Joan Canós (1928) - Parc de la Ciutadella





Catawiki买家保障
在您收到物品之前,您的付款将在我们这里受到安全保管。查看详细信息
Trustpilot 4.4分 | 143313条评论
在Trustpilot上被评为优秀。
乔安·卡诺斯(Joan Canós,1928年)油画作品 Parc de la Ciutadella,油画布上油,原版,尺寸45×55 cm,手签,西班牙,由 Galería 出售,品相良好。
卖家的描述
Pictura Galeria presents this magnificent work of art by Joan Canós, depicting two boats sailing before a domed building surrounded by trees and palm trees, as a symbol of calm, memory, journey and harmony. The painting stands out for its excellent technique and the high pictorial quality it transmits.
· Dimensions of the work: 45x55x2 cm.
· Oil on canvas hand-signed by the artist in the lower right corner of the work.
· The piece is in good condition.
The work comes from an exclusive private collection in Girona.
Important note: the photographs included are an integral part of the lot description.
The work will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the professional packaging cost and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.
------------------------------------------------------------------
This painting presents a serene scene beside a pond or river of calm waters, where two small boats slowly advance in front of an elegant building crowned by a large dome. The vegetation surrounds the architecture and occupies a good part of the composition with palm trees, lush trees and branches that extend over the water. In the foreground, the boats and their occupants introduce a discreet human presence, while the reflections of the buildings and trees mingle on the surface. The landscape conveys calm, balance and a sense of rest, as if time had stopped during a luminous afternoon.
The water occupies the entire lower zone and acts as a large surface of reflections. Predominant are grayish greens, pale blues, whites, violets and small brown tones. The surface seems calm, although numerous horizontal lines suggest gentle currents and the movement produced by the oars. This softness allows the boats to advance without disturbing the general serenity.
On the left in the foreground, the larger boat is located. Its hull is elongated and narrow, with a blue stripe running along the top. Whites, grays and small violet tones define its volume. The boat is oriented horizontally and appears to move slowly to the left.
Inside this boat appears a figure dressed in a reddish garment. Its body leans slightly forward and occupies the central area of the hull. The head and shoulders are distinguished by dark and light tones. Although their features cannot be seen, their posture conveys calm.
A long oar extends from the boat into the water. Its diagonal line introduces movement and breaks the landscape's horizontality. The blade seems to submerge gently, leaving a small disturbance on the surface. This gesture allows imagining the slow, repeated rhythm of navigation.
The shadow or reflection of the boat appears below in blues, grays and dark tones. Its elongated shape blends with the water and creates a sense of depth. The boundaries are not fully defined due to the movement. The vessel seems to float with great lightness.
A little further back there is a second boat, oriented almost frontally. Its smaller size indicates it is farther away. The hull shows whites, blues and grays, while two dark figures occupy its interior. The boat advances directly toward the viewer or toward the center of the pond.
The two people in the second boat appear very close. Their heads are distinguished by small dark shapes and their bodies merge with the hull. One of them seems to be handling the oars, while the other remains seated. This presence adds a dimension of companionship and shared stroll.
From the second boat extend two long oars to either side. The diagonal lines form an open and balanced structure. The blades touch the water and suggest a slow movement. The symmetry of the oars contrasts with the lateral position of the first vessel.
Between the two boats there is a considerable distance of clear water. This space prevents the foreground from becoming congested and reinforces tranquility. The boats seem to follow different paths without interfering. Each lives its own moment within the same landscape.
The water collects numerous reflections from the opposite shore. Near the center appear whites, yellows, greens and violets that may correspond to the facades and the palm trees. These shapes descend vertically and fragment when touching the small waves. The reflection turns the architecture into a moving image.
On the right side, the surface becomes darker due to the shadow of the large tree. Deep greens, blacks and browns accumulate near the shore. This area contrasts with the clarity of the center. The shadow creates a sense of shelter and coolness.
The opposite bank crosses the composition with a horizontal line. A clear promenade separates the water from the vegetation and buildings. Its beige, whites and pink tones suggest a surface illuminated by the sun. This band organizes the landscape and sets a boundary between nature and architecture.
Over the promenade several palm trees align. Their tall, slim trunks rise vertically and support open canopies in a fan shape. The leaves combine dark greens, bluish tones and small yellow reflections. The palms bring a warm and elegant atmosphere.
Two palms located near the center-left stand out especially. Their crowns partly overlap and form large vegetal stars. The dark trunks contrast with the light facade behind. These shapes frame the central area of the building.
The palms create a transition between the water and the architecture. Their reflections descend toward the pond in vertical patches of dark tones. At the same time, their canopies open toward the sky. They visually connect the bottom and the top.
On the left side there is a mass of trees and shrubs. The dark greens mix with gray and bluish tones. Some canopies are rounded, while others have more irregular shapes. This vegetation partially hides the buildings and softens their lines.
