花瓶 - 瓷 - 中国 - 来自工作室的大花瓶 (没有保留价)





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共和国时期中国硬质白瓷圆筒笔筒,外部以五彩釉上彩和金饰装饰,署名余焕顺,1939年秋,高度29 cm,直径13 cm,底部有疑似康乾年制印记。
卖家的描述
大型中国六方筒形文房用笔筒(笔桶/比通)瓷 porcelain 白瓷, Republic Period(1939年秋季) дата周期性日期标注为1939年秋季,艺术家余煥順(Yu Huanshun)签名。
重要的桌上圆柱形笔筒,采白瓷材质,整件内部完全空心。 外表以高温釉上彩多彩装饰,采用青花釉彩/五彩釉(Wucai/Famille Verte)并饰以金彩点缀。 装饰主题:以博古图为题(亦称“一百 antiquities”或“百宝”),以不对称的文房器具与吉祥符号组合呈现:一只盛放牡丹的大花瓶(象征高贵)、一个三足熏香炉(鼎)与礼仪宝玺如意并列、盒子及棋类零件(象棋/xiangqi)、系着的书卷与画轴、以及基部交错的犀牛角。上沿饰有金色边带,模仿古代青铜器。
题识与署名:
背面有一段蓝釉金钢笔草书(草书)写就的诗句。原文大意为:“古物当被珍视为宝。”随后给出六十年的纪年法中的Jimao年、秋季第二个月(对应1939年9月/10月)的年代标注。艺术工作室地点:珠山(珠珠山,景德镇知名艺术中心)。署名:余煥順,并附有相应的红印章。
底部印记:底座内刻印有六字铁红实印,置于双方框之内,称谓“Da Qing Qianlong Nian Zhi(大清乾隆年製)”的传世(伪)印记。该件为共和国时期(1939年)的正品,符合同期在器物上使用历史帝王尊号印记的常规做法。
尺寸:高 29.0 cm,直径 13.0 cm。
状态与说明:
- 结构完好,主体无缺口、裂纹、纹裂或可见修复。
- 顶缘镀金有轻微自然磨损,属年代现象。
- 背面在书法字旁有一条竖向黄褐色线迹,是外部表面残留物(可能为旧蜡或时期性胶粘物),经适当清洁后可去除。
An important Chinese porcelain cylindrical scholar’s desk vessel (brush pot / bitong) made of hard-paste white porcelain, entirely hollowed.
The exterior surface is finely decorated in overglaze polychrome enamels (in the wucai / Famille Verte palette) with gilt highlights.
Decorative Subject:
The decoration depicts the traditional Bogu tu motif (known as "One Hundred Antiques" or "Hundred Treasures"), featuring an asymmetrical arrangement of scholar's objects and auspicious symbols: a large vase holding flourishing peonies (signifying nobility), a tripod incense burner (ding) alongside a ceremonial ruyi scepter, boxes and components for the Chinese chess game (xiangqi), tied books and scrolls, and crossed rhinoceros horns near the base. The upper rim is finished with a gilded border mimicking archaic bronzes.
Inscription and Signature:The reverse side features a poem written in underglaze cobalt blue running script (caoshu). The vertical columns read as follows:“Antiques are worthy of being treasured” (the title of the piece).
Cyclical date indication: Jimao year, second month of autumn (corresponding to September/October 1939).Location of the artistic workshop: Zhushan (Pearl Hill, the famous artistic hub of Jingdezhen).
Artist's signature: Yu Huanshun (余煥順), accompanied by his painted red iron-red seal.Base Mark:The recessed base features an apocryphal six-character iron-red stamped seal mark enclosed in a double square, referencing Emperor Qianlong ("Da Qing Qianlong Nian Zhi").
The object is an authentic production of the Republic Period (1939), consistent with the standard practice of the era to apply earlier imperial honorific marks.
Dimensions:Height: 29.0 cmDiameter: 13.0 cm
Condition Report:The piece is structurally intact, with no chips, cracks, hairlines, or visible restorations to the body. Minor and natural wear to the gilding along the upper rim is present, consistent with age. On the reverse side, next to the calligraphy, there is a vertical yellowish streak caused by an external surface residue (likely old wax or adhesive), which can be removed with gentle conservation cleaning.
