Val Saint Lambert - Charles Graffart - 花瓶 - ALINE - 已签署 - 水晶 - 装饰艺术

Val Saint Lambert – “Aline” Ruby Overlay Crystal Vase

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A striking Val Saint Lambert “Aline” crystal vase, an elegant Belgian design with strong Art Deco influences, produced from the 1940s onwards and later documented in the Val Saint Lambert catalogue.

这是一只引人注目的 Val Saint Lambert “Aline” 水晶花瓶，具有典雅的比利时设计，深受强烈的装饰艺术风格影响，自20世纪40年代起大量生产，后续在 Val Saint Lambert 的目录中有文献记载。

The vase is made from exceptionally fine, heavy crystal using the traditional overlay technique, combining a rich ruby-red crystal layer with clear crystal underneath. The entire decoration was executed by hand: deeply cut and polished facets reveal the colourless crystal beneath the ruby overlay, creating a dramatic contrast between intense colour and brilliant transparency.

花瓶采用异常细腻、厚重的水晶，采用传统叠层工艺制造，将一层丰富的红宝石色水晶覆盖在下方清澈的水晶之上，整个装饰均为手工完成：深切割与抛光的切面揭示了覆盖在宝石色之下的无色晶体，在浓烈色彩与明亮透明之间形成强烈对比。

The cutting is particularly impressive. Long, flame-like facets rise towards the flared rim, while the lower section is covered with bold geometric cuts resembling faceted ruby gemstones. As light passes through the thick crystal, these surfaces refract and multiply it, producing flashes of ruby red, clear brilliance and subtle rainbow reflections. The result gives the vase an almost jewel-like architectural quality.

切割尤为令人印象深刻。长而火焰状的切面向着张口的边缘延展；下部以大胆的几何切割覆盖，宛如多面宝石的切面。当光线穿过厚重的水晶时，表面折射并叠加，产生绯红色的闪光、清透的光辉以及细微的彩虹反射，使花瓶呈现出几乎珠宝般的结构美感。

The cutting is particularly impressive. Long, flame-like facets rise towards the flared rim, while the lower section is covered with bold geometric cuts resembling faceted ruby gemstones. As light passes through the thick crystal, these surfaces refract and multiply it, producing flashes of ruby red, clear brilliance and subtle rainbow reflections. The result gives the vase an almost jewel-like architectural quality.

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Entirely handcrafted and hand-cut, the Aline model demonstrates the exceptional technical quality for which Val Saint Lambert crystal became internationally renowned. Despite its historical Art Deco character, its sculptural geometry and vivid ruby colour make it remarkably suitable for a contemporary or minimalist interior, where it can stand alone as a decorative object or be used as an impressive flower vase.

Aline 型完全以手工完成，手工切割，体现了 Val Saint Lambert 水晶在全球享誉的卓越技术品质。尽管其带有历史性的装饰艺术风格，其雕塑般的几何造型与鲜明的宝石红色使其在当代或极简风格的室内环境中同样出色，既可作为独立的装饰物，也可作为气势非凡的花瓶使用。

The vase is signed “Val Saint Lambert” on the base, and the model is also documented in the original Val Saint Lambert catalogue, a reference for which is shown in the photographs.

花瓶底部签有“Val Saint Lambert”字样，型号亦在原始目录中有对应记录，照片中亦有佐证。

It remains in very good vintage condition, preserving the clarity, brilliance and rich ruby colour of the crystal beautifully.

至今仍处于非常良好的古董状态，水晶的清晰、光彩与丰富的宝石红色保持良好，保存完好。

A superb example of Belgian crystal craftsmanship — sculptural, jewel-like and highly decorative, combining the elegance of Art Deco with the unmistakable brilliance of hand-cut Val Saint Lambert crystal.

这是一件比利时水晶工艺的杰出典范——雕塑感、珠宝般的光泽与高度装饰性并存，将装饰艺术的优雅与手工切割的 Val Saint Lambert 水晶的独特光辉完美融合。

Val Saint Lambert, nestled in Seraing near Liège, Belgium, is a beacon of crystal craftsmanship with a legacy spanning nearly two centuries. Established in 1826 by chemist François Kemlin and engineer Auguste Lelièvre, the company transformed the remnants of the Val-Saint-Lambert Abbey into a thriving glassworks.

Val Saint Lambert 座落于比利时列日近郊的塞拉昂，是水晶工艺的灯塔，其传统延续近两个世纪。1826 年，由化学家 François Kemlin 与工程师 Auguste Lelièvre 创立，该公司将 Val-Saint-Lambert 修道院的遗址改造为繁荣的玻璃制造厂。

The 19th century marked a period of significant growth for Val Saint Lambert. By the early 1900s, the company employed over 5,000 workers, producing 120,000 pieces of glass daily. Their creations, renowned for exceptional quality and intricate designs, found admirers worldwide, including in Tsarist Russia and North America. A testament to their artistry is the “Vase of the Nine Provinces,” a monumental piece over 2 meters tall and weighing 200 kilograms, crafted for the 1894 World Exhibition in Antwerp.

19 世纪是 Val Saint Lambert 快速成长的时期。到20世纪初，该公司雇佣超过 5,000 名工人，日产量达 12 万件水晶制品。其作品以卓越的质量和精细的设计而闻名，广受全球赞赏，涵盖沙皇俄国和北美等地。其中，列证艺术成就的代表作“九省花瓶”高逾 2 米、重达 200 公斤，是为1894 年安特卫普世界博览会而制。

The 20th century brought challenges, including the impacts of two World Wars and economic downturns. Despite these obstacles, Val Saint Lambert’s resilience ensured the preservation of its artisanal heritage. Today, the company seamlessly blends traditional craftsmanship with contemporary design, producing exquisite crystal pieces that cater to modern aesthetics.

进入20世纪，面临两次世界大战和经济不景气等挑战。尽管如此，Val Saint Lambert 展现出顽强的韧性，保留了手工艺传统。今天，该公司将传统工艺与现代设计无缝融合，生产出符合当代审美的精美水晶制品。

Val Saint Lambert stands as a symbol of Belgian craftsmanship, where each piece reflects a harmonious blend of history, artistry, and innovation.

Val Saint Lambert 已成为比利时工艺的象征，每一件作品都在历史、艺术与创新之间取得和谐的融合。

Will be carefully packaged, well protected and insured