Elena Vaninetti

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Irena Bluhová — 铺路工人

1970 年，来自 1933 年原始底片的后期明胶银盐照片，粘贴在硬纸板上，尺寸 27 x 38 厘米，画廊印章，作者亲笔签名。
大部分 1930 年代的原作已被毁，市场上仅有 1970 年代的后期放大本，但即使如此也极为罕见。

Irena Blühová（1904—1991）是斯洛伐克最早的女摄影师之一，也是捷克斯洛伐克境内最早使用摄影作为纪录性研究和社会评论手段的摄影师之一。
在 1931 年初，布卢霍娃在德绍的包豪斯学院就学，师从摄影师 Walter Peterhans。她在那里的正式培训直到 1932 年才结束，当时纳粹政权关闭了这所艺术学院，但此后她的作品受到了包豪斯所倡导的实验性与更为复杂的构图的影响。
从 1937 年至 1939 年，布卢霍娃跟 Julia Horová 学陶艺，并在应用艺术学校（斯洛伐克语：Škola umeleckých remesiel，简称 ŠUR）与 Karel Plicka 学习电影。）

Irena Bluhova - The Paver Worker

1970, later gelatin silver print from 1933´s original negative, glued on cardboard, 27 x 38 cm, gallery stamp, hand signed by author. 
Most of the original work from the 1930s has been destroyed and only later enlargements from the 1970s appear on the market, but even those are rare.


Irena Blühová (1904 – 1991) was one of the first women Slovak photographers and one of the first photographers in Czechoslovakia to use photography as a means of documentary study and social commentary.
In early 1931, Blühová began studying at the Bauhaus in Dessau under the photographer Walter Peterhans. Her formal training there did not last beyond 1932, when the Nazi regime closed the art school, but her work from this point further was influenced by the experimentation and more complex composition, which she learned at Bauhaus.
From 1937 to 1939, Blühová took pottery classes with Julia Horová and studied film at the School of Applied Arts (Slovak: Škola umeleckých remesiel (ŠUR)) with Karel Plicka.


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Irena Bluhova - The Paver Worker

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