André Chiodo (c. 1945) - L'automne sur le versant

Pictura Subastas presents this magnificent artwork belonging to André Chiodo, depicting a small rural house protected by a towering tree, surrounded by autumnal vegetation and gentle pink mountains under a clear sky. The painting stands out for its excellent technique and the high pictorial quality it conveys.

• Dimensions with frame: 43x37x6 cm.
• Dimensions without frame: 27x22 cm.
• Oil on panel hand-signed by the artist at the lower right.
• The piece is in good condition.
• The work is sold with a precious frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the included photographs are an integral part of the lot description.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available.

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This painting presents a gathered mountainous landscape featuring a large evergreen tree that rises majestically over a small rural house. The composition unfolds among abundant vegetation, slopes in autumn colors, and pinkish mountains that fade softly in the distance. The intense dark foliage of the central tree contrasts with the brightness of the sky and the yellows, ochres and greens of the hills, creating a serene, intimate scene deeply linked to mountain life.

The large tree occupies the center and is the most important element of the composition. Its trunk is partially hidden by the branches and the roof of the house, but its crown rises to the top. This marked verticality organizes the whole landscape and directs the gaze from the dwelling toward the sky.

The tree’s silhouette has an irregular, stepped shape. The branches extend on both sides with large dark masses that narrow toward the summit. This structure conveys firmness and endurance, as if the tree had protected the small building at its feet for many years.

The foliage is dominated by very dark greens, blacks, bluish grays and small violet nuances. Some areas receive a soft light and are differentiated by lighter reflections, while others remain in deep shadow. This alternation adds volume and prevents the crown from appearing as a uniform surface.

The lower branches spread widely and cover much of the roof and nearby vegetation. Their horizontal shapes contrast with the upward push of the crown. The tree seems to extend over the house like a large natural canopy that provides shade and protection.

At the top, the silhouette becomes narrower and lighter. The tip is clearly cut against the blue sky and adds elegance to the whole. Some small branches protrude irregularly, reinforcing the naturality of the form.

The rural house appears in the central foreground, partially hidden by the tree, the shrubs and the lower edge of the composition. Its small size compared to the surrounding vegetation and mountains emphasizes the vastness of the natural environment. The architecture integrates humbly into the landscape without trying to dominate it.

The roof is the most visible part of the dwelling. Its sloped covering shows tones of gray, violet, brown and blue. The different color bands suggest aged tiles, small irregularities, and areas where light hits differently.

The roof forms a wide diagonal descending to the right. This direction adds dynamism and balances the verticality of the tree. The edges of the roof are defined by dark and light lines that help understand its volume.

The grayish and violet reflections of the tiles establish a chromatic relationship with the background mountains. The house seems to collect the cool colors of the atmosphere on its roof, while its walls retain warmer, earthy tones.

The visible facade appears built with creams, muted yellows, ochres and small gray nuances. Its brightness contrasts softly with the darkness of the roof and vegetation. Although partly hidden, it adds a cozy note to the foreground.

In the lower right extreme, a dark opening can be seen that could correspond to a door or window. Its reddish-brown color stands out against the light wall. This small detail suggests an inhabited interior or an access protected from the mountain cold.

The reduced dimensions of the opening reinforce the simplicity of the house. There are no large decorative elements, balconies or monumental structures. Everything conveys the idea of a functional dwelling, linked to rural work and adapted to the surroundings.

In the lower left area another dark, irregular-shaped structure is observed. It could be a shed, an auxiliary dependency, a stack of wood, or part of the house at a different level. Its browns, violets and blacks add weight to the foreground.

This form is partially covered by vegetation. Its integration with the terrain makes it difficult to separate architecture from nature precisely. This ambiguity is appealing, as it conveys the impression of an old place where plants and buildings have coexisted for a long time.

The foreground is occupied by abundant vegetation in dark greens, bluish and grayish tones. The plants form dense masses around the house, hiding the lower parts of the walls. Some leaves or branches rise with narrow, vertical shapes.

In the bottom-right corner appear several elongated plants that rise over the light facade. Their dark silhouettes introduce rhythm and depth. The proximity of these forms makes the viewer feel like observing the house from behind a small garden or herb-covered terrain.

Next to the dwelling, a fence or structure formed by clear green lines is distinguished. Its posts and crossbars are partially hidden by the vegetation. This element allows imagining a small orchard, a pen, or a plot around the house.

The fence provides a discreet sign of human activity. Although no figures appear, its presence indicates that the space has been organized and used. Nature dominates the landscape, but preserves traces of a daily life tied to the land.

On the left side rises a slope covered with trees and shrubs. Its slope ascends toward the top and creates a large diagonal that frames the landscape. Colors range from dark greens to yellows, ochres, browns and oranges.

