Sören Schuhmacher

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Christopher Anderson 在9/11之后开始为纽约市警察拍照，随着他称之为家的这座城市的视觉景观开始改变。爆炸防护屏障竖起，警察携带的枪支似乎无处不在，尽管加强安保在某种程度上是为了让纽约人感到更安全，但这让 Anderson 意识到，某些事情深深地出错了。

随后，在占领华尔街、埃里克·加纳之死以及特朗普上任之后，Anderson 发现自己再次在纽约市的街头对警察进行拍摄，作为对更大权威意识的无意识抗议。

Anderson 是 Magnum 的成员。他首次获得广泛认可是在1999年，当时他拍摄的一艘即将沉没的木船上救援海地难民的感人镜头为他赢得了罗伯特·卡帕金牌。其前一本书《Approximate Joy》被广泛认为是2018年最出色的书之一。

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Christopher Anderson began photographing New York City cops in the wake of 9/11, as the visual landscape of the city he called home began to change. Bomb blast barriers went up, cops carrying larger guns seemed to be everywhere, and whilst the increased presence of security was designed, in part, to make New Yorkers feel safe, it reminded Anderson that something was deeply wrong.

Then, in the wake of Occupy Wall Street, the death of Eric Garner and the election of Trump, Anderson found himself making photographs of cops on the streets of New York City once again, as a form of unconscious protest on a larger sense of authority.

Anderson is a member of Magnum. He first gained recognition in 1999 when his poignant images of the rescue of Haitian refugees taken onboard a sinking wooden boat won him the Robert Capa Gold Medal. His previous book Approximate Joy was widely regarded as one of the best books of 2018.

Christopher Anderson - COP - 2019

艺术, 摄影 - 数量: 1 - 写真集

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COP 作者 Christopher Anderson，1st 版2019，精装，Stanley/Barker 出版，88 页，英文，原语言，状态如新，仍密封未拆封。

Christopher Anderson - COP - 2019

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COP 作者 Christopher Anderson，1st 版2019，精装，Stanley/Barker 出版，88 页，英文，原语言，状态如新，仍密封未拆封。

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