Minor soiling; the paper otherwise firm and well preserved. Crisp line and clean grey gradation. Please refer to the images for full detail.
-------------------------------------------------------
About the print
Fugaku hyakkei is Hokusai's late masterpiece in book form — 102 views across three volumes, begun when he was seventy-five, immediately after the colour series Thirty-Six Views of Mount Fuji. Stripped of colour and reduced to black line and grey wash, the hundred views are where Hokusai does his most audacious compositional thinking: Fuji is almost never the subject, only the thing glimpsed past whatever happens to be in the way.
Here the obstruction is a kakehi — a wooden flume carrying water down a hillside on trestles. Hokusai lets it discharge a single unbroken arc of water clean across the upper left of the sheet, a long pale curve drawn with three lines and nothing else, and sets Fuji in the gap it opens. The mountain is tiny, dark, and easy to miss. The whole visual weight of the design sits with the water and with the traffic beneath it: porters shouldering bundles and a peddler's cabinet along the riverbank road, a figure resting under a wide flat hat, two women on the higher path among the rocks, and two flat-bottomed boats out on the water. Behind them the land opens into a plain rendered in soft grey bands, with more travellers reduced to specks.
It is a characteristic piece of Hokusai's late wit — the sacred peak of Japan framed, and nearly upstaged, by a length of village plumbing.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译详细资料
王朝风格/时期
Edo Period (1600-1868)
项目件数
1
原产国
日本
Attribution
Original
Height
22 cm
Width
32 cm
艺术品标题
HOKUSAI — KAKEHI NO FUJI — Original Double-Page Woodblock from Dōchū gafu
Condition
情况尚佳
起源
私人收藏
真伪
原始的/正式的
