Migita Toshihide · 美人十二姿 · 神无月(十月) · 明治美人画 · 1901 - 日本 - Meiji period (1868-1912)





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三宅年英(Migita Toshihide)的明治时期 Ōban 立版画 Kannazuki(第十月),Bijin jūni sugata 系列,1901 年,纸上印刷,约 35 × 24 cm,出版者秋山武右衛門,原作,品相极佳。
卖家的描述
艺术家:Migita Toshihide 右田年英(1863–1925),门下师承月岡芳年
系列:美人十二姿(Bijin jūni sugata,十二美人像)
标题:神无月(The Tenth Month)
Format: Ōban tate-e, approx. 35 × 24 cm (sheet with margins)
规格:大判竖摺,约35 × 24 cm(含边缘的纸张)
Technique: Woodblock print (nishiki-e), ink and colour on paper
技法:木版画(錦絵),纸本,水墨与彩色
Date: 1901 (Meiji 34), date in the margin colophon
日期:1901年(明治34年),边栏年款有注记
Publisher: Akiyama Buemon 秋山武右衛門 (Kokkeidō), publisher's seal in the lower left margin
出版者:秋山武右衛門(Kokkeidō),左下角边缘有出版者印章
Signature: 年英 (Toshihide), with the artist's seal Shisuitei
署名:年英(Toshihide),并有画家印章“Shisuitei”
________________________________________________________
CONDITION
Excellent colors, good impression. The paper is clean, firm and subtle. Light fold on the margin! Please check the images!
状态
色彩鲜明,印象清晰。纸张干净、坚实、质地细腻。边缘有轻微折痕!请查看图片!
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About the print
Bijin jūni sugata is Toshihide's best-known series of beautiful women. It was published by Akiyama Buemon in 1901, with one sheet for each month of the year and a separate table-of-contents diptych. The series belongs to the last flowering of the traditional bijin-ga in the late Meiji period. Its large, carefully printed sheets show the influence of Toshihide's teacher, Yoshitoshi, together with the refined taste of the new century.
版画简介
美人十二姿是年英最知名的美人画系列。1901年由秋山武右衛門出版,每月一本纸张,以及一个单独的目录对联。该系列属于晚明治时期传统美人画的最后盛开。其大幅、印刷精良的纸张,既受师承月岡芳年的影响,也体现了新世纪的雅致品味。
Kannazuki, the tenth month of the old calendar, means "the month without gods". According to tradition, all the gods of Japan left their home shrines at this time to gather at the great shrine of Izumo.
神无月,旧历的第十月,意思是“无神之月”。据传统,日本所有神祇在此时离开故乡的神社,聚集在出云大社。
Toshihide is best remembered for his dramatic prints of the Sino-Japanese War and his book frontispieces (kuchi-e). This series shows his gentler side.
年英最为人熟知的是他关于中日战争的戏剧性版画以及书籍扉页(口致图)。本系列展现了他更温柔的一面。
卖家故事
艺术家:Migita Toshihide 右田年英(1863–1925),门下师承月岡芳年
系列:美人十二姿(Bijin jūni sugata,十二美人像)
标题:神无月(The Tenth Month)
Format: Ōban tate-e, approx. 35 × 24 cm (sheet with margins)
规格:大判竖摺,约35 × 24 cm(含边缘的纸张)
Technique: Woodblock print (nishiki-e), ink and colour on paper
技法:木版画(錦絵),纸本,水墨与彩色
Date: 1901 (Meiji 34), date in the margin colophon
日期:1901年(明治34年),边栏年款有注记
Publisher: Akiyama Buemon 秋山武右衛門 (Kokkeidō), publisher's seal in the lower left margin
出版者:秋山武右衛門(Kokkeidō),左下角边缘有出版者印章
Signature: 年英 (Toshihide), with the artist's seal Shisuitei
署名:年英(Toshihide),并有画家印章“Shisuitei”
________________________________________________________
CONDITION
Excellent colors, good impression. The paper is clean, firm and subtle. Light fold on the margin! Please check the images!
状态
色彩鲜明,印象清晰。纸张干净、坚实、质地细腻。边缘有轻微折痕!请查看图片!
-------------------------------------------------------
About the print
Bijin jūni sugata is Toshihide's best-known series of beautiful women. It was published by Akiyama Buemon in 1901, with one sheet for each month of the year and a separate table-of-contents diptych. The series belongs to the last flowering of the traditional bijin-ga in the late Meiji period. Its large, carefully printed sheets show the influence of Toshihide's teacher, Yoshitoshi, together with the refined taste of the new century.
版画简介
美人十二姿是年英最知名的美人画系列。1901年由秋山武右衛門出版,每月一本纸张,以及一个单独的目录对联。该系列属于晚明治时期传统美人画的最后盛开。其大幅、印刷精良的纸张,既受师承月岡芳年的影响,也体现了新世纪的雅致品味。
Kannazuki, the tenth month of the old calendar, means "the month without gods". According to tradition, all the gods of Japan left their home shrines at this time to gather at the great shrine of Izumo.
神无月,旧历的第十月,意思是“无神之月”。据传统,日本所有神祇在此时离开故乡的神社,聚集在出云大社。
Toshihide is best remembered for his dramatic prints of the Sino-Japanese War and his book frontispieces (kuchi-e). This series shows his gentler side.
年英最为人熟知的是他关于中日战争的戏剧性版画以及书籍扉页(口致图)。本系列展现了他更温柔的一面。

