Tom Hopman

艺术书籍拍卖（建筑及设计）

AMO/OMA 为 Domus 编辑其中一期特刊，考察四座最近的建筑，并非以我们的视角，而是通过这些项目所进入的更广泛媒体与文化语境，以及用户的亲密而批判性的体验。

在本期中，我们尝试以新颖而复杂的方式重新呈现四座最近的建筑。我们不强调建筑本身的品质，而是关注它们对各自东道主与使用者的影响。没有“评论家”——通常是盛装打扮的挚友——也没有威压。我们汇聚了无数匿名声音并收集了快照。我们记录了（我们）建筑在一个原始的影响与前辈之海中的位置，这些因素支撑着它们的存在，也与它们的存在相关联、试图贡献的对象。我们从游客与艺术家的视角出发，信任他人来记录。摆脱媒体的胜利主义或悲观主义的光环，我们想看到在缺乏作者的情境中会发生什么，以作为现实——我们在入住后所共同缔造的事实，而非壮举。—— Rem Koolhaas

AMO/OMA guest edit an issue of Domus, looking at four recent buildings not through our eyes but through the broader media and cultural context which these projects entered into, and through the intimate and critical experiences of their users.

"With this issue we try to (re)present four recent buildings in a fresh, complex way. We don't insist on the buildings' qualities, but monitored their effects on their respective hosts and users. There are no "critics" - usually, best friends in drag - no intimidation. We have assembled myriad anonymous voices and collected snapshots. We documented how (our) buildings take their place in a primordial sea of influences and predecessors on which their existence depends and to whose existence they try to contribue. We looked through the eyes of tourists and artists, trusted others to record. Away from the triumphalist or miserablist glare of the media, we wanted to see what happens in the absence of the author, to represent the realities we were complicit in creating, post-occupancy, as facts, not feats." - Rem Koolhaas

我们的专家提供此估价，以为您的出价提供指导。此估计基于预期的需求和物品的独有的特征，如质量、稀有性或所有权历史等。我们无法保证该物品一定会以此金额出售、转售或被评估。

Koolhaas, Rem / AMO - Post-Occupancy - 2006

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