Antoine Mangeot

硬币拍卖（欧元）

文艺复兴在拜占庭时期比西方更早开始，以君士坦丁堡和米斯特拉斯为主要中心，但在1453年拜占庭国家被奥斯曼帝国征服后被阻断。 
因此，希腊世界被切断与欧洲文艺复兴文化的联系，除了仍未陷入奥斯曼统治的某些希腊地区（如威尼斯控制的爱奥尼亚群岛和克里特）。 
特别是在克里特岛，拜占庭文化与西方文化的交流在诗歌、戏剧、建筑与绘画等领域蓬勃发展。 
克里特文艺复兴文化最杰出的代表是画家多米尼科斯·提奥托科普洛斯（“伊尔格雷科”，Dominikos Theotokopoulos，1541–1614）。 
在他的出生地伊拉克利翁，他掌握了拜占庭与西方艺术风格，随后在威尼斯和罗马完善技艺，期间与米开朗基罗、拉斐尔和提香的杰作相遇。 
他最终定居在托莱多，创作出成熟期的作品——这些作品因深邃的精神性、形而上学的深度以及表现主义的风格而持续感动、启发人心。

The Renaissance began earlier in Byzantium than in the West, with Constantinople and Mystras as its main centers, but it was halted by the fall of the Byzantine state to the Ottomans in 1453. As a result, the Greek world found itself cut off from the European Renaissance culture, with the exception of certain Greek regions that remained outside Ottoman rule (such as the Venetian-held Ionian Islands and Crete). In Crete in particular, the encounter between Byzantine and Western culture flourished in the fields of poetry, theatre, architecture, and painting. The most eminent representative of Cretan Renaissance culture would be the painter Dominikos Theotokopoulos (“El Greco”, 1541–1614). After mastering both the Byzantine and Western artistic styles in his birthplace, Heraklion, he perfected his technique in Venice and Rome, where he came into contact with the masterpieces of Michelangelo, Raphael, and Titian. He eventually settled in Toledo, where he created the works of his maturity—works that continue to move and inspire thanks to their profound spirituality, metaphysical depth, and expressionistic character.

希腊. 10 Euro 2019 "Renaissance" Proof (没有保留价)

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