Francisco De Goya (1746-1828) - Bullfighting





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弗朗西斯科·戈雅的 Bullfighting,西班牙限量版版画,1920–1930 年间,尺寸 22.5 × 17.5 cm,未署名,描绘历史场景,品相极好。
卖家的描述
Francisco De Goya (1746-1828) (after)
Circulo de Bellas Artes de Madrid.
注:品相一般良好,请核对照片,因为它们是描述的一部分。
“La Tauromaquia” 是一部在1816年出版的33幅版画系列。应向该系列再增添十一件作品。
从19世纪初的前几年起,戈雅就有意将一组版画献给斗牛。他慢慢创作这套作品,进度并无固定安排,可能是由于战争带来的动荡。
Francisco de Goya’s iconic print series La Tauromaquia laid the thematic and emotional foundation for how modern Spanish artists, most notably Pablo Picasso or Salvador Dali, approached the raw spectacle of the bullfight. While Goya captured the intense violence, tragic shadows, and volatile energy of the arena with stark realism, Picasso inherited this fascination, transforming the bull into a deeply personal symbol of both primal force and human suffering. For both masters, the bullring was never merely a popular tradition, but a profound stage to explore life, death, and the turbulent soul of Spain.
Francisco De Goya (1746-1828) (after)
Circulo de Bellas Artes de Madrid.
注:品相一般良好,请核对照片,因为它们是描述的一部分。
“La Tauromaquia” 是一部在1816年出版的33幅版画系列。应向该系列再增添十一件作品。
从19世纪初的前几年起,戈雅就有意将一组版画献给斗牛。他慢慢创作这套作品,进度并无固定安排,可能是由于战争带来的动荡。
Francisco de Goya’s iconic print series La Tauromaquia laid the thematic and emotional foundation for how modern Spanish artists, most notably Pablo Picasso or Salvador Dali, approached the raw spectacle of the bullfight. While Goya captured the intense violence, tragic shadows, and volatile energy of the arena with stark realism, Picasso inherited this fascination, transforming the bull into a deeply personal symbol of both primal force and human suffering. For both masters, the bullring was never merely a popular tradition, but a profound stage to explore life, death, and the turbulent soul of Spain.

