Getulio Alviani (1939-2018) - Minimalistic construction / Design IIIa

Getulio Alviani: Design IIIa

Medium: 丝网印刷
Material: 纸
Dimensions: 28 x 28 cm, frame 35 x 35 x 4.5 cm

Comes framed and with passepartout

Editor: Edition Panderma, Basel
Year: published 1977
Edition: 230 editions
Signature: Signed
Comes in frame

Provenance: Edition Panderma, Carl Laszlo, Basel
Galerie von Bartha, Basel
Private Collection, Basel

Condition / Restauration: mint archival condition

Further Information:

A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.

Biography:

Getulio Alviani (5 September 1939 in Udine – 24 February 2018 in Milan) wwas an Italian painter based in Milan. -> Getulio Alviani（1939年9月5日，乌迪内—2018年2月24日，米兰）是一位以米兰为基地的意大利画家。
He is considered to be one of the most important Optical - kinetic artist. -> 他被公认为最重要的光学-动力艺术家之一。
In 1962 he moved to Milan, where he became friends with Piero Manzoni and Lucio Fontana, who was very interested in his works and bought some of his "surfaces". -> 1962年他搬到米兰，结识皮耶罗·曼佐尼与卢西奥·方塔纳，方塔纳对他的作品很感兴趣，买下了他的一些“表面作品”。
He also worked with other famous artists like Max Bill, Bruno Munari and Josef Albers. -> 他还与马克斯·比尔、布鲁诺·穆纳里和约瑟夫·阿尔伯斯等其他著名艺术家合作。
In 1964 he was invited to show at the Venice Biennale, successfully sharing a room with Enrico Castellani. -> 1964年他受邀参加威尼斯双年展，与恩里科·卡斯特拉尼同场展出一个展厅，颇受好评。
In 1965 Alviani took part in The Responsive Eye at MoMA in New York, together with other artists associated with Kinetic and Programmed Art. -> 1965年阿尔维亚尼参与了纽约现代艺术博物馆的《The Responsive Eye》，与其他与动力艺术及程序艺术相关的艺术家一同参展。
His work was purchased by MoMA and used as a poster image for the museum's next exhibition, "The New Acquisitions". -> 他的作品被MoMA收藏，并被用作博物馆下一场展览《The New Acquisitions》的海报图像。
In 1968 he was invited at Kassel's Documenta 4. -> 1968年他受邀参加卡塞尔文献展第四届。
Throughout the 1970s he travelled to South America, and accepted, upon request of Jesús Rafael Soto, the directorship of the Jesús Soto Museum of Modern Art, Ciudad Bolívar, Venezuela. -> 整个70年代他游历南美，并应 Jesús Rafael Soto 的请求，接任委内瑞拉Ciudad Bolívar的 Jesús Soto 现代艺术博物馆馆长一职。
His work was again included in the Venice Biennale in 1984, 1986 and 1993. -> 他的作品再次入选1984、1986和1993年的威尼斯双年展。
He also exhibited at the Milan Triennale, the Kunsthaus Graz, Palazzo delle Papesse in Siena, Academie de France in Rome, the Buenos Aires Biennale, the travelling exhibition "Light, Movement and Programming", and the Rome Quadriennale. -> 他还在米兰三年展、格拉茨艺术馆、锡耶纳的帕拉佐德拉帕佩塞、罗马法国学院、布宜诺斯艾利斯双年展、巡回展“光、运动与编程”以及罗马四年展中展出。