In the center rises the main building. Its facade presents beige, pinkish, gray and brown tones. Some dark windows are regularly distributed, allowing to recognize different levels. The architecture has a monumental character but harmonizes with the landscape.
The front part of the building shows a sloping roof in orange, ochre and brown tones. In the center, a small triangular structure opens that could correspond to a window or a pediment. This shape directs the gaze toward the dome behind. The roof adds warmth to the ensemble.
A light area extends on the left side of the façade. Several tall and narrow windows follow next to the palm trees. Their dark outlines create a vertical rhythm. The light seems to reach directly this part of the building.
To the right, the façade takes on pinkish and brown tones. Two dark windows appear partially hidden by the canopies of the trees. The vegetation visually invades the architecture. This relationship conveys the sense of a building surrounded by an ancient park.
Behind the roofs rises a large dome. Its rounded shape occupies the center top and becomes the main architectural focal point. Grays, whites, yellows and violets are distributed in broad segments that suggest its structure. The dome is clearly outlined against the sky.
At the base of the dome appears a dark horizontal band. This line marks the transition between the body of the building and the roof. The small color variations allow perceiving the volume. The construction conveys stability and solemnity.
At the top there is a small lantern or cylindrical tower. Several dark openings are distributed around its body and a rounded cap crowns it. Its verticality extends the building toward the sky. This finial lends elegance and turns the dome into a landmark.
The dome may belong to a church, a pavilion, a palace or a public building. Its exact function is not essential to understanding the scene. What matters is its serene and monumental presence. The architecture seems to observe the gentle movement of the boats.
On the right side extends a large tree with broad branches. Its trunk rises from the edge and divides into numerous limbs that cross the top. The dark greens, grays, blacks and bluish tones form a dense canopy. The tree acts as a natural frame.
Some branches extend horizontally toward the dome and the sky. Their thin, dark shapes are cut against the clouds. This direction leads the eye toward the central building. The tree seems to lean over the water and protect the shore.
The right vegetation is especially abundant in the lower part. Shrubs, leaves and branches cluster to form a dark mass reaching the edge of the pond. The yellowish greens introduce small flashes of light. This area balances the openness of the water.
Among the leaves there are gaps through which fragments of architecture and the promenade are distinguished. This overlap creates depth. The viewer feels they are observing the scene from a protected area by the trees. The nearby vegetation increases intimacy.
The sky occupies a wide upper band and presents a light and luminous blue. Large white and grayish clouds are mostly distributed toward the left and center. Their soft outlines create a tranquil atmosphere. The light seems to correspond to a pleasant and slightly changing day.
The clouds behind the dome enhance its silhouette. The whites mix with blues and small violets. The clarity of the sky contrasts with the dark trees. This opposition increases depth and brightness.
The color range remains within a serene harmony. The greens of the vegetation dominate the sides, blues and grays concentrate in the water and sky, and the beiges and pinks appear in the architecture. The red of the figure in the first boat introduces a small warm accent. All colors contribute to the overall balance.
The composition is organized along three main levels. The water and boats occupy the foreground; the promenade, the palms and the building form the middle zone; and the sky completes the background. This sequence generates great depth. The gaze naturally progresses from the figures to the dome.
The two boats provide movement without breaking the calm. The water seems to respond gently to the stroke of the oars. There is no hurry or agitation. The navigation becomes a contemplative activity.
The scene can unfold in an urban park, a historic garden or an environment near a monumental building. The combination of water, vegetation and architecture creates a space designed for rest. People seem to enjoy a stroll away from the noise. The landscape conveys well-being.
The boats can be interpreted as symbols of travel and the passage of time. They advance slowly over a changing surface, leaving small traces that soon disappear. Each vessel follows its own course. However, both share the same space and the same serenity.
Water symbolizes reflection and memory. It collects the images of the building, the trees and the people, but transforms them through movement. Nothing is reflected in a completely stable way. This quality reminds us that every experience changes when it becomes a memory.
The dome represents permanence, history and human presence. Its solid architecture contrasts with the fluidity of the water. While the boats advance and reflections change, the building remains firm. This opposition adds a poetic dimension.
The trees symbolize protection and continuity. They surround the building, provide shade and frame the pond. Their growth shows how nature and architecture can coexist. The palms add a sense of elegance and warm climate.
The presence of several people in the boats introduces a reflection on companionship. The solitary figure on the left boat contrasts with the couple in the background. One represents individual contemplation and the other, shared experience. Both ways of traveling the water seem equally valid.
In summary, this painting represents a quiet boat ride on waters surrounded by trees and palm trees, before an elegant building crowned by a large dome. The boats bring movement and human presence; the water symbolizes reflection and the passage of time; the architecture, permanence and memory; and the vegetation, protection and harmony. The reflections unite all elements and turn the landscape into a serene, luminous and profoundly contemplative scene. The work invites us to pause, observe and enjoy the calm of a shared moment between nature, history and everyday life.
