SHINSUI • "Suzumi" 涼み • 降温 • Postware Edition • 日本木版画 • 浮世絵 - 日本 - 20世纪
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20世纪日本木版画原作，作者伊藤深水（Itō Shinsui），题名 Suzumi（Cooling Off），战后版本，来自 Isetatsu 版块，约37 × 26 cm，横向 ōban，品相良好，纸张色温偏暖。
AI辅助摘要
卖家的描述
Artist: Itō Shinsui 伊東深水 (1898–1972)
Title: Suzumi 涼み — "Evening Cool" / "Cooling Off"
Edition: Postwar impression from the Isetatsu blocks
Date: c. 1940s–1960s - First Edition released 1925
Technique: Woodblock print (mokuhanga) on washi,
Format: Horizontal ōban / approx. 37 × 26
Publisher: Isetatsu 伊勢辰 (Sōsaku Hangakai Isetatsu)
----------------------------------------------------------------------
Paper & condition
The colours are well preserved; the paper has taken on warm tones. The print still presents very well. Please check the images!
----------------------------------------------------------------------
About the print
A young woman stands in profile, half turned away, in an indigo yukata scattered with morning glories. The whole design is built around what she is not showing you: the face is reduced to a single clean contour, and the eye goes instead to the nape of her neck, left bare above the collar. That exposed nape — unaji — was one of the few uncovered parts of a woman's body in traditional dress, and the most quietly charged. Shinsui puts a round uchiwa fan at her shoulder and a pale obi worked with thistles at her waist, and lets the flat blue of the cotton do the rest. It reads as heat, and as relief from it.
Suzumi stands slightly apart from the rest of Shinsui's output. Nearly all his prints were made with Watanabe Shōzaburō; this one was issued by Isetatsu, the old Tokyo paper house, which handled only a small group of his designs in the mid-1920s. The printing is unusually rich for the format: mica laid into the obi, blind embossing in the white reserves of the yukata, and a grey ground deliberately printed to bring the woodgrain of the block through. Shinsui was twenty-seven when he drew it, already fifteen years into the career that would end with his designation as a Living National Treasure for the woodblock medium in 1952.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译Artist: Itō Shinsui 伊東深水 (1898–1972)
Title: Suzumi 涼み — "Evening Cool" / "Cooling Off"
Edition: Postwar impression from the Isetatsu blocks
Date: c. 1940s–1960s - First Edition released 1925
Technique: Woodblock print (mokuhanga) on washi,
Format: Horizontal ōban / approx. 37 × 26
Publisher: Isetatsu 伊勢辰 (Sōsaku Hangakai Isetatsu)
----------------------------------------------------------------------
Paper & condition
The colours are well preserved; the paper has taken on warm tones. The print still presents very well. Please check the images!
----------------------------------------------------------------------
About the print
A young woman stands in profile, half turned away, in an indigo yukata scattered with morning glories. The whole design is built around what she is not showing you: the face is reduced to a single clean contour, and the eye goes instead to the nape of her neck, left bare above the collar. That exposed nape — unaji — was one of the few uncovered parts of a woman's body in traditional dress, and the most quietly charged. Shinsui puts a round uchiwa fan at her shoulder and a pale obi worked with thistles at her waist, and lets the flat blue of the cotton do the rest. It reads as heat, and as relief from it.
Suzumi stands slightly apart from the rest of Shinsui's output. Nearly all his prints were made with Watanabe Shōzaburō; this one was issued by Isetatsu, the old Tokyo paper house, which handled only a small group of his designs in the mid-1920s. The printing is unusually rich for the format: mica laid into the obi, blind embossing in the white reserves of the yukata, and a grey ground deliberately printed to bring the woodgrain of the block through. Shinsui was twenty-seven when he drew it, already fifteen years into the career that would end with his designation as a Living National Treasure for the woodblock medium in 1952.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译详细资料
王朝风格/时期
20世纪
原产国
日本
Attribution
Original
Height
37 cm
Width
26 cm
艺术品标题
SHINSUI • "Suzumi" 涼み • Cooling Off • Postware Edition • Japanese Woodblock Print • Ukiyo-e
Condition
良好状态
起源
私人收藏
真伪
原始的/正式的
