Baptiste Corbin (1942) - Lloret de Mar

09
天
08
小时
29
分钟
38
秒
开始出价
€ 1
没有保留价
Caroline Bokobza
专家
由Caroline Bokobza精选

法国拍卖师毕业,曾在苏富比巴黎估价部门工作。

估价  € 500 - € 600
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Lloret de Mar,一幅1980-1990年间的原始油画,作者Baptiste Corbin(1942出生),西班牙创作,尺寸32×42 cm,手签,状态良好。

AI辅助摘要

卖家的描述

Pictura Subastas presents this magnificent artwork belonging to Baron Corbin, depicting a medieval-looking castle perched on a rocky promontory and surrounded by vegetation, beside a bright beach bathed by blue and turquoise waters. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions of the work: 32x42x1 cm.
· Oil on paper signed by the artist in the lower left corner, Corbin.
· The piece is in good conservation condition.

The work comes from an exclusive private collection in Girona.

Important note: the included photographs are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences compared to the real item in color, scale and details.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packing and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available.

------------------------------------------------------------------

This painting presents a luminous coastal view starring a medieval-looking castle rising on a rocky promontory by the sea. The construction, surrounded by a lush mass of trees, dominates a small beach of golden sand toward which successive white and bluish waves advance. The tall tower, the walls, the rocks, and the intense expanse of the sky create a scene of great visual impact, in which history and nature coexist within a serene, bright, and deeply Mediterranean atmosphere.

The composition is organized through a clear opposition between land and sea. The architectural complex and vegetation occupy mainly the left half, while the open waters and the sky extend to the right. This distribution conveys balance and allows the gaze to move from the beach to the horizon.

The beach begins in the left foreground and curves gently toward the promontory. Its shape creates a wide diagonal that directs attention to the buildings. The sand appears damp near the water and warmer and drier inland.

The colors of the beach combine ochres, browns, yellows, grays and delicate pinkish and violet reflections. Some areas darken to suggest moisture, shadows or small ground irregularities. This chromatic diversity prevents the sand from appearing as a uniform surface.

The shoreline line is defined by a succession of white waves advancing diagonally. The foam spreads over the beach in wide, luminous curves, creating intense movement in the foreground. These shapes guide the gaze from the lower area toward the base of the promontory.

The waves appear at different moments in their journey. Some have already broken on the sand, while others begin to rise over the waters. This repetition conveys the sea’s constant rhythm and adds dynamism to the whole scene.

The water near the shore features greens, turquoises, light blues and small white reflections. These tones suggest transparency and shallow depth. The light seems to penetrate the surface to reveal changes in the seafloor.

Further away, the sea takes on deep, intense blues. A dark horizontal line marks the meeting with the sky and creates a sense of breadth. This gradient from coastal greens to horizon blues significantly increases depth.

In the lower right foreground appear dark areas that could correspond to submerged rocks or shadows beneath the water. Deep greens, blacks, browns and blues contrast with the white foam. This chromatic difference reinforces the energy of the waves.

The sea surface is threaded with numerous horizontal and diagonal lines. The whites suggest foam and highlights, while greens and violets mark currents and depth changes. The sea appears alive, yet not threatening.

In the middle-right area several rocks rise from the water. Their irregular shapes are built with grays, browns, yellows, whites and blacks. Foam surrounds them and emphasizes the constant contact between rock and sea.

The rock closest to the promontory has a light and luminous surface. Another, slightly to the right, shows a dark and pointed silhouette. This alternation provides variety and visually extends the coast toward the horizon.

The rocks function as a transition between the solidity of the cliff and the open expanse of the sea. They seem like fragments detached from the coast that still retain a visual relationship with it. Their presence adds depth and character to the landscape.

The promontory occupies the central area and intrudes into the water with an elevated rocky mass. Its walls display greens, yellows, ochres, grays and browns. Light concentrates on certain surfaces, revealing their irregularities.

The base of the cliff is partly covered by foam and greenish water. Some areas appear dark and damp, while others receive yellowish reflections. The contrast reveals the ongoing action of the sea on the rock.

A clear wall runs along the upper part of the promontory. Its horizontal line separates the vegetation from the cliff and seems to protect the enclosure. Cream, whites, greens and ochres allow the construction to blend with the stone.

The wall shows small changes in height and some dark openings. These details suggest a defensive system or an elevated path that leads to the castle. Its path guides the gaze from the lower buildings to the tower.

In the left area several historic-looking buildings cluster. Their facades present yellows, ochres, creams and small reddish reflections. The geometric forms contrast with the irregularity of the trees and terrain.

Some buildings have elevated tops and small arched openings. Others appear partially hidden by vegetation. This superposition suggests a complex ensemble of outbuildings, courtyards, walls and accesses.

