藝術

室內設計及裝飾

鑽石及寶石

腕錶、鋼筆及打火機

時尚及運動

錢幣及郵票

漫畫及動畫

經典汽車，摩托車及汽車用品

葡萄酒、威士忌與烈酒

亞洲及部落藝術

集換式卡牌

玩具及模型

考古學及自然歷史

運動及項目

音樂、電影及相機

書籍及歷史紀念品

{name}為您帶來最好的物品

Anthony Chrisp

#210-682 - S - " Cobalt Alt ".
Pièce unique, oeuvre originale d'Anton Kaestner, directement de l'atelier parisien.

Acrylique en spray sur plaque de plexiglas de 3mm.
Ce tableau n'est pas une impression. Il s'agit d'une oeuvre originale peinte en plusieurs couches de peinture et / ou de spray dont le rendu brillant "glossy", proche de l'application d'une résine, est unique.

Dimensions : Inch 11,8 * 7,9 * 0,12 / 30 * 20 * 0,3 cm sans cadre.
Ce tableau est livré sans cadre. 
Cadre de qualité de la marque allemande Nielsen en aluminium, référence 34 Natura 514 Chêne (Inch 0,23 * 1,38 / 0,6 * 3,5 cm) recommandé et disponible lors de l'expédition pour un montant additionnel de 70€.

L'oeuvre est signée au dos.
Un Certificat d'Authenticité l'accompagne.
La livraison est couverte par une assurance.

Anton Kaestner est un peintre, sculpteur et auteur Suisse basé à Paris. Ses oeuvres sont exposées partout en Europe, en Suisse et à Dubaï. Plus d'information et de choix sur www.antonkaestner.com.

Prochaine exposition - Sidney Août / Septembre 2025.


"Biography

Born in Geneva, Switzerland, I grew up surrounded by the natural beauty and cultural richness of my homeland. Creativity was valued in my family, and it was my late grandfather, a craftsperson & artist, whose influence planted the seed for what would eventually become my life's passion.
In 1993, I began painting privately, experimenting with countless acrylics in A4 and then A3 notebooks. I was first drawn to non-figurative painting and abstract expressionism. Over time, and while I consider myself an atheist, I also developed a fondness for spiritual materials as they resonated with my exploration of human existence, melancholy and the deeper truths of nature and life.
However, the path to truly becoming an artist wasn’t immediate.
For over three decades, I pursued an international business career that took me across the globe, from the United States to Morocco, Belgium, across Asia and France. My travels broadened my perspective, exposing me to a wide range of cultural influences. Wherever I went, I immersed myself in the local art scenes and engaged with the creative energy of each place.
Despite the focus on my business career, art was always a part of me, quietly simmering beneath the surface. For nearly 30 years, painting became a form of secret meditation for me—a way to break free from the world and focus on my inner self.
I have always found immense satisfaction in painting. Each new work is a journey where I can test my creativity, explore new techniques, and live through genuine experiences. Through my art, I have always hoped to offer others a sincere encounter with beauty, an opportunity to see the world from a different perspective and reflect on their own lives.
In 2021, after retiring from my business career, I fully committed to painting. I established my studio in Paris and began devoting myself entirely to my art. By the end of 2023, I launched my public artistic career, and, to my surprise, my work quickly gained recognition, finding homes in private collections all over Europe, especially in France, Portugal, Germany, and the Netherlands.


Artistic CV

My first solo exhibition, "Échos," held in Paris at the end of 2024, showcased a distinctive approach to art, away from traditional painting techniques: I paint with acrylics, metallic pigments, and sprays on the back of recycled extruded plexiglass, a light, smooth, glossy and sometimes fragile surface.
This process prevents me from seeing the work as it develops. I have no visual feedback or control during the process—something I welcome. I allow “random experiments” -anything goes to short-circuit reason !- to guide the outcome, the layers & mirror effects I create, and leave room for revelation and discovery when the piece is finally exposed. This approach that echoes with the revelation / fixation process of photography is challenging and liberating. The values ​​of the composition are enriched by layers and transparencies, yet giving each work an “ascetic” quality: I am happy when I recognize “irreducible necessities”, i.e. what we are likely to discover when we stop in silence and light.
I keep my approach deliberately simple. Neither “emotion” nor “theoretical conception” but experience of being. Neither “rapid consumption” nor “intellectualization / intellectual possession”, but broadening of consciousness and exploration of reality, of its visible and invisible stories, my art is a quest for “life at the very heart of life”, "le vif" as french SF master Alain Damasio would put it.
While my work might sometimes evoke the transparency and luminosity of stained glass, it remains almost entirely abstract. Moreover, plexiglass provides the painting with a shimmering skin where one can glimpse one's own silhouette, different to each new viewer. Each work acts like a discreet mirror: it lives, it changes, it sees.
The interplay of light, color, and texture, of the missing parts also, only requires empathy. Hopefully, the play between “details for the close” & “distance for the whole”, will encourage viewers to embark on their own introspective journeys.
I don't claim to have all the answers and want to remain humble about what can be achieved. Simply, I find satisfaction in the continuous process of questioning and growth. Each new creation is a confrontation with my limits, pushing me to refine my skills and explore further what I can accomplish. Painting to me is a daily craft, an exploration, a way to spark meaningful conversations.