The chromatic variety of the slope suggests a transitional season, possibly autumn. Some trees still retain green leaves, while others show golden and copper tones. This coexistence creates a rich, vibrant surface.

The canopies are distributed with rounded, overlapping shapes. The nearer trees appear dark and defined, while those farther away adopt softer colors. This gradation reinforces depth and visually broadens the landscape.

In the middle-left area several shrubs glow with intense yellows and greens. Their brightness contrasts with the large central tree. These warm masses seem to receive direct light and animate the lower part of the slope.

Some trees show brown and reddish tones that introduce an autumnal character. Their rounded canopies blend with the greens and create a slow chromatic rhythm. The irregular distribution avoids monotony.

The slope descends toward the center and is partially hidden by the tree. This overlap increases depth, as it allows a clear distinction between the foreground and the middle mountain. The tree acts as a dark curtain against the bright colors of the background.

Behind the vegetation rise large mountains in pinkish, violet and gray tones. Their soft profiles occupy much of the central and right areas. The delicacy of these colors contrasts with the darkness of the tree and conveys a strong sense of distance.

The mountains seem wrapped in a light atmosphere that softens their contours. No specific details of rocks or vegetation are seen, only large color masses. This simplification makes the relief serene and almost ethereal.

The summit on the right is wide and rounded. Its pale pink tone relates to some hues present in the sky and vegetation. The mountain appears to receive a soft light, perhaps from early morning or late afternoon.

Towards the center, another rise is partially hidden by the crown of the tree. Its silhouette is inferred behind the dark branches. This overlap reinforces the monumentality of the tree and places the mountains in a clearly distant plane.

In the lower right area there are trees and shrubs in yellow, ochre and green tones. These shapes are more luminous than the foreground vegetation. Their presence creates a transition between the house and the mountains.

Some distant trees seem grouped in an open area or valley. Their warm colors suggest fields, autumn forests or sunlit slopes. This space adds breadth and prevents the dwelling from appearing completely enclosed.

The sky occupies the top and is dominated by a light blue, grayish and slightly cool tone. Its brightness provides a clean backdrop for the tree silhouette. The absence of clearly defined clouds concentrates attention on the relief and vegetation.

In certain areas, the sky takes on white and pearl gray tones. These variations suggest a slightly veiled atmosphere. The pale blue contrasts with the earthy and dark colors of the landscape, providing balance.

The light is generally soft and diffused. No harsh shadows or visible sun, but an evenly distributed illumination. This quality contributes to a sense of tranquility and introspection.

The color range is organized by the opposition between the greens and blacks of the tree, the yellows and ochres of the slope, the pinks of the mountains and the blues of the sky. Each color group corresponds to a different plane and helps build depth.

The most intense tones concentrate in the foreground, while colors gradually become softer toward the horizon. This transition creates a convincing sense of distance and gives the scene an enveloping atmosphere.

The composition is structured around three main elements: the house at the bottom, the central tree, and the mountains in the background. The dwelling represents human presence, the tree symbolizes the strength of nearby nature, and the mountains widen the landscape toward a grander dimension.

The large tree acts as a link between earth and sky. Its roots seem to lie near the house, while its crown rises toward the luminous area. This central position gives it an almost protective and symbolic dimension.

The house, on the other hand, conveys intimacy and refuge. Its light walls and dark roof seem to offer protection against mountain weather. The surrounding vegetation reinforces the sense of isolation and serenity.

The absence of human figures intensifies the silence. However, the dwelling, the door and the fence suggest a nearby presence. It is possible to imagine its inhabitants working in the field, traversing the slope, or staying inside.

The scene evokes a form of life closely linked to natural cycles. Autumn colors, mountains and trees determine the character of the place. The house appears adapted to this environment and part of it.

There is also a nostalgic dimension. The small dwelling surrounded by vegetation may awaken memories of familiar places, mountain shelters or landscapes visited in childhood. Its isolation makes it a symbol of calm and belonging.

The pink mountains add a poetic quality. Their unexpectedly soft color moves the landscape away from a severe representation and fills it with sensitivity. In front of them, the dark silhouette of the tree gains even greater force.

The composition simultaneously conveys permanence and change. The house and the tree seem stable, while the colors of the foliage announce the passing of the seasons. The mountains remain in the distance as silent witnesses to that cycle.

Overall, this precious painting offers a serene and deeply evocative view of a small rural house protected by a large dark tree and surrounded by autumnal vegetation, with soft pink mountains rising in the distance. The grayish roof, light walls, the fence, the golden shrubs, and the slope covered with trees build a landscape full of intimacy and memory. The harmonious union between architecture, nature, and atmosphere turns the scene into a poetic celebration of shelter, quiet, and the beauty of mountain life.