尾形月耕 · 义士十七图 · 四十七浪人 · 忠臣藏 · 明治 - 日本 - Meiji period (1868-1912)
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日本 Meiji 时期原装木刻版画，作者为尾形月耕，题名Gishi Shijūshichi Zu（四十七义士图），Ōban Tate-e，约36 × 24 cm，纸本上墨汁和彩绘，色彩良好，印记清晰，来自私人收藏，产地日本。
AI辅助摘要
卖家的描述
Artist: Ogata Gekkō 尾形月耕 (1859–1920)
Series: Gishi shijūshichi zu 義士四十七圖 (Pictures of the Forty-seven Loyal Retainers)
Title: Muramatsu Kihei Hidenao 村松喜兵衛秀直
Format: Ōban tate-e, approx. 36 × 24 cm
Technique: Woodblock print (nishiki-e), ink and colour on paper
Date: Meiji period, 1896–1902 (to be confirmed from the margin colophon)
Publisher: Matsuki Heikichi 松木平吉 (margin colophon)
Signature: 月耕 (Gekkō), with the artist's seal
________________________________________________________
CONDITION
Good colors and strong impression. The paper has minor Soiling/toning and an album backing. Please check the images!
-------------------------------------------------------
About the print
Muramatsu Kihei was one of the oldest men in the league, already in his sixties at the time of the raid. He served the Asano house in Edo as a low-ranking official, and he joined the vendetta together with his eldest son, Muramatsu Sandayū. Father and son both took part in the attack on Kira's mansion.
After the raid the rōnin were split up among four daimyō houses to await the shogunate's verdict. Kihei and his son were sent to different houses: Kihei to the Mōri lords of Chōfu, Sandayū to the Mizuno lords of Okazaki. Both men died by seppuku on the same day in early 1703.
In 1702, forty-seven former retainers of Lord Asano of Akō took revenge on Kira Yoshinaka, whose insult had led to their master's forced suicide. They then surrendered and were sentenced to ritual suicide. The story, known as Chūshingura, became Japan's national legend of loyalty.
Gekkō's Gishi shijūshichi zu gives one sheet to each of the forty-seven men, with a label stating his rank, stipend and age at death. The set was completed and reissued in 1902 for the 200th anniversary of the vendetta, and this sheet carries a 1902 publication date.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译Artist: Ogata Gekkō 尾形月耕 (1859–1920)
Series: Gishi shijūshichi zu 義士四十七圖 (Pictures of the Forty-seven Loyal Retainers)
Title: Muramatsu Kihei Hidenao 村松喜兵衛秀直
Format: Ōban tate-e, approx. 36 × 24 cm
Technique: Woodblock print (nishiki-e), ink and colour on paper
Date: Meiji period, 1896–1902 (to be confirmed from the margin colophon)
Publisher: Matsuki Heikichi 松木平吉 (margin colophon)
Signature: 月耕 (Gekkō), with the artist's seal
________________________________________________________
CONDITION
Good colors and strong impression. The paper has minor Soiling/toning and an album backing. Please check the images!
-------------------------------------------------------
About the print
Muramatsu Kihei was one of the oldest men in the league, already in his sixties at the time of the raid. He served the Asano house in Edo as a low-ranking official, and he joined the vendetta together with his eldest son, Muramatsu Sandayū. Father and son both took part in the attack on Kira's mansion.
After the raid the rōnin were split up among four daimyō houses to await the shogunate's verdict. Kihei and his son were sent to different houses: Kihei to the Mōri lords of Chōfu, Sandayū to the Mizuno lords of Okazaki. Both men died by seppuku on the same day in early 1703.
In 1702, forty-seven former retainers of Lord Asano of Akō took revenge on Kira Yoshinaka, whose insult had led to their master's forced suicide. They then surrendered and were sentenced to ritual suicide. The story, known as Chūshingura, became Japan's national legend of loyalty.
Gekkō's Gishi shijūshichi zu gives one sheet to each of the forty-seven men, with a label stating his rank, stipend and age at death. The set was completed and reissued in 1902 for the 200th anniversary of the vendetta, and this sheet carries a 1902 publication date.
卖家故事
我已经收集日本版画很久了——从经典的浮世绘到新派绘画和创作版画。起初只是个人爱好，如今发展成更大的事业，如今我从拍卖会、画廊和遍及日本与欧洲的私人收藏中获取版画。
随着全球对日本木版画兴趣的增加，画廊的价格也在稳步上升。我的目标很简单：以合理的价格提供高质量、正品的版画。我对所售作品要求很高——我寻找的作品应该保存良好、保持摊平、且没有严重的纸泛、污渍或损坏。
我总部在德国，这意味着欧盟买家无需缴纳进口关税或税费。对于美国买家，原始艺术品在海关编码9702项同样免税。无论你身在何处，我都会用多层保护小心打包，确保你的版画安全到达。
如果你对某件作品有疑问，随时联系我。你在我的拍品中竞标获胜后，就可以获得联系我的入口。
使用Google翻译翻译详细资料
王朝风格/时期
Meiji period (1868-1912)
项目件数
1
原产国
日本
Attribution
Original
艺术品标题
Ogata Gekkō · Gishi Shijūshichi Zu · 47 Rōnin · Chūshingura · Meiji
Condition
良好状态
起源
私人收藏
真伪
原始的/正式的