The pale walls receive warm light, making them one of the sunniest spots of the landscape. The shaded areas are resolved with violets, greens and browns. This alternation provides volume and emphasizes the ancient character of the enclosure.

Above the lower buildings rises the main tower. Its tall, slender body dominates the coastal profile and cuts a clear silhouette against the blue sky. The tower’s verticality acts as the architectural axis of the composition.

The tower features a rounded or cylindrical upper part, accompanied by another voluminous, crenellated form. This combination reinforces its fortified appearance. The small dark openings suggest windows or watch posts.

The colors of the tower combine pale yellows, creams, whites and greenish reflections. The light seems to concentrate especially on its front side, while the side areas remain in shadow. This contrast makes it stand out among the foliage.

The construction seems to rise directly from the rock and vegetation. Its elevated position conveys vigilance, protection and visual dominance over the sea. From its windows one could imagine an expansive panorama of the coast.

The tower also introduces a narrative dimension. It may evoke stories of ancient guardians, travelers, navigators or inhabitants who observed ships arriving for years. Its presence transforms the beach into a landscape full of memory.

The vegetation surrounds the castle completely and covers much of the promontory. Tree canopies present deep greens, blacks, bluish grays and small yellow reflections. This natural mass creates a strong contrast with the pale walls.

In the upper left, trees form a large shaded surface. The canopies overlap and partially conceal the sky and the buildings. Their density conveys freshness and visually protects the architectural complex.

Some foliage sectors receive small bright reflections suggesting sunlight. The yellowish greens mix with browns and ochres, adding variety. The trees seem to grow freely around the architecture.

The relationship between vegetation and castle is especially harmonious. The buildings do not appear isolated or dominating the landscape; they emerge among the trees. This integration gives the place a mysterious and romantic look.

Behind the tower extends an intensely blue sky. Its clarity allows the architectural silhouette to stand out strongly. The blue becomes slightly lighter toward the right, creating a smooth transition to the horizon.

In the right area several clouds appear in white, violet and pink tones. Their broad, diffuse shapes add movement and prevent the sky from appearing uniform. The pink reflections introduce warmth and dialogue with the beach tones.

A lighter cloud seems positioned behind the tower, creating a glow that accentuates its height. Other violet forms spread over the sea. This arrangement visually balances the large vegetation mass on the left.

The overall light seems to correspond to a sunny day, perhaps a clear morning or a bright afternoon. The castle, the sand and the foam receive warm lighting, while the foliage and the deep waters retain cool shadows.

The chromatic range combines blues and greens with yellows, ochres and whites. The greens provide freshness and depth; the yellows convey light and warmth. Purples and pinks act as linking hues between the sky, water and sand.

The composition guides the eye through several paths. The beach curve leads to the buildings; the waves carry to the rocks; the wall climbs toward the tower; and the horizon finally opens the view to the sea.

The absence of human figures intensifies the monumentality of the castle and the serenity of the coast. Yet the architecture preserves a strong historical presence. The place seems inhabited by memories even if no person appears.

The empty beach conveys calm and isolation. It seems a sheltered and secluded corner where the viewer could walk along the water and contemplate the castle. This sense of intimacy makes the landscape especially welcoming.

The castle can be interpreted as a symbol of permanence and memory. Its walls have withstood the passage of time, while the sea continues to change with each wave. The coexistence of stone and water creates a powerful symbolic opposition.

The sea represents movement, freedom and renewal. Its waves advance toward the coast and break on the sand. In front of them, the tower remains firm, observing the horizon from its elevated position.

Vegetation acts as a mediating element. Trees change with the seasons, but also protect and envelop the buildings. Their presence unites the permanence of stone with the movement of the sea.

The scene can evoke tales of travel and return. The tower seems to serve as a reference point for those navigating near the coast. The rocks and promontory mark the entrance to the small beach, turning the place into a natural refuge.

The work also celebrates the beauty of the Mediterranean coastline: turquoise waters, warm sand, abundant vegetation, historic buildings and a bright sky. All these elements are integrated into an image that is cheerful and evocative.

Overall, this precious painting offers a magnificent view of a castle perched on a rocky promontory beside a small Mediterranean beach, where white waves advance over the sand and surround nearby rocks. The illuminated tower, the walls, the lush vegetation, the blue and turquoise waters and the sky dotted with pink clouds construct a scene full of depth, history and beauty. The harmony between architecture and nature transforms the landscape into an evocation of freedom, permanence and mystery against the vastness of the sea.

卖家故事

我们是 Pictura Auctions,我们的使命是提供一个在线空间,让艺术爱好者、收藏家和爱好者可以沉浸在各种杰作中,从最具革命性的前卫艺术到经受时间考验的经典珠宝。我们的专家策展团队精心挑选了来自不同时代和文化的最重要、最感人的作品,精心组建了多样化且令人兴奋的藏品。
使用Google翻译翻译

Pictura Subastas presents this magnificent artwork belonging to Baron Corbin, depicting a medieval-looking castle perched on a rocky promontory and surrounded by vegetation, beside a bright beach bathed by blue and turquoise waters. The painting stands out for its excellent technique and the high pictorial quality it conveys.

