Antonio Boix (1945) - El viejo cobertizo

Pictura Subastas presents this magnificent artwork belonging to Antonio Boix, depicting an old rural house with aged walls and reddish roofs, situated beside tranquil waters and surrounded by trees, a wooden fence and gentle hills. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Framed dimensions: 78x87x6 cm.
· Unframed dimensions: 50x61 cm.
· Oil on canvas hand-signed by the artist at the bottom left.
· The piece is in good conservational condition.
· The work is sold with a beautiful frame (included in the auction as a gift).

The work comes from an exclusive private collection in Girona.

Important note: the photographs included are an integral part of the lot description.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available.

------------------------------------------------------------------

This painting presents a serene rural stone construction located next to a calm water surface, surrounded by trees, vegetation and an open landscape that extends toward gentle hills. The house occupies a large part of the left half and is distinguished by its aged walls, small dark windows and reddish clay tiles that descend at different heights. On the right, a large tree illuminated by the sun accompanies a simple wooden fence, while the blue sky and light clouds provide breadth and brightness to the scene.

The building is the main element of the composition. Its robust and silent presence dominates the landscape without overpowering nature. The irregular arrangement of its different bodies suggests that the house has been expanded or modified over time, adapting to the needs of its inhabitants.

The main building rises in the upper left and features a façade in browns, grays, ochres and greenish tones. These chromatic variations convey the wear of the materials and the changing incidence of light on the stone. Some areas appear illuminated, while others remain in a cool shadow.

The side wall extends in a marked diagonal from the upper left corner toward the center. This downward line coincides with the slope of the roofs and guides the gaze toward the lower body of the construction. Thanks to this arrangement, the architecture gains dynamism and integrates naturally with the terrain.

At the top of the façade appear several small and narrow windows. Their dark interiors contrast with the lighter tones of the walls and add depth. The absence of intense reflections on the glass allows one to imagine cool and quiet rooms sheltered from the exterior sun.

One of the windows is near the top and is partially enveloped by the shadows of the eave. Other three openings are irregularly distributed along the wall. This lack of symmetry lends authenticity to the construction and reinforces its traditional appearance.

The window frames show greenish grays and muted tones that relate to the surrounding vegetation. Some edges receive a soft light, while the interior areas remain almost black. This contrast makes the openings function as small points of mystery within the façade.

The roofs are covered by tiles in reddish, orange, ochre and brown tones. Their warm color stands out against the gray walls and the blue sky. The coverings form a succession of diagonals that visually organize the different volumes of the building.

The upper roof runs along the entire main construction and casts a deep shadow on the wall. Its irregular edge suggests the age of the tiles and the passage of time. Light concentrates on some reddish areas, making certain fragments stand out with particular intensity.

In the center there appears a second roof that descends toward the foreground. Its wide and warm surface covers a lower construction, possibly used for agricultural work or storage. The slope of this roof creates a very attractive transition between the main body and the small annex on the right.

Under this roof extends a dark wall that contrasts with the exterior brightness. In its center there is a large shadowy opening. This opening seems to correspond to a shed, granary, or workspace linked to rural life.

The darkness of the access adds depth and stirs the imagination. The viewer can sense a spacious and cool interior, perhaps used for storing tools, timber, carts, or farm products. The lack of visible details reinforces the quietness and mystery of this area.

To the left of the entrance appear several wooden doors. One of them, taller and darker, occupies the end of the façade and is formed by vertical boards. Its surface combines browns, muted greens and black shadows, conveying a robust and aged appearance.

Near the center there is another wooden door or panel in orange tones. Its rectangular shape stands out clearly against the gray wall. A narrow dark opening appears beside it, creating a contrast that suggests access to a small storage or auxiliary space.

The wooden elements bring warmth to the architecture. Their browns, ochres and reddish tones dialog with the tiles and with light reflections on the ground. At the same time, the irregular surfaces of the doors reinforce the functional and everyday character of the house.

The small annex on the central-right area presents a light wall and a sloping roof. Its façade receives light and allows differentiation of several cream, gray and yellowish tones. This construction helps to visually close the ensemble and establishes a transition to the vegetation.

The illuminated corner of the annex stands out against the deep shadow of the shed. This opposition between light and dark provides volume and allows perceiving the arrangement of the different architectural bodies. The building seems to advance toward the viewer and then retreat toward the tree.

In the foreground extends a horizontal strip of light-colored earth that borders the water. Its beige, white, ochre and pink tones suggest a path or illuminated shore. This area separates the construction from the dark reflection and provides a luminous base for the entire architecture.

