据信归属卡门·努罗的撒丁岛陶土安瓿，70年代 - Carmen Nuoro - 意大利 - 20世纪

手工绘制陶土彩绘花瓶，巴尔巴吉亚地区风格，Del Carmen工作室传统，位于杜尔加里（Nuoro省），撒丁岛杜尔加里/努罗区，撒丁岛著名陶艺家之一，擅长此类具浮雕纹饰的 figurative 陶器。\n\n形状\n经典双把手安ф拉形状：圆润的躯干逐渐收窄成窄颈，旁边是一对高而方形带状把手，向口部延伸。脚环以黑光泽釉处理，与体表的粗糙陶土形成对比。\n\n装饰\n花瓶以手工绘制，遵循传统的“萨丁尼亚服饰”意象：\n- 花瓶颈部呈现穿着区域传统服饰的人物形象——一具描绘穿着撒丁岛 Barbagia 地区黑红色传统服饰的男性形象，另一具描绘穿着深色裙子、红色胸衣与蓝色围裙边缘的女性形象——两者以中世纪至二十世纪中叶常见的民俗艺术风格呈现，类似撒丁岛纪念与艺术陶瓷的风格。\n- 花瓶躯干以一对彼此对称且跃起的深棕色骏马为主纹，以浮雕刻线细致刻画鬃毛、肌肉与马具细节，马的两侧以中央的绿色仙人掌/刺梨纹样作为视觉焦点，这一纹样在撒丁岛的装饰陶瓷中反复出现。\n- 把手部以“鳞片”或白黑叶形纹样装饰，背景为红色，呼应传统织物纹样。\n- 画面颈部与下方骏马纹之间以一条窄带的奶油色与赭色边界分隔。\n- 整个图案之下的表面以细密的横向刻线纹（rigadura）处理，这是这类手轮陶土的标志性技法，赋予光泽的质感与深度。\n\n底座\n底部暴露的赭色陶土与传统车轮成型工艺相符；可见轮痕及窑烧痕迹；在所提供的照片中未见制造商印记——在确认归属前请核验是否有印刻或绘绘的签名。\n\n此花瓶之所以罕见，是因为细腻的浮雕线条结合自由手绘人物与骏马的技法极为费力，如今在杜尔加里和努罗地区仅存的少数作坊仍在使用此法。现代家居装饰中，修长轮廓与双把手的雕塑性使每只花瓶都成为独立的艺术品。\n\n品相\n良好\n\n尺寸\n高度：28 cm\n两把手之间的宽度：14 cm\n底径：3.5 cm\n---\nSardinian Hand-Painted Terracotta Amphora Vase, "Del Carmen" (Nuoro/Dorgali, Sardinia)\n\nTraditional Sardinian double-handled amphora vases (vasi anforetta), hand-thrown in terracotta and hand-painted in the folk style of the Barbagia region of Sardinia, attributed to the workshop tradition of Del Carmen, based in Dorgali, province of Nuoro, a well-known name among Sardinian ceramicists working in this figurative, sgraffito-decorated style.\n\nForm\nClassic two-handled anfora silhouette: a bulbous body tapering to a narrow neck, flanked by a pair of tall, squared strap handles rising above the rim. Foot ring finished in glossy black glaze, contrasting with the matte terracotta body.\n\nDecoration\nVase is decorated by hand in the traditional Sardinian costume ("costume sardo") idiom:\nThe neck of the vase bears a single figure in regional folk dress, one vase depicts a male figure in traditional black-and-red Barbagia costume, the other a female figure in a dark skirt, red bodice, and blue apron trim, both rendered in a stylized, folk-art manner typical of mid-20th-century Sardinian souvenir and artistic ceramics.\nThe body of the vase vase is decorated with a mirrored pair of rearing horses in dark brown glaze, finely incised with sgraffito hatching to render mane, musculature, and harness detail, flanking a central stylized green cactus/prickly-pear motif (fico d'India), a recurring emblem in Sardinian decorative ceramics.\nThe handles are decorated with a black-and-white "scale" or leaf motif on a red ground, echoing traditional textile patterning.\nA narrow banded border in cream and terracotta separates the figurative neck scene from the horse frieze below.\nThe whole surface below the figures is worked with fine incised horizontal hatching (rigadura), a hallmark of hand-thrown Sardinian terracotta of this type, giving texture and depth to the glaze.\n\nBase\nUnglazed terracotta well to the underside, consistent with traditional wheel-thrown production; visible throwing rings and light kiln firing marks, no visible maker's stamp in the photographs provided — please verify for an impressed or painted signature before listing as attributed.\n\nThe vase is rare because the fine sgraffito line-work combined with freehand figure and horse painting is a labor-intensive technique now practiced by very few remaining workshops around Dorgali and Nuoro. In modern decor, the tall silhouette and sculptural double handles make each vase work beautifully as a standalone statement object.\n\nCondition\nGood\n\nDimensions\nh height: 28 cm\nwidth across handles: 14 cm\nbase diameter: 3,5 cm