· Dimensions of the work: 32x42x1 cm.
· Oil on paper signed by the artist in the lower left corner, Corbin.
· The piece is in good conservation condition.

The work comes from an exclusive private collection in Girona.

Important note: the included photographs are an integral part of the lot description. Digital representation in an indicative mockup; there may be differences compared to the real item in color, scale and details.

The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packing and the transport itself.
Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available.

------------------------------------------------------------------

This painting presents a luminous coastal view starring a medieval-looking castle rising on a rocky promontory by the sea. The construction, surrounded by a lush mass of trees, dominates a small beach of golden sand toward which successive white and bluish waves advance. The tall tower, the walls, the rocks, and the intense expanse of the sky create a scene of great visual impact, in which history and nature coexist within a serene, bright, and deeply Mediterranean atmosphere.

The composition is organized through a clear opposition between land and sea. The architectural complex and vegetation occupy mainly the left half, while the open waters and the sky extend to the right. This distribution conveys balance and allows the gaze to move from the beach to the horizon.

The beach begins in the left foreground and curves gently toward the promontory. Its shape creates a wide diagonal that directs attention to the buildings. The sand appears damp near the water and warmer and drier inland.

The colors of the beach combine ochres, browns, yellows, grays and delicate pinkish and violet reflections. Some areas darken to suggest moisture, shadows or small ground irregularities. This chromatic diversity prevents the sand from appearing as a uniform surface.

The shoreline line is defined by a succession of white waves advancing diagonally. The foam spreads over the beach in wide, luminous curves, creating intense movement in the foreground. These shapes guide the gaze from the lower area toward the base of the promontory.

The waves appear at different moments in their journey. Some have already broken on the sand, while others begin to rise over the waters. This repetition conveys the sea’s constant rhythm and adds dynamism to the whole scene.

The water near the shore features greens, turquoises, light blues and small white reflections. These tones suggest transparency and shallow depth. The light seems to penetrate the surface to reveal changes in the seafloor.

Further away, the sea takes on deep, intense blues. A dark horizontal line marks the meeting with the sky and creates a sense of breadth. This gradient from coastal greens to horizon blues significantly increases depth.

In the lower right foreground appear dark areas that could correspond to submerged rocks or shadows beneath the water. Deep greens, blacks, browns and blues contrast with the white foam. This chromatic difference reinforces the energy of the waves.

The sea surface is threaded with numerous horizontal and diagonal lines. The whites suggest foam and highlights, while greens and violets mark currents and depth changes. The sea appears alive, yet not threatening.

In the middle-right area several rocks rise from the water. Their irregular shapes are built with grays, browns, yellows, whites and blacks. Foam surrounds them and emphasizes the constant contact between rock and sea.

The rock closest to the promontory has a light and luminous surface. Another, slightly to the right, shows a dark and pointed silhouette. This alternation provides variety and visually extends the coast toward the horizon.

The rocks function as a transition between the solidity of the cliff and the open expanse of the sea. They seem like fragments detached from the coast that still retain a visual relationship with it. Their presence adds depth and character to the landscape.

The promontory occupies the central area and intrudes into the water with an elevated rocky mass. Its walls display greens, yellows, ochres, grays and browns. Light concentrates on certain surfaces, revealing their irregularities.

The base of the cliff is partly covered by foam and greenish water. Some areas appear dark and damp, while others receive yellowish reflections. The contrast reveals the ongoing action of the sea on the rock.

A clear wall runs along the upper part of the promontory. Its horizontal line separates the vegetation from the cliff and seems to protect the enclosure. Cream, whites, greens and ochres allow the construction to blend with the stone.

The wall shows small changes in height and some dark openings. These details suggest a defensive system or an elevated path that leads to the castle. Its path guides the gaze from the lower buildings to the tower.

In the left area several historic-looking buildings cluster. Their facades present yellows, ochres, creams and small reddish reflections. The geometric forms contrast with the irregularity of the trees and terrain.

Some buildings have elevated tops and small arched openings. Others appear partially hidden by vegetation. This superposition suggests a complex ensemble of outbuildings, courtyards, walls and accesses.

The pale walls receive warm light, making them one of the sunniest spots of the landscape. The shaded areas are resolved with violets, greens and browns. This alternation provides volume and emphasizes the ancient character of the enclosure.

Above the lower buildings rises the main tower. Its tall, slender body dominates the coastal profile and cuts a clear silhouette against the blue sky. The tower’s verticality acts as the architectural axis of the composition.

The tower features a rounded or cylindrical upper part, accompanied by another voluminous, crenellated form. This combination reinforces its fortified appearance. The small dark openings suggest windows or watch posts.

The colors of the tower combine pale yellows, creams, whites and greenish reflections. The light seems to concentrate especially on its front side, while the side areas remain in shadow. This contrast makes it stand out among the foliage.

The construction seems to rise directly from the rock and vegetation. Its elevated position conveys vigilance, protection and visual dominance over the sea. From its windows one could imagine an expansive panorama of the coast.

The tower also introduces a narrative dimension. It may evoke stories of ancient guardians, travelers, navigators or inhabitants who observed ships arriving for years. Its presence transforms the beach into a landscape full of memory.

The vegetation surrounds the castle completely and covers much of the promontory. Tree canopies present deep greens, blacks, bluish grays and small yellow reflections. This natural mass creates a strong contrast with the pale walls.

In the upper left, trees form a large shaded surface. The canopies overlap and partially conceal the sky and the buildings. Their density conveys freshness and visually protects the architectural complex.

Some foliage sectors receive small bright reflections suggesting sunlight. The yellowish greens mix with browns and ochres, adding variety. The trees seem to grow freely around the architecture.

The relationship between vegetation and castle is especially harmonious. The buildings do not appear isolated or dominating the landscape; they emerge among the trees. This integration gives the place a mysterious and romantic look.

Behind the tower extends an intensely blue sky. Its clarity allows the architectural silhouette to stand out strongly. The blue becomes slightly lighter toward the right, creating a smooth transition to the horizon.

In the right area several clouds appear in white, violet and pink tones. Their broad, diffuse shapes add movement and prevent the sky from appearing uniform. The pink reflections introduce warmth and dialogue with the beach tones.

A lighter cloud seems positioned behind the tower, creating a glow that accentuates its height. Other violet forms spread over the sea. This arrangement visually balances the large vegetation mass on the left.

The overall light seems to correspond to a sunny day, perhaps a clear morning or a bright afternoon. The castle, the sand and the foam receive warm lighting, while the foliage and the deep waters retain cool shadows.

The chromatic range combines blues and greens with yellows, ochres and whites. The greens provide freshness and depth; the yellows convey light and warmth. Purples and pinks act as linking hues between the sky, water and sand.

The composition guides the eye through several paths. The beach curve leads to the buildings; the waves carry to the rocks; the wall climbs toward the tower; and the horizon finally opens the view to the sea.

The absence of human figures intensifies the monumentality of the castle and the serenity of the coast. Yet the architecture preserves a strong historical presence. The place seems inhabited by memories even if no person appears.

The empty beach conveys calm and isolation. It seems a sheltered and secluded corner where the viewer could walk along the water and contemplate the castle. This sense of intimacy makes the landscape especially welcoming.

The castle can be interpreted as a symbol of permanence and memory. Its walls have withstood the passage of time, while the sea continues to change with each wave. The coexistence of stone and water creates a powerful symbolic opposition.

The sea represents movement, freedom and renewal. Its waves advance toward the coast and break on the sand. In front of them, the tower remains firm, observing the horizon from its elevated position.

Vegetation acts as a mediating element. Trees change with the seasons, but also protect and envelop the buildings. Their presence unites the permanence of stone with the movement of the sea.

The scene can evoke tales of travel and return. The tower seems to serve as a reference point for those navigating near the coast. The rocks and promontory mark the entrance to the small beach, turning the place into a natural refuge.

The work also celebrates the beauty of the Mediterranean coastline: turquoise waters, warm sand, abundant vegetation, historic buildings and a bright sky. All these elements are integrated into an image that is cheerful and evocative.

Overall, this precious painting offers a magnificent view of a castle perched on a rocky promontory beside a small Mediterranean beach, where white waves advance over the sand and surround nearby rocks. The illuminated tower, the walls, the lush vegetation, the blue and turquoise waters and the sky dotted with pink clouds construct a scene full of depth, history and beauty. The harmony between architecture and nature transforms the landscape into an evocation of freedom, permanence and mystery against the vastness of the sea.

卖家故事

我们是 Pictura Auctions,我们的使命是提供一个在线空间,让艺术爱好者、收藏家和爱好者可以沉浸在各种杰作中,从最具革命性的前卫艺术到经受时间考验的经典珠宝。我们的专家策展团队精心挑选了来自不同时代和文化的最重要、最感人的作品,精心组建了多样化且令人兴奋的藏品。
使用Google翻译翻译

详细资料

艺术家
Baptiste Corbin (1942)
带框出售
不是
出售者
画廊
版本
原创作品
作品名称
Lloret de Mar
技术
油画
签名
Hand signed
国家
西班牙
状态
良好状态
高度
32 cm
宽度
42 cm
风格
印象派
时间段
1980-1990
西班牙经验证
2647
已售出的几件物品
100%
protop

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