Justus Heutink

Passion for Religious Art拍卖

一件保存极好的俄罗斯节日圣像，约1900年，亚历山大二世时期（1896-1917）。中心图像是安那斯塔西斯，复活节盛宴，分为两层。下部是地狱降临，上部是从空坟的复活。复活节图像被东正教教会的12大节日环绕。在上排：圣母的诞生、圣母进入圣殿与圣诞节。在第二排，从左到右：耶稣进入圣殿与约旦洗礼。在第三排：耶路撒冷进入与显圣。在最下排：圣升天、旧约三位一体、圣母安息日与十字圣显。所有节日画在坚实的金叶背景上，笔法精细。画家用尖锐工具在背景作浮雕，并在边框及安那斯塔西斯边缘周围刻画几何纹样。此圣像绘于橄榄木板上，周边有橡木托边。极有可能来自旧信徒（Old Believers）作坊。极佳的保存状态可能与将圣像置于 kiot（一种带玻璃盖的保护箱）中以防止因亲吻和触摸而受损有关。节日 image 具有教理教育功能，常由祖父母或父母用来让儿童了解礼拜日历。此幅圣像来自俄罗斯仍为帝国时期的珍贵且保存完好的作品。）

A very well preserved Russian Holiday icon, circa 1900, reign of Tzar Akexander the Second ( 1896-1917). The central image is the Anastasis, the feast of Easter, depicted in two registers. Below the descend into hell, above the Resurrextion from the Empty grave. The Easter image is surrounded by the 12 biggest feasts of the Eastern Orthodox Church. In the upper row: The birth of the Virgin, the Entry in the Temple of the Virgin and Christmas 
In the second row, from left to right,  The Introduction of Jesus in the Temple and the Baptism in the Jordan. In the third row, The entry in Jerusalem and the Transfiguration. In the lowest row; the Ascension, the Old Testament Trinity, the Dormition of the Virgin and the Exaltation of the Cross
 All the Feastdays are painted in a fine hand on a solid leaf gold background
 The artist made relief in the background with a sharp instrument and created geometrical patterns around the borders and around the boarder of the Anastasis. The icon is painted on an olive wood panel with oak sponka. Most likely this icon hails from an Old Believers workshop. The extremely good condition might have to do with placing the icon in a kiot, a protective case with a glass lid, to prevent damage by kissing and touching. Feastday have a cathecetical function and are used by grandparents or parents to educate children about the liturgical calendar.  A very well preserved and fine icon from the period that Russia still was an Empire.

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标志 - 节日图标 - 蛋彩画，覆于 levkas（石膏底）之板上

1850-1900 - 俄罗斯

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标志 - 节日图标 - 蛋彩画，覆于 levkas（石膏底）之板上

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