As Jean Bazaine would say: "The daily practice multiplies the passion for seeing."

Anton Kaestner".

噴漆, 壓克力畫 - Hand signed - 2025

Anton Kaestner - #210-682 - S - " Cobalt Alt ".

樂器

底價

沒有保留價

立即購買

結束日期

29 一月

明天

今天

5 二月

星期六

31 一月

预算

位置

義大利

荷蘭

德國

葡萄牙

比利時

西班牙

法國

日本

羅馬尼亞

奧地利

波蘭

土耳其

英國

挪威

匈牙利

丹麥

香港

馬爾他

品牌

Fender

Stagg

Yamaha

Ibanez

Digitech

Framus

Gibson

Squier

Epiphone

Boss

Alhambra

No brand

Dunlop

Hohner

Korg

Roland

Schecter

Greco

Hagström

Ramirez

Aria

Marshall

物品

電吉他

小提琴

效果踏板

古典結他

原聲吉他

吉他擴大機

電音聲型吉他

低音電吉他

小號

降 B 調單簧管

低音擴大機

綜效踏板

諧振器吉他

長笛

手風琴

班卓曼陀林琴

4弦電貝司吉他

鍵盤合成器

原聲吉他擴大機

音樂踏板

手碟

弗拉門戈吉他

客廳吉他

半空心吉他

原產國

美國

不明

中國

韓國

印度尼西亞

台灣

捷克共和國

加拿大

北美

非洲

巴西

墨西哥

尼泊爾

物料

金屬

塑料

花梨木

雲杉

楓木

桃花心木

烏木

木 - 紫檀木

黃銅

皮革

青銅色

木 - 楓樹

雪松木

不銹鋼

木 - 桃花心木

榿木

鋼（不銹鋼）

紡織品

椴木

夏威夷相思木

鍍銀黃銅

狀態

全新

嶄新的

很好

極好

一般

無法運作/ 需要修復

B-庫存品

各種狀況

額外

沒有額外的

原裝盒

硬盒

字符串

+額外項目（參見說明）

電纜線

軟盒

吉格包

錶帶

原始零件

Mouthpiece

吉他盒

電源供應

調諧器

Road Case

吉他線

插孔電纜

腳踏開關

鼓棒

Chin rest

低音吉他盒

附原裝盒

電源線

撥片

時期

1850-1900

款式

中世紀後期

簽名

藝術家印章

簽名人

時代

2000年後

1900-2000

1400-1900

已測試及運作中

經檢測，功能正常/可使用

未經檢測

未經檢測，僅供裝飾用途

好 - 包含: 小提琴 - 沒有額外的

Labelled Ferdinandus Gagliano - 4/4 -  - 小提琴 - 不明

Labelled Petrus Guarnerius - 4/4 -  - 小提琴 - 不明

極好 - 包含: 小提琴 - 沒有額外的

Labelled G. Lucci -  - 小提琴 - 不明

Dora 銅鑼 - 鑼 - 日本

極好 - 包含: 降 B 調單簧管 - 硬盒

Vega Company - Boston -  - 降 B 調單簧管 - 1926

很好 - 包含: 樂器 - 鼓棒

Unknown - Santoor -  - 樂器 - 土耳其

Handmade - Santoor -  - 樂器 - 土耳其

次 - 包含: 小提琴 - Chin rest, 字符串, +額外項目（參見說明）

ALTE GEIGE  Zettel  Antonius Stradiuvarius Cremonensis Faciebat Anno 1725 -  - 小提琴 - 義大利  (沒有保留價)

無法運作/ 需要修復 - 包含: 管樂器 - Mouthpiece

Couesnon -  - 管樂器 - 法國 - 1910  (沒有保留價)

無法運作/ 需要修復 - 包含: 原聲吉他 - 沒有額外的

THANH LUTHIER - PAN COUPE -  - 原聲吉他 - 越南 - 2014  (沒有保留價)

樂器

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Anton Kaestner - #210-682 - S - " Cobalt Alt ".

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