大型中国六方筒形文房用笔筒(笔桶/比通)瓷 porcelain 白瓷, Republic Period(1939年秋季) дата周期性日期标注为1939年秋季,艺术家余煥順(Yu Huanshun)签名。
重要的桌上圆柱形笔筒,采白瓷材质,整件内部完全空心。 外表以高温釉上彩多彩装饰,采用青花釉彩/五彩釉(Wucai/Famille Verte)并饰以金彩点缀。 装饰主题:以博古图为题(亦称“一百 antiquities”或“百宝”),以不对称的文房器具与吉祥符号组合呈现:一只盛放牡丹的大花瓶(象征高贵)、一个三足熏香炉(鼎)与礼仪宝玺如意并列、盒子及棋类零件(象棋/xiangqi)、系着的书卷与画轴、以及基部交错的犀牛角。上沿饰有金色边带,模仿古代青铜器。
题识与署名:
背面有一段蓝釉金钢笔草书(草书)写就的诗句。原文大意为:“古物当被珍视为宝。”随后给出六十年的纪年法中的Jimao年、秋季第二个月(对应1939年9月/10月)的年代标注。艺术工作室地点:珠山(珠珠山,景德镇知名艺术中心)。署名:余煥順,并附有相应的红印章。
底部印记:底座内刻印有六字铁红实印,置于双方框之内,称谓“Da Qing Qianlong Nian Zhi(大清乾隆年製)”的传世(伪)印记。该件为共和国时期(1939年)的正品,符合同期在器物上使用历史帝王尊号印记的常规做法。
尺寸:高 29.0 cm,直径 13.0 cm。
状态与说明:
- 结构完好,主体无缺口、裂纹、纹裂或可见修复。
- 顶缘镀金有轻微自然磨损,属年代现象。
- 背面在书法字旁有一条竖向黄褐色线迹,是外部表面残留物(可能为旧蜡或时期性胶粘物),经适当清洁后可去除。
An important Chinese porcelain cylindrical scholar’s desk vessel (brush pot / bitong) made of hard-paste white porcelain, entirely hollowed.
The exterior surface is finely decorated in overglaze polychrome enamels (in the wucai / Famille Verte palette) with gilt highlights.
Decorative Subject:
The decoration depicts the traditional Bogu tu motif (known as "One Hundred Antiques" or "Hundred Treasures"), featuring an asymmetrical arrangement of scholar's objects and auspicious symbols: a large vase holding flourishing peonies (signifying nobility), a tripod incense burner (ding) alongside a ceremonial ruyi scepter, boxes and components for the Chinese chess game (xiangqi), tied books and scrolls, and crossed rhinoceros horns near the base. The upper rim is finished with a gilded border mimicking archaic bronzes.
Inscription and Signature:The reverse side features a poem written in underglaze cobalt blue running script (caoshu). The vertical columns read as follows:“Antiques are worthy of being treasured” (the title of the piece).
Cyclical date indication: Jimao year, second month of autumn (corresponding to September/October 1939).Location of the artistic workshop: Zhushan (Pearl Hill, the famous artistic hub of Jingdezhen).
Artist's signature: Yu Huanshun (余煥順), accompanied by his painted red iron-red seal.Base Mark:The recessed base features an apocryphal six-character iron-red stamped seal mark enclosed in a double square, referencing Emperor Qianlong ("Da Qing Qianlong Nian Zhi").
The object is an authentic production of the Republic Period (1939), consistent with the standard practice of the era to apply earlier imperial honorific marks.
Dimensions:Height: 29.0 cmDiameter: 13.0 cm
Condition Report:The piece is structurally intact, with no chips, cracks, hairlines, or visible restorations to the body. Minor and natural wear to the gilding along the upper rim is present, consistent with age. On the reverse side, next to the calligraphy, there is a vertical yellowish streak caused by an external surface residue (likely old wax or adhesive), which can be removed with gentle conservation cleaning.