Pictura Galeria presents this magnificent work of art by Joan Canós, depicting two boats sailing before a domed building surrounded by trees and palm trees, as a symbol of calm, memory, journey and harmony. The painting stands out for its excellent technique and the high pictorial quality it transmits.
· Dimensions of the work: 45x55x2 cm.
· Oil on canvas hand-signed by the artist in the lower right corner of the work.
· The piece is in good condition.
The work comes from an exclusive private collection in Girona.
Important note: the photographs included are an integral part of the lot description.
The work will be professionally packaged by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the professional packaging cost and the transport itself.
Shipping will be carried out by Correos or GLS with tracking. International shipping available.
------------------------------------------------------------------
This painting presents a serene scene beside a pond or river of calm waters, where two small boats slowly advance in front of an elegant building crowned by a large dome. The vegetation surrounds the architecture and occupies a good part of the composition with palm trees, lush trees and branches that extend over the water. In the foreground, the boats and their occupants introduce a discreet human presence, while the reflections of the buildings and trees mingle on the surface. The landscape conveys calm, balance and a sense of rest, as if time had stopped during a luminous afternoon.
The water occupies the entire lower zone and acts as a large surface of reflections. Predominant are grayish greens, pale blues, whites, violets and small brown tones. The surface seems calm, although numerous horizontal lines suggest gentle currents and the movement produced by the oars. This softness allows the boats to advance without disturbing the general serenity.
On the left in the foreground, the larger boat is located. Its hull is elongated and narrow, with a blue stripe running along the top. Whites, grays and small violet tones define its volume. The boat is oriented horizontally and appears to move slowly to the left.
Inside this boat appears a figure dressed in a reddish garment. Its body leans slightly forward and occupies the central area of the hull. The head and shoulders are distinguished by dark and light tones. Although their features cannot be seen, their posture conveys calm.
A long oar extends from the boat into the water. Its diagonal line introduces movement and breaks the landscape's horizontality. The blade seems to submerge gently, leaving a small disturbance on the surface. This gesture allows imagining the slow, repeated rhythm of navigation.
The shadow or reflection of the boat appears below in blues, grays and dark tones. Its elongated shape blends with the water and creates a sense of depth. The boundaries are not fully defined due to the movement. The vessel seems to float with great lightness.
A little further back there is a second boat, oriented almost frontally. Its smaller size indicates it is farther away. The hull shows whites, blues and grays, while two dark figures occupy its interior. The boat advances directly toward the viewer or toward the center of the pond.
The two people in the second boat appear very close. Their heads are distinguished by small dark shapes and their bodies merge with the hull. One of them seems to be handling the oars, while the other remains seated. This presence adds a dimension of companionship and shared stroll.
From the second boat extend two long oars to either side. The diagonal lines form an open and balanced structure. The blades touch the water and suggest a slow movement. The symmetry of the oars contrasts with the lateral position of the first vessel.
Between the two boats there is a considerable distance of clear water. This space prevents the foreground from becoming congested and reinforces tranquility. The boats seem to follow different paths without interfering. Each lives its own moment within the same landscape.
The water collects numerous reflections from the opposite shore. Near the center appear whites, yellows, greens and violets that may correspond to the facades and the palm trees. These shapes descend vertically and fragment when touching the small waves. The reflection turns the architecture into a moving image.
On the right side, the surface becomes darker due to the shadow of the large tree. Deep greens, blacks and browns accumulate near the shore. This area contrasts with the clarity of the center. The shadow creates a sense of shelter and coolness.
The opposite bank crosses the composition with a horizontal line. A clear promenade separates the water from the vegetation and buildings. Its beige, whites and pink tones suggest a surface illuminated by the sun. This band organizes the landscape and sets a boundary between nature and architecture.
Over the promenade several palm trees align. Their tall, slim trunks rise vertically and support open canopies in a fan shape. The leaves combine dark greens, bluish tones and small yellow reflections. The palms bring a warm and elegant atmosphere.
Two palms located near the center-left stand out especially. Their crowns partly overlap and form large vegetal stars. The dark trunks contrast with the light facade behind. These shapes frame the central area of the building.
The palms create a transition between the water and the architecture. Their reflections descend toward the pond in vertical patches of dark tones. At the same time, their canopies open toward the sky. They visually connect the bottom and the top.
On the left side there is a mass of trees and shrubs. The dark greens mix with gray and bluish tones. Some canopies are rounded, while others have more irregular shapes. This vegetation partially hides the buildings and softens their lines.
In the center rises the main building. Its facade presents beige, pinkish, gray and brown tones. Some dark windows are regularly distributed, allowing to recognize different levels. The architecture has a monumental character but harmonizes with the landscape.
The front part of the building shows a sloping roof in orange, ochre and brown tones. In the center, a small triangular structure opens that could correspond to a window or a pediment. This shape directs the gaze toward the dome behind. The roof adds warmth to the ensemble.
A light area extends on the left side of the façade. Several tall and narrow windows follow next to the palm trees. Their dark outlines create a vertical rhythm. The light seems to reach directly this part of the building.
To the right, the façade takes on pinkish and brown tones. Two dark windows appear partially hidden by the canopies of the trees. The vegetation visually invades the architecture. This relationship conveys the sense of a building surrounded by an ancient park.
Behind the roofs rises a large dome. Its rounded shape occupies the center top and becomes the main architectural focal point. Grays, whites, yellows and violets are distributed in broad segments that suggest its structure. The dome is clearly outlined against the sky.
At the base of the dome appears a dark horizontal band. This line marks the transition between the body of the building and the roof. The small color variations allow perceiving the volume. The construction conveys stability and solemnity.
At the top there is a small lantern or cylindrical tower. Several dark openings are distributed around its body and a rounded cap crowns it. Its verticality extends the building toward the sky. This finial lends elegance and turns the dome into a landmark.
The dome may belong to a church, a pavilion, a palace or a public building. Its exact function is not essential to understanding the scene. What matters is its serene and monumental presence. The architecture seems to observe the gentle movement of the boats.
On the right side extends a large tree with broad branches. Its trunk rises from the edge and divides into numerous limbs that cross the top. The dark greens, grays, blacks and bluish tones form a dense canopy. The tree acts as a natural frame.
Some branches extend horizontally toward the dome and the sky. Their thin, dark shapes are cut against the clouds. This direction leads the eye toward the central building. The tree seems to lean over the water and protect the shore.
The right vegetation is especially abundant in the lower part. Shrubs, leaves and branches cluster to form a dark mass reaching the edge of the pond. The yellowish greens introduce small flashes of light. This area balances the openness of the water.
Among the leaves there are gaps through which fragments of architecture and the promenade are distinguished. This overlap creates depth. The viewer feels they are observing the scene from a protected area by the trees. The nearby vegetation increases intimacy.
The sky occupies a wide upper band and presents a light and luminous blue. Large white and grayish clouds are mostly distributed toward the left and center. Their soft outlines create a tranquil atmosphere. The light seems to correspond to a pleasant and slightly changing day.
The clouds behind the dome enhance its silhouette. The whites mix with blues and small violets. The clarity of the sky contrasts with the dark trees. This opposition increases depth and brightness.
The color range remains within a serene harmony. The greens of the vegetation dominate the sides, blues and grays concentrate in the water and sky, and the beiges and pinks appear in the architecture. The red of the figure in the first boat introduces a small warm accent. All colors contribute to the overall balance.
The composition is organized along three main levels. The water and boats occupy the foreground; the promenade, the palms and the building form the middle zone; and the sky completes the background. This sequence generates great depth. The gaze naturally progresses from the figures to the dome.
The two boats provide movement without breaking the calm. The water seems to respond gently to the stroke of the oars. There is no hurry or agitation. The navigation becomes a contemplative activity.
The scene can unfold in an urban park, a historic garden or an environment near a monumental building. The combination of water, vegetation and architecture creates a space designed for rest. People seem to enjoy a stroll away from the noise. The landscape conveys well-being.
The boats can be interpreted as symbols of travel and the passage of time. They advance slowly over a changing surface, leaving small traces that soon disappear. Each vessel follows its own course. However, both share the same space and the same serenity.
Water symbolizes reflection and memory. It collects the images of the building, the trees and the people, but transforms them through movement. Nothing is reflected in a completely stable way. This quality reminds us that every experience changes when it becomes a memory.
The dome represents permanence, history and human presence. Its solid architecture contrasts with the fluidity of the water. While the boats advance and reflections change, the building remains firm. This opposition adds a poetic dimension.
The trees symbolize protection and continuity. They surround the building, provide shade and frame the pond. Their growth shows how nature and architecture can coexist. The palms add a sense of elegance and warm climate.
The presence of several people in the boats introduces a reflection on companionship. The solitary figure on the left boat contrasts with the couple in the background. One represents individual contemplation and the other, shared experience. Both ways of traveling the water seem equally valid.
In summary, this painting represents a quiet boat ride on waters surrounded by trees and palm trees, before an elegant building crowned by a large dome. The boats bring movement and human presence; the water symbolizes reflection and the passage of time; the architecture, permanence and memory; and the vegetation, protection and harmony. The reflections unite all elements and turn the landscape into a serene, luminous and profoundly contemplative scene. The work invites us to pause, observe and enjoy the calm of a shared moment between nature, history and everyday life.