The water surface occupies the lower part and appears dominated by deep greens, grays and bluish reflections. Its calmness allows light and shadows from the surroundings to project softly. There are no large ripples, but a stillness that enhances the overall serenity.

In some areas of the water clearer reflections appear, especially toward the center and right. These gray and greenish shades may correspond to the sky, the path and the illuminated walls. The transition between dark and light zones adds depth and prevents the foreground from looking uniform.

The large dark mass of the water provides a counterpoint to the brightness of the sky. Moreover, its horizontality balances the diagonals of the roofs. The scene is thus organized between a calm, reflective base, an architecture of stepped volumes, and a wide sky.

In the bottom left corner there is a small area of greenish-yellow vegetation. Its intense colors contrast with the shadow of the water and help frame the foreground. This strip of vegetation visually connects the shore with the trees in the background.

To the right of the house rises a tree with a full, rounded crown. Its leaves present dark greens, yellows, ochres and small blue reflections. The light seems to reach especially the top and edges, creating a luminous vibrancy on the foliage.

The crown extends widely and hides part of the landscape behind. Its organic shape contrasts with the geometric volumes of the house. The tree acts as a protective element and brings freshness to the space adjacent to the building.

The dark areas of the foliage suggest a great density of leaves, while the yellows and light greens indicate where the sun falls. This alternation provides volume and conveys the impression of a gentle breeze moving through the branches.

Under the tree extends a simple wooden fence. Its vertical posts and horizontal crossbars appear in browns, grays and whites. The structure marks the land without interrupting the continuity of the landscape and adds a touch characteristic of agricultural life.

The fence extends to the far right and gradually decreases in size. This perspective guides the gaze toward the distant hills. Its presence allows imagining meadows, orchards or grazing land beyond the house.

Behind the fence appears a mass of greenish-blue vegetation that forms a transition toward the horizon. The shrubs and trees become less defined with distance, creating depth. The variety of greens maintains continuity between the foreground and the distant landscape.

The hills in the background are distinguished by green, gray and blue tones. Their soft profiles rise slightly to the right and blend with the atmosphere. These mountains are not imposing, but rather quietly accompany the scene's tranquility.

The sky occupies a wide band in the upper right. Its bright blue provides freshness and contrasts with the earthy colors of the house. Several white and grayish clouds are distributed irregularly, conveying the sense of a clear and slightly changeable day.

A large cloud in the center upper area shows bluish and white zones that give it volume. Other smaller clouds move toward the right. Their arrangement animates the sky without diminishing the architecture's prominence.

The light seems to come from the right side and particularly reaches the tree, the annex and certain edges of the roofs. The main façade remains partially shaded, emphasizing its age and protective character. This luminous contrast clearly organizes the different parts of the composition.

The color palette combines earthy and natural tones. Browns, ochres and reddish hues define the architecture; greens and yellows build the vegetation; blues and whites illuminate the sky; grays relate the walls to the water. All these tones create a balanced and welcoming atmosphere.

The absence of human figures increases the sense of silence, although the house retains numerous signs of activity. The doors, the shed, the fence and the path suggest a daily life that continues outside the scene. It is possible to imagine its inhabitants working in the field or resting inside.

The landscape evokes a way of life tied to the land and natural rhythms. The architecture is not separated from the surroundings, but deeply integrated into it. The colors of the walls relate to the earth, while the tiles dialog with the warm light and with the wooden doors.

The construction transmits a strong sense of permanence. Its sturdy walls, stepped roofs and small windows seem to have withstood many seasons. In front of it, the water, leaves and clouds represent changing elements that continually renew the landscape.

There is also a nostalgic dimension in the scene. The stillness of the water, the closed doors and the absence of people can evoke memories of family homes, summer in the countryside or old work sites. The landscape seems to preserve a silent memory of those who inhabited it.

The work celebrates the beauty of everyday life. It does not need to show an extraordinary event, as it finds interest in the aged façade, the shade of the shed, the illuminated crown of the tree and the reflection on the water. Each element contributes to building a rural corner filled with authenticity.

Overall, this precious painting offers a calm and deeply evocative vision of an ancient rural house built next to a serene body of water. The aged walls, the wooden doors, the reddish roofs, the dark shed, the large illuminated tree and the simple fence construct a scene full of intimacy and memory. The harmonious combination of architecture, vegetation, sky and reflections conveys peace, rootedness and the timeless beauty of a life closely linked to the countryside.