Miguel Berrocal (1933-2006) - Suite Olympic Centennial





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米格尔·贝罗卡尔的当代版画《Suite Olympic Centennial》,手签限量版(250),1992年,使用270 g的Vélin d’Arches纸,尺寸63 cm×90 cm,裸像风格,重量1 kg,状况极好。
卖家的描述
ABOUT THE PRINT
- 石版画,纸张为 Vélin d’Arches,270 g。
- 属于“奥林匹克百年”套系,由国际奥委会赞助。
- 原作图版作品,由艺术家手工编号并签名。
- 由于这是限量编号系列,照片中显示的物品编号可能与原作不同。
- 本商品包含 AI 可视化图像。为了解物件的实际状况,请以原始照片为准。
ABOUT THE ARTWORK
The Olympic Suite consists of 50 lithographs and silkscreen prints chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of the modern Olympic Games. The selected artists work in a wide variety of movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, including abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented are creators of great international renown, widely recognised by critics.
-> 奥林匹克套系由50张石版画和丝网印刷品组成,旨在代表当代艺术趋势的多样性。其出版是为了纪念现代奥运会的首次百年。入选艺术家的作品在风格流派上差异极大,从安东尼奥·洛佩斯的超现实主义到索尔·勒维特的抽象主义,还包括抽象表现主义、阿登·昆的几何主义、概念艺术、波普艺术、巴尔达奇尼与罗特拉的新现实主义,以及多库皮尔的新野兽派等。参展的艺术家中有许多享有国际声誉、受到评论家认可的创造者。
ABOUT THE ARTIST
Miguel Ortiz Berrocal (1933-2006)
- 米格尔·奥蒂斯·贝罗卡尔(1933-2006)
Was a Spanish renowned sculptor known for his mathematical, demountable works, which transformed sculpture into a game between form, space and viewer participation. He trained at the San Fernando School of Fine Arts in Madrid and later continued his studies in Rome and Paris, where he came into contact with the artistic languages of the European avant-garde.
他是西班牙知名雕塑家,以其数学化、可拆解的作品著称,将雕塑转变为形式、空间与观者参与之间的游戏。
他在马德里的圣费尔南多美术学院受训,随后在罗马与巴黎继续深造,接触到欧洲前卫艺术语言。
His work was characterised by the conception of articulated and dismantlable sculptures, composed of multiple pieces that could be assembled in various ways, turning sculpture into a playful and interactive experience. Works such as Goliath, Torero and Citius, Altius, Fortius became benchmarks for this innovative approach.
他的作品以可连结、可拆解的雕塑著称,由多件组成,可以以多种方式组装,使雕塑成为一种有趣且互动的体验。作品如 Goliath、Torero 与 Citius, Altius, Fortius 成为这一创新方法的基准。
Berrocal also explored multiple editions of his sculptures, bringing contemporary art to a wider audience and breaking with the idea of sculpture as a unique piece. At the same time, he investigated the relationship between art, science and mathematics, developing a unique language that combined technical precision with artistic imagination.
贝罗卡尔还探索了他的雕塑的多种版次,将当代艺术带给更广泛的观众,并打破雕塑只是单件作品的观念。同时,他研究艺术、科学与数学之间的关系,发展出将技术精确性与艺术想象力结合在一起的独特语言。
Throughout his career, he received numerous awards, including the Spanish National Prize for Plastic Arts in 1985. His works are part of collections in museums and public spaces around the world, from Europe to America and Asia.
在其职业生涯中,他获得了众多奖项,包括1985年的西班牙国家美术奖。他的作品被全球各地的博物馆和公共场所收藏,覆盖欧洲、美洲与亚洲。
ABOUT THE PRINT
- 石版画,纸张为 Vélin d’Arches,270 g。
- 属于“奥林匹克百年”套系,由国际奥委会赞助。
- 原作图版作品,由艺术家手工编号并签名。
- 由于这是限量编号系列,照片中显示的物品编号可能与原作不同。
- 本商品包含 AI 可视化图像。为了解物件的实际状况,请以原始照片为准。
ABOUT THE ARTWORK
The Olympic Suite consists of 50 lithographs and silkscreen prints chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of the modern Olympic Games. The selected artists work in a wide variety of movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, including abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented are creators of great international renown, widely recognised by critics.
-> 奥林匹克套系由50张石版画和丝网印刷品组成,旨在代表当代艺术趋势的多样性。其出版是为了纪念现代奥运会的首次百年。入选艺术家的作品在风格流派上差异极大,从安东尼奥·洛佩斯的超现实主义到索尔·勒维特的抽象主义,还包括抽象表现主义、阿登·昆的几何主义、概念艺术、波普艺术、巴尔达奇尼与罗特拉的新现实主义,以及多库皮尔的新野兽派等。参展的艺术家中有许多享有国际声誉、受到评论家认可的创造者。
ABOUT THE ARTIST
Miguel Ortiz Berrocal (1933-2006)
- 米格尔·奥蒂斯·贝罗卡尔(1933-2006)
Was a Spanish renowned sculptor known for his mathematical, demountable works, which transformed sculpture into a game between form, space and viewer participation. He trained at the San Fernando School of Fine Arts in Madrid and later continued his studies in Rome and Paris, where he came into contact with the artistic languages of the European avant-garde.
他是西班牙知名雕塑家,以其数学化、可拆解的作品著称,将雕塑转变为形式、空间与观者参与之间的游戏。
他在马德里的圣费尔南多美术学院受训,随后在罗马与巴黎继续深造,接触到欧洲前卫艺术语言。
His work was characterised by the conception of articulated and dismantlable sculptures, composed of multiple pieces that could be assembled in various ways, turning sculpture into a playful and interactive experience. Works such as Goliath, Torero and Citius, Altius, Fortius became benchmarks for this innovative approach.
他的作品以可连结、可拆解的雕塑著称,由多件组成,可以以多种方式组装,使雕塑成为一种有趣且互动的体验。作品如 Goliath、Torero 与 Citius, Altius, Fortius 成为这一创新方法的基准。
Berrocal also explored multiple editions of his sculptures, bringing contemporary art to a wider audience and breaking with the idea of sculpture as a unique piece. At the same time, he investigated the relationship between art, science and mathematics, developing a unique language that combined technical precision with artistic imagination.
贝罗卡尔还探索了他的雕塑的多种版次,将当代艺术带给更广泛的观众,并打破雕塑只是单件作品的观念。同时,他研究艺术、科学与数学之间的关系,发展出将技术精确性与艺术想象力结合在一起的独特语言。
Throughout his career, he received numerous awards, including the Spanish National Prize for Plastic Arts in 1985. His works are part of collections in museums and public spaces around the world, from Europe to America and Asia.
在其职业生涯中,他获得了众多奖项,包括1985年的西班牙国家美术奖。他的作品被全球各地的博物馆和公共场所收藏,覆盖欧洲、美洲与亚洲。

