Sören Schuhmacher

情色摄影大师拍卖

爱情风暴

荒木经惟
白夜书房/1982/日语/150*210*10

“写真时代文库”诞生于传说编辑末井昭所创刊的杂志《写真时代》之上。杂志的第一期收录了由荒木经惟（绰号“荒木”）拍摄的照片，题为《Ai no Arashi》——《爱情的风暴》——而荒木最初遇见的是堀尾泰子，她是演员铃木美智代在铃木清扬电影《西行之雨》（1980）中的随员，并为她拍摄了两年半，将这些素材汇编成此书。书中从自然写真到让堀尾化身各式造型的摆拍与裸照，捕捉到堀尾在多种表情中的形象。堀尾的神秘感（与其独特气质相呼应）十分突出，发型也以多种方式变化，可能是长时间的拍摄所致，因此乍看之下仿佛是不同的人。书末有荒木与堀尾之间的对话，以及由《写真时代》（The Age of Photography）撰稿人兼剧作家上杉清裕所撰写、题为《荒木经惟的思想跳跃》的论文。

Love storm

Nobuyoshi Araki
Hakuya Shobo/1982/Japanese/150*210*10

The “Shashin Jidai Bunko” was born out of the magazine “Shashin Jidai” created by the legendary editor Akira Suei. The first issue of the magazine was a collection of photographs by Nobuyoshi Araki, nicknamed “Araki,” entitled “Ai no Arashi” (Storm of Love). Araki first saw Taeko Hori, who was an attendant of Michiyo Okusu, the actress in Seijun Suzuki's film “Zigoinelwaizen” (1980), and photographed her for two and a half years, compiling them into this book. From natural portraits to staged shoots of Hori in costume and nudes, the book captures Hori in a variety of expressions. Hori's mysteriousness (yokishness) with its unique atmosphere stands out, and her hairstyle changes in various ways, probably due to the long period of shooting, so that at first glance it seems as if we are looking at a different person. At the end of the book is a dialogue between Araki and Hori, as well as an essay on Nobuyoshi Araki by Kiyobumi Uesugi, a playwright and contributor to “Shashin Jidai” (The Age of Photography), entitled “Araki Nobuyoshitsune's Idea Jumping.

Nobuyoshi Araki - Love storm - 